ART TRACKERSConnecting fine art to people
Platform OverviewPlatform SecurityPricingTechnology OverviewTags & PlaquesWhat is UAINLegal & Compliance
GovernmentTribal NationsArtistsUniversity & CollegesServicesProcurement
InstitutionsExploreMuseum Collections
Artists
Why Art TrackersAboutContactBlogDocumentationCareers
Request demo
Platform OverviewPlatform SecurityPricingTechnology OverviewTags & PlaquesWhat is UAINLegal & Compliance
GovernmentTribal NationsArtistsUniversity & CollegesServicesProcurement
InstitutionsExploreMuseum Collections
Artists
Why Art TrackersAboutContactBlogDocumentationCareers
Request demo
Art Trackers logo
ART TRACKERS
Connecting fine art to people

Connecting fine art to people. Preserving cultural legacy through technology.

Platform

FeaturesHow It WorksSecurityIntegrations

Government

For Cities & CountiesCompliance

Resources

DocumentationHelp CenterBlog

Company

About UsCareersNewsContact Us

© 2026 Art Trackers LLC. All rights reserved.

Privacy PolicyTerms of ServiceAccessibility
    Museum collections / The Cleveland Museum of Art
    The deceitful wife ejects the procuress after blackening her face, from a Tuti-nama (Tales of a Parrot): Eighth Night by Shravana
    Shravana. The deceitful wife ejects the procuress after blackening her face, from a Tuti-nama (Tales of a Parrot): Eighth Night, c. 1560. The Cleveland Museum of Art. Public domain (CC0).
    AT-00009787

    Public data from the Cleveland Museum of Art. Learn more

    The deceitful wife ejects the procuress after blackening her face, from a Tuti-nama (Tales of a Parrot): Eighth Night

    by Shravana

    Also known as: Page from Tales of a Parrot (Tuti-nama): Eighth night: The deceitful wife ejects the procuress after blackening her face

    About the Artwork

    The lover of the unfaithful wife sent a female messenger to arrange for their rendezvous. In a false display of horror, the wily adulteress blackened the face of the messenger as though to disgrace her and threw her out of the house, ordering her to be dumped by the side of a canal. That act, however, was a coded message to her lover to meet at the dark of night at that same location. The Indian artist Shravana added the pink brick wall to lend a sense of depth and dimensionality to the scene.

    Quick Overview

    Artist
    Shravana (Indian, active 1550s–c.1600)
    Date
    c. 1560
    Medium
    gum tempera, ink, and gold on paper
    Dimensions
    Overall: 20.3 x 14 cm (8 x 5 1/2 in.); Painting only: 10.5 x 10 cm (4 1/8 x 3 15/16 in.)
    Type
    Painting
    Classification
    Painting
    Department
    Indian and Southeast Asian Art
    Credit line
    Gift of Mrs. A. Dean Perry
    Accession no.
    1962.279.67.b

    Provenance

    ?–1959: Estate of Breckinridge Long [1881–1958], Bowie, MD 1959–1962?: (Harry Burke Antiques, Philadelphia, PA) 1959?–1962: (Bernard Brown Agency, Milwaukee, WI, sold to the Cleveland Museum of Art. Purchased with funds from Mrs. A. Dean [Helen Wade Greene] Perry) 1962–: The Cleveland Museum of Art, Cleveland, OH

    More by Shravana in museum collections

    • Timur distributes gifts from his grandson, the Prince of Multan, from a Zafar-nama (Book of Victories) by Shravana

      Timur distributes gifts from his grandson, the Prince of Multan, from a Zafar-nama (Book of Victories)

      Shravana

      1598–1600 · Painting

      Museum collection · via the Cleveland Museum of ArtAT-00009744
    • The deceitful wife returns to her terrace after caressing her lover, from a Tuti-nama (Tales of a Parrot): Eighth Night by Shravana

      The deceitful wife returns to her terrace after caressing her lover, from a Tuti-nama (Tales of a Parrot): Eighth Night

      Shravana

      c. 1560 · Painting

      Museum collection · via the Cleveland Museum of ArtAT-00009812

    Open-access museum data

    This record comes from the open-access collection data that the Cleveland Museum of Art publishes for unrestricted use (Creative Commons Zero). Art Trackers shows a selection of the museum's published fields. The Cleveland Museum of Art is not an Art Trackers client and has not reviewed or endorsed this page; the museum's own website is the authoritative record.

    Source: The Cleveland Museum of Art Open Access (CC0)

    • View this work at the Cleveland Museum of Art
    • The Cleveland Museum of Art: open-access terms

    Data retrieved from the Cleveland Museum of Art on October 8, 2026. The museum may have updated its record since.

    Open-access museum record · AT-00009787

    Request removal·Powered by Art Trackers