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    Museum collections / The Cleveland Museum of Art
    The Betrayal of Christ
    Jacob Jordaens. The Betrayal of Christ, late 1650s. The Cleveland Museum of Art. Public domain (CC0).
    AT-00009929

    Public data from the Cleveland Museum of Art. Learn more

    The Betrayal of Christ

    by Jacob Jordaens

    About the Artwork

    After the deaths of fellow Flemish painters Peter Paul Rubens in 1640 and Anthony van Dyck in 1641, Jordaens became the leading painter in his native Antwerp. In the seventeenth century, Antwerp underwent a Catholic Restoration, leading to numerous commissions for religious paintings. Jordaens's large work depicts the moment, set in the Garden of Gethsemane, in which Judas betrays Christ with a kiss, leading to the arrest of Jesus by Roman soldiers. The tense moment of betrayal is compounded by the violent reaction of apostle Peter in the foreground, who attacks Malchus, the servant of the High Priest who led the arrest. The lighting heightens the drama of the Passion of Christ, as the lanterns of the soldiers powerfully illuminate the night scene. Night scenes, also called nocturnes, are trademarks of the Northern painting tradition since the fifteenth century and demonstrate its continuing impact into the 1600s.

    Provenance

    Juergen Ovens , upon his death, held in trust by the estate, 1691; Estate of Juergen Ovens, 1691; Possibly Count Otto Thott (GaunØ Castle, Denmark), (died 1785), by inheritance to Holger Reedtz, grandson of Otto Thott's maternal uncle, who took the name Reedtz-Thott in honor of his benefactor, Count Otto Thott, who had no male heirs; Holger Reedtz-Thott (died 1797), by inheritance to Baron Otto Reedtz-Thott; Otto Reedtz-Thott (doed 1862), by inheritance to Baron Kjeld Thor Tage Otto Reedtz-Thott; Baron Kjeld Thor Tage Otto Reedtz-Thott (died 1923), by inheritance to Baron Otto Reedtz-Thott; Baron Otto Reedtz-Thott (died 1927), by inheritance to Baron Axel Reedtz-Thott; Baron Axel Reedtz-Thott (GaunØ Castle, Denmark) (sold, Sotheby's, London, July 10, 1968, no. 78); Agnew & Sons, London; Pinakos, Inc., New York, sold to the Cleveland Museum of Art, 1970.

    Exhibition history

    Year in Review: 1970. The Cleveland Museum of Art, Cleveland, OH (organizer) (February 10-March 7, 1971). Jacob Jordaens: L'Arrestation du Christ. Musée des Beaux-Arts de Valenciennes (organizer) (February 22-May 4, 1997). The Night. Haus der Kunst, Munich (organizer) (November 1, 1998-February 17, 1999).

    Quick Overview

    Artist
    Jacob Jordaens (Flemish, 1593–1678)
    Date
    late 1650s
    Medium
    oil on canvas
    Dimensions
    Framed: 249 x 271.5 x 8 cm (98 1/16 x 106 7/8 x 3 1/8 in.); Unframed: 225.5 x 246.3 cm (88 3/4 x 96 15/16 in.)
    Type
    Painting
    Classification
    Painting
    Department
    European Painting and Sculpture
    Credit line
    Leonard C. Hanna Jr. Fund
    Accession no.
    1970.32

    More by Jacob Jordaens in museum collections

    • The Temptation of the Magdalene

      Jacob Jordaens

      c. 1616 · Painting

      Public collection via the Art Institute of ChicagoAT-00001512
    • Nude Old Man Seated, Leaning on His Forearm, Facing Left

      Jacob Jordaens

      c. 1640 · Drawing

      Public collection via the Art Institute of ChicagoAT-00003293
    • Last Judgement

      Jacob Jordaens

      n.d. · Drawing

      Public collection via the Art Institute of ChicagoAT-00004109
    • Jacob and Esau

      Jacob Jordaens

      c. 1655 · Drawing

      Public collection via the Art Institute of ChicagoAT-00006128

    Open-access museum data

    This record comes from the open-access collection data that the Cleveland Museum of Art publishes for unrestricted use (Creative Commons Zero). Art Trackers shows a selection of the museum's published fields. The Cleveland Museum of Art is not an Art Trackers client and has not reviewed or endorsed this page; the museum's own website is the authoritative record.

    • View this work at the Cleveland Museum of Art
    • The Cleveland Museum of Art: open-access terms

    Data retrieved from the Cleveland Museum of Art on October 8, 2026. The museum may have updated its record since.

    Open-access museum record · AT-00009929

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