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    Museum collections / The Cleveland Museum of Art
    Return from the Fields
    Jean François Millet. Return from the Fields, c. 1846–47. The Cleveland Museum of Art. Public domain (CC0).

    Public collection via the Cleveland Museum of Art

    AT-00009769

    Return from the Fields

    by Jean François Millet

    View at the Cleveland Museum of Art

    About the Artwork

    This idealized vision of noble peasant life was painted during a period of intense industrialization in France, accompanied by economic depression and the abandonment of farms. Nostalgic peasant scenes were especially popular in the 1840s, a stark contrast to the disillusionment and tension that would violently surface in the Revolution of 1848. The vague shapes and faces of the family seen here make them symbols of the land, rather than individuals.

    Inscriptions

    Signed lower right: J. F. Millet

    Provenance

    John W. Wilson. His sale, Paris, Drouot, 27-28 April 1874 (lot 113), Retour des Champs, ff 8,200. Frédéric Hartmann, Münster. His sale, Paris, Drouot, 11 May 1876 (lot 24), Retour des champs, 45 x 38 cm, ff 6,350. W. A. Coats, Scotland, 1901. London sale, Christie's, 10 June 1927 (lot 74), The Last Load, for £483 to Blaker. D. Croal Thompson, 1928. Howard Murray, Montreal. His sale, New York, Parke-Bernet Galleries, 23 October 1941 (lot 34, repr.), bought by L. J. Marion. Hazlitt Gallery, London. Purchased by the CMA in 1972.

    Exhibition history

    Year in Review: 1972. The Cleveland Museum of Art, Cleveland, OH (organizer) (February 27-March 18, 1973). Jean-François Millet. Hayward Gallery, London, United Kingdom of Great Britain and Northern Ireland (January 20-March 7, 1976); Galeries Nationales du Grand Palais, 75008 Paris, France (organizer) (October 17-January 5, 1976). Return to Nature: Millet, the Barbizon Artists, and the Renewal of the Rural Tradition. Yamanashi Prefectural Museum of Art, Kofu (September 26-December 8, 1998). L'Ecole de Barbizon. Musée des Beaux-Arts de Lyon, 69001 Lyon, France (organizer) (June 20-September 9, 2002). Praised and Ridiculed: French Painting 1820 - 1880. Kunsthaus Zürich, CH-8024 Zürich, Switzerland (organizer) (November 10, 2017-January 28, 2018).

    Open-access museum data

    This record comes from the open-access collection data that the Cleveland Museum of Art publishes for unrestricted use (Creative Commons Zero). Art Trackers shows a selection of the museum's published fields. The Cleveland Museum of Art is not an Art Trackers client and has not reviewed or endorsed this page; the museum's own website is the authoritative record.

    • View this work at the Cleveland Museum of Art
    • The Cleveland Museum of Art: open-access terms

    Data retrieved from the Cleveland Museum of Art on October 8, 2026. The museum may have updated its record since.

    Quick Overview

    Artist
    Jean-François Millet (French, 1814–1875)
    Date
    c. 1846–47
    Medium
    oil on fabric
    Dimensions
    Framed: 68 x 60 x 10 cm (26 3/4 x 23 5/8 x 3 15/16 in.); Unframed: 46.2 x 37.8 cm (18 3/16 x 14 7/8 in.)
    Type
    Painting
    Classification
    Painting
    Department
    Modern European Painting and Sculpture
    Credit line
    Mr. and Mrs. William H. Marlatt Fund
    Accession no.
    1972.19

    More by Jean François Millet in museum collections

    • Geese in a Farmyard

      Jean François Millet

      c. 1871 · Drawing

      Public collection via the Art Institute of Chicago

      AT-00000176
    • The Woodchopper

      Jean François Millet

      c. 1848–1850 · Drawing

      Public collection via the Art Institute of Chicago

      AT-00000180
    • First Steps

      Jean François Millet

      c. 1859–66 · Drawing

      Public collection via the Cleveland Museum of Art

      AT-00000328
    • The Keeper of the Flock

      Jean François Millet

      1871–74 · Painting

      Public collection via the Art Institute of Chicago

      AT-00000568

    Open-access museum record · AT-00009769

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