ART TRACKERSConnecting fine art to people
Platform OverviewPlatform SecurityPricingTechnology OverviewTags & PlaquesWhat is UAINLegal & Compliance
GovernmentTribal NationsArtistsUniversity & CollegesServices
InstitutionsExploreMuseum Collections
Artists
Why Art TrackersAboutContactBlogDocumentationCareers
Request demo
Platform OverviewPlatform SecurityPricingTechnology OverviewTags & PlaquesWhat is UAINLegal & Compliance
GovernmentTribal NationsArtistsUniversity & CollegesServices
InstitutionsExploreMuseum Collections
Artists
Why Art TrackersAboutContactBlogDocumentationCareers
Request demo
Art Trackers logo
ART TRACKERS
Connecting fine art to people

Connecting fine art to people. Preserving cultural legacy through technology.

Platform

FeaturesHow It WorksSecurityIntegrations

Government

For Cities & CountiesComplianceResourcesCase Studies

Resources

DocumentationHelp CenterBlog

Company

About UsCareersNewsContact Us

© 2026 Art Trackers LLC. All rights reserved.

Privacy PolicyTerms of ServiceAccessibility
    Museum collections / The Cleveland Museum of Art
    Study of a Reclining Nude
    Isidore Pils. Study of a Reclining Nude, c. 1841. The Cleveland Museum of Art. Public domain (CC0).

    Public collection via the Cleveland Museum of Art

    AT-00009635

    Study of a Reclining Nude

    by Isidore Pils

    Also known as: Odalisque

    View at the Cleveland Museum of Art

    About the Artwork

    The languorous, sensuous pose of this woman is strongly reminiscent of Jean Auguste Dominique Ingres's popular paintings of odalisques, female slaves, and concubines in Turkish harems. Much of this canvas has been left thinly painted or entirely blank, suggesting that it was a figural study rather than a finished work of art. The French Academy in the 1800s viewed the depiction of the nude as the ultimate measure of an artist's skill. Because models changed poses frequently, students had to work quickly and without embellishment. Here the artist completed only those areas needed to emphasize the contours of the model's body.

    Provenance

    M. Zamaron, Paris. Bought from him by Mrs. Cornelius Sullivan, New York, before 1938. Bought by Leonard C. Hanna Jr. as gift for CMA on 8 February 1939.

    Exhibition history

    The Silver Jubilee Exhibition. The Cleveland Museum of Art, Cleveland, OH (organizer) (June 23-September 28, 1941). French Drawings and Watercolors from French Public and Private Collections. The Cleveland Museum of Art, Cleveland, OH (January 6-February 15, 1942). 19th and 20th Century French Art and Leonard C. Hanna, Jr. Loans. The Cleveland Museum of Art, Cleveland, OH (organizer) (June 22-September 1, 1943). Two Sides of the Medal: French Painting from Gérôme to Gauguin. The Detroit Institute of Arts, Detroit, MI (organizer) (September 28-November 6, 1954). Baron Gros, Painter of Battles: The First Romantic Painter. The Cleveland Museum of Art, Cleveland, OH (organizer) (March 8-April 15, 1956). Man: Glory, Jest, and Riddle: A Survey of Human From Through the Ages. San Francisco Museum of Modern Art, San Francisco, CA (organizer) (November 10, 1964-January 3, 1965). Art in the Making. Colby College Museum of Art, Waterville, ME (organizer) (July 14-September 25, 1966). French Nineteenth Century Oil Sketches: David to Degas. Ackland Art Museum, University of North Carolina, Chapel Hill, NC, Chapel Hill, NC (organizer) (March 5-April 30, 1978). Idea to Image: Preparatory Studies from the Renaissance to Impressionism. The Cleveland Museum of Art (organizer) (February 19-March 23, 1980).

    Open-access museum data

    This record comes from the open-access collection data that the Cleveland Museum of Art publishes for unrestricted use (Creative Commons Zero). Art Trackers shows a selection of the museum's published fields. The Cleveland Museum of Art is not an Art Trackers client and has not reviewed or endorsed this page; the museum's own website is the authoritative record.

    • View this work at the Cleveland Museum of Art
    • The Cleveland Museum of Art: open-access terms

    Data retrieved from the Cleveland Museum of Art on October 8, 2026. The museum may have updated its record since.

    Quick Overview

    Artist
    Isidore Pils (French, 1813/15–1875)
    Date
    c. 1841
    Medium
    oil on fabric
    Dimensions
    Unframed: 72.5 x 92 cm (28 9/16 x 36 1/4 in.)
    Type
    Painting
    Classification
    Painting
    Department
    Modern European Painting and Sculpture
    Credit line
    Gift of Leonard C. Hanna Jr.
    Accession no.
    1939.63

    More by Isidore Pils in museum collections

    • Sheet of Sketches for a Monument to Dante (recto); Cupid and Psyche (verso)

      Isidore Pils

      c. 1808 · Drawing

      Public collection via the Art Institute of Chicago

      AT-00004904
    • Young Man Leaning Forward with Outstretched Arms (Study for Soldiers Distributing Bread to the Poor)

      Isidore Pils

      c. 1851 · Drawing

      Public collection via the Cleveland Museum of Art

      AT-00011463
    • Portrait of a Woman

      Isidore Pils

      mid-1800s · Drawing

      Public collection via the Cleveland Museum of Art

      AT-00012526
    • Soldiers under a Tree

      Isidore Pils

      mid-1800s · Drawing

      Public collection via the Cleveland Museum of Art

      AT-00012527

    Open-access museum record · AT-00009635

    Powered by Art Trackers