ART TRACKERSConnecting fine art to people
Platform OverviewPlatform SecurityPricingTechnology OverviewTags & PlaquesWhat is UAINLegal & Compliance
GovernmentTribal NationsArtistsUniversity & CollegesServices
InstitutionsExploreMuseum Collections
Artists
Why Art TrackersAboutContactBlogDocumentationCareers
Request demo
Platform OverviewPlatform SecurityPricingTechnology OverviewTags & PlaquesWhat is UAINLegal & Compliance
GovernmentTribal NationsArtistsUniversity & CollegesServices
InstitutionsExploreMuseum Collections
Artists
Why Art TrackersAboutContactBlogDocumentationCareers
Request demo
Art Trackers logo
ART TRACKERS
Connecting fine art to people

Connecting fine art to people. Preserving cultural legacy through technology.

Platform

FeaturesHow It WorksSecurityIntegrations

Government

For Cities & CountiesComplianceResourcesCase Studies

Resources

DocumentationHelp CenterBlog

Company

About UsCareersNewsContact Us

© 2026 Art Trackers LLC. All rights reserved.

Privacy PolicyTerms of ServiceAccessibility
    Museum collections / The Cleveland Museum of Art
    Chinese Beauty
    Kubo Shunman. Chinese Beauty, late 1700s–early 1800s. The Cleveland Museum of Art. Public domain (CC0).
    AT-00009928

    Public data from the Cleveland Museum of Art. Learn more

    Chinese Beauty

    by Kubo Shunman

    About the Artwork

    Ukiyo-e artists’ exploration of beautiful people extended to figures from other lands. Here, an elegant Chinese palace lady holding a fan stands before a banana plant. The poem at the top is written in a Japanese appropriation of Chinese called kanbun. Based on its imagery of a palanquin (an enclosed couch with poles used for carrying passengers), silk fan, and autumn winds, it may allude to the story of Lady Ban (about 48 BC–about AD 2). A Chinese beauty famous for her scholarly achievements, Ban was once consort to an emperor but later lost his favor. In a poem attributed to her, she compared herself to a used silk fan put away in autumn.

    Provenance

    ?–1988: (Eastern Fine Arts, New York, NY, sold to the Cleveland Museum of Art) 1988–: The Cleveland Museum of Art, Cleveland, OH

    Exhibition history

    A Private World: Japanese and Chinese Art from the Kelvin Smith Collection. The Cleveland Museum of Art, Cleveland, OH (organizer) (September 14-November 13, 1988). Highlights of Asian Paintings from The Cleveland Museum of Art. Nara National Museum (organizer) (February 21-March 29, 1998); Suntory Museum of Art (April 28-June 21, 1998). Admired from Afar: Masterworks of Japanese Painting from the Cleveland Museum of Art. Tokyo National Museum, Tokyo, Japan (January 15-February 23, 2014); Kyushu National Museum, Fukuoka, Japan (July 8-August 31, 2014). Japan’s Floating World 日本の浮世. The Cleveland Museum of Art (organizer) (April 8-October 9, 2022).

    Quick Overview

    Artist
    Kubo Shunman (Japanese, 1757–1820)
    Date
    late 1700s–early 1800s
    Medium
    Hanging scroll; ink and color on silk
    Dimensions
    Image: 96 x 37 cm (37 13/16 x 14 9/16 in.); Overall: 184.2 x 53.3 cm (72 1/2 x 21 in.)
    Type
    Painting
    Classification
    Painting
    Department
    Japanese Art
    Credit line
    Kelvin Smith Fund
    Accession no.
    1988.1

    More by Kubo Shunman in museum collections

    • Mt. Fuji through Pines

      Kubo Shunman

      late 1700s-early 1800s · Painting

      Public collection via the Cleveland Museum of ArtAT-00010196

    Open-access museum data

    This record comes from the open-access collection data that the Cleveland Museum of Art publishes for unrestricted use (Creative Commons Zero). Art Trackers shows a selection of the museum's published fields. The Cleveland Museum of Art is not an Art Trackers client and has not reviewed or endorsed this page; the museum's own website is the authoritative record.

    • View this work at the Cleveland Museum of Art
    • The Cleveland Museum of Art: open-access terms

    Data retrieved from the Cleveland Museum of Art on October 8, 2026. The museum may have updated its record since.

    Open-access museum record · AT-00009928

    Powered by Art Trackers