ART TRACKERSConnecting fine art to people
Platform OverviewPlatform SecurityPricingTechnology OverviewTags & PlaquesWhat is UAINLegal & Compliance
GovernmentTribal NationsArtistsUniversity & CollegesServices
InstitutionsExploreMuseum Collections
Artists
Why Art TrackersAboutContactBlogDocumentationCareers
Request demo
Platform OverviewPlatform SecurityPricingTechnology OverviewTags & PlaquesWhat is UAINLegal & Compliance
GovernmentTribal NationsArtistsUniversity & CollegesServices
InstitutionsExploreMuseum Collections
Artists
Why Art TrackersAboutContactBlogDocumentationCareers
Request demo
Art Trackers logo
ART TRACKERS
Connecting fine art to people

Connecting fine art to people. Preserving cultural legacy through technology.

Platform

FeaturesHow It WorksSecurityIntegrations

Government

For Cities & CountiesComplianceResourcesCase Studies

Resources

DocumentationHelp CenterBlog

Company

About UsCareersNewsContact Us

© 2026 Art Trackers LLC. All rights reserved.

Privacy PolicyTerms of ServiceAccessibility
    Museum collections / The Cleveland Museum of Art
    Literary Gathering in the Orchid Pavilion
    Maruyama Ōkyo. Literary Gathering in the Orchid Pavilion, late 1700s. The Cleveland Museum of Art. Public domain (CC0).

    Public collection via the Cleveland Museum of Art

    AT-00009770

    Literary Gathering in the Orchid Pavilion

    by Maruyama Ōkyo

    View at the Cleveland Museum of Art

    About the Artwork

    A cheerful gathering of poets was one the most popular themes of East Asian literati paintings. Literary Gathering in the Orchid Pavilion depicts a poets’ party hosted in AD 353 by the famous Chinese calligrapher Wang Xizhi to celebrate the Spring Purification Festival, observed annually on the third day of the third month. Wang invited 41 scholar-poets to compose poetry and drink while seated along the bank of a winding rivulet. This screen would have appeared on the left and shows preparations for the gathering. The lost right screen is assumed to have depicted the poets sitting along the stream.

    Provenance

    ?–1977: (Joe Brotherton [1918–2012], San Francisco, CA, sold to the Cleveland Museum of Art) 1977–: The Cleveland Museum of Art, Cleveland, OH

    Exhibition history

    Japanese Screens from the Museum and Cleveland Collections. The Cleveland Museum of Art, Cleveland, OH (organizer) (March 23-May 8, 1977). Year in Review: 1977. The Cleveland Museum of Art, Cleveland, OH (organizer) (December 28, 1977-January 22, 1978). Byobu: The Art of the Japanese Screen. The Cleveland Museum of Art (organizer) (August 1-October 14, 1984). Suibokuga: Japanese Ink Painting. The Cleveland Museum of Art, Cleveland, OH (organizer) (October 1, 1985-February 24, 1986). Byobu: The Art of the Japanese Screen. The Cleveland Museum of Art, Cleveland, OH (organizer) (December 8, 1987-January 10, 1988). Asian Autumn: Masterpieces from the Collection. The Cleveland Museum of Art, Cleveland, OH (organizer) (September 17, 1991-January 5, 1992). Asian Autumn: Splendid Variety: 18th-Century Art in Japan. The Cleveland Museum of Art, Cleveland, OH (organizer) (November 16, 1993-March 6, 1994). Highlights of Asian Paintings from The Cleveland Museum of Art. Nara National Museum (organizer) (February 21-March 29, 1998); Suntory Museum of Art (April 28-June 21, 1998). Unfolding Beauty: Japanese Screens from the Cleveland Museum of Art. The Cleveland Museum of Art, Cleveland, OH (organizer) (July 15-September 16, 2001). The Lure of Painted Poetry: Japanese and Korean Art. The Cleveland Museum of Art, Cleveland, OH (organizer) (April 15-August 21, 2011).

    Open-access museum data

    This record comes from the open-access collection data that the Cleveland Museum of Art publishes for unrestricted use (Creative Commons Zero). Art Trackers shows a selection of the museum's published fields. The Cleveland Museum of Art is not an Art Trackers client and has not reviewed or endorsed this page; the museum's own website is the authoritative record.

    • View this work at the Cleveland Museum of Art
    • The Cleveland Museum of Art: open-access terms

    Data retrieved from the Cleveland Museum of Art on October 8, 2026. The museum may have updated its record since.

    Quick Overview

    Artist
    Maruyama Ōkyo (Japanese, 1733–1795)
    Date
    late 1700s
    Medium
    Six-panel folding screen; ink and slight color on paper
    Dimensions
    Image: 83 x 191.8 cm (32 11/16 x 75 1/2 in.); Overall: 95.7 x 204.5 cm (37 11/16 x 80 1/2 in.); Open and extended: 83 x 243 cm (32 11/16 x 95 11/16 in.)
    Type
    Painting
    Classification
    Painting
    Department
    Japanese Art
    Credit line
    John L. Severance Fund
    Accession no.
    1977.1

    More by Maruyama Ōkyo in museum collections

    • Summer Night; Winter Day

      Maruyama Ōkyo

      1784 · Painting

      Public collection via the Cleveland Museum of Art

      AT-00009841
    • Summer Night

      Maruyama Ōkyo

      1784 · Painting

      Public collection via the Cleveland Museum of Art

      AT-00009970
    • Winter Day

      Maruyama Ōkyo

      1784 · Painting

      Public collection via the Cleveland Museum of Art

      AT-00009989
    • Heron on a Willow Branch

      Maruyama Ōkyo

      late 1700s · Painting

      Public collection via the Cleveland Museum of Art

      AT-00010015

    Open-access museum record · AT-00009770

    Powered by Art Trackers