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    Museum collections / The Cleveland Museum of Art
    Pope Pius VI Descending the Throne to Take Leave of the Doge in the Hall of Saints Giovanni e Paolo, 1782 and Pontifical Ceremony in Saints Giovanni e Paolo, Venice, 1782 (pair)
    Francesco Guardi. Pope Pius VI Descending the Throne to Take Leave of the Doge in the Hall of Saints Giovanni e Paolo, 1782 and Pontifical Ceremony in Saints Giovanni e Paolo, Venice, 1782 (pair), c. 1783. The Cleveland Museum of Art. Public domain (CC0).
    AT-00009833

    Public data from the Cleveland Museum of Art. Learn more

    Pope Pius VI Descending the Throne to Take Leave of the Doge in the Hall of Saints Giovanni e Paolo, 1782 and Pontifical Ceremony in Saints Giovanni e Paolo, Venice, 1782 (pair)

    by Francesco Guardi

    About the Artwork

    From May 15-18, 1782, Pope Pius VI Braschi was in Venice, the only papal visit during the eighteenth century, an event celebrated with great festivities. Francesco Guardi (1712-1793), a native Venetian, was one of the most celebrated scenic painters of the eighteenth century, and specialized in depictions of cityscapes and the pomp and pageantry of Venetian ceremonial life. To celebrate the momentous occasion, the Englishman Peter Edwards commissioned four large scenes of the Pope's visit. The museum's two smaller paintings represent copies of the popular subject, which Guardi copied either for the open market or for other patrons. The Pontifical Ceremony (Te Deum) depicts the musical performance of Te Deum, a prayer of thanksgiving set to music by Antonio Vivaldi (1678-1741), a famous Venetian Baroque composer. Te Deum was a traditional hymn recited in thanks to God for a special blessing, including a papal election or a royal coronation, and was appropriate for the historic papal visit. In the Reception of the Doge and Senate, the Doge, the elected prince of Venice, and Senators of the Venetian Republic process towards the throne, as the pope blesses the multitude of government leaders.

    Provenance

    Jakob Goldschmidt, 1882-1955 (Berlin, Germany and New York, New York), by 1929, sold through Jacques Seligman & Co. (New York, New York), to the Cleveland Museum of Art, 1949. [Galerie Matthiessen, Berlin, 1944]

    Exhibition history

    Views of Venice. The Cleveland Museum of Art, Cleveland, OH (organizer) (March 11-April 26, 1953). Masterpieces Series. Akron Art Museum, Akron, OH (organizer) (May 10-June 19, 1955). Art: The International Language. The Cleveland Museum of Art (October 2-November 4, 1956). In Memoriam: Leonard C. Hanna, Jr.. The Cleveland Museum of Art, Cleveland, OH (organizer) (March 4-April 7, 1958). Eyewitness Views: Making History in Eighteenth-Century Europe. The Cleveland Museum of Art, Cleveland, OH (February 25-May 20, 2018).

    Quick Overview

    Artist
    Francesco Guardi (Italian, 1712–1793)
    Date
    c. 1783
    Medium
    oil on canvas
    Dimensions
    Framed: 69.2 x 86.4 x 10.2 cm (27 1/4 x 34 x 4 in.); Unframed: 51.4 x 68.8 cm (20 1/4 x 27 1/16 in.)
    Type
    Painting
    Classification
    Painting
    Department
    European Painting and Sculpture
    Credit line
    Gift of the Hanna Fund
    Accession no.
    1949.187

    More by Francesco Guardi in museum collections

    • Ruined Archway

      Francesco Guardi

      1775–93 · Painting

      Public collection via the Art Institute of ChicagoAT-00000728
    • Capriccio: The Lagoon

      Francesco Guardi

      After 1770 · Painting

      Public collection via the Art Institute of ChicagoAT-00000795
    • The Grand Canal, Venice

      Francesco Guardi

      c. 1760 · Painting

      Public collection via the Art Institute of ChicagoAT-00001497
    • The Garden of Palazzo Contarini dal Zaffo

      Francesco Guardi

      Late 1770s · Painting

      Public collection via the Art Institute of ChicagoAT-00001511

    Open-access museum data

    This record comes from the open-access collection data that the Cleveland Museum of Art publishes for unrestricted use (Creative Commons Zero). Art Trackers shows a selection of the museum's published fields. The Cleveland Museum of Art is not an Art Trackers client and has not reviewed or endorsed this page; the museum's own website is the authoritative record.

    • View this work at the Cleveland Museum of Art
    • The Cleveland Museum of Art: open-access terms

    Data retrieved from the Cleveland Museum of Art on October 8, 2026. The museum may have updated its record since.

    Open-access museum record · AT-00009833

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