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    Museum collections / The Cleveland Museum of Art
    Paintings after Ancient Masters: Autumn Landscape
    Chen Hongshou. Paintings after Ancient Masters: Autumn Landscape, 1598–1652. The Cleveland Museum of Art. Public domain (CC0).

    Public collection via the Cleveland Museum of Art

    AT-00009978

    Paintings after Ancient Masters: Autumn Landscape

    by Chen Hongshou

    View at the Cleveland Museum of Art

    About the Artwork

    The twenty paintings in this double album by Chen Hongshou include landscapes, figures, and flowers. It also has one leaf featuring a woman, an often-used subject not found in the other albums from the latter part of his career. His late works are wonderful summations of Chen's peculiar and quirky art—archaistic, hyper-refined—but without accompanying shallowness or sentimentality. His figures and landscapes in the late albums are miniaturized, not unlike the small Chinese gardens, or the carefully selected small table rocks or old roots used for contemplation to see the world in miniature. This loss of scale is quite deliberate and reflects the psychological situation of a depressed class like the Ming loyalist officials and scholars, deprived of their integrity and honor, and forced to lead a diminished and restricted existence.

    Inscriptions

    Lao-lien painted for Lao-ts'ang. [Seal] Chang-hou

    Provenance

    Weng Tonghe 翁同龢 [1830–1904], by descent to Wango H. C. Weng ?–1979: (Wango H. C. Weng 翁萬戈 [1918–2020], Lyme, NH, sold to the Cleveland Museum of Art) 1979–: The Cleveland Museum of Art, Cleveland, OH

    Exhibition history

    Eight Dynasties of Chinese Painting. The Nelson-Atkins Museum of Art (November 7, 1980-January 4, 1981); The Cleveland Museum of Art (February 11-March 29, 1981); Tokyo National Museum (October 4-November 17, 1982); The Asia Society Museum, New York, NY (December 3, 1982-February 28, 1983). Repentant Monk: Illusion and Disillusion in the Art of Chen Hongshou (1599-1652). University of California, Berkeley Art Museum and Pacific Film Archive, Berkeley, CA (organizer) (October 25, 2017-January 28, 2018).

    Open-access museum data

    This record comes from the open-access collection data that the Cleveland Museum of Art publishes for unrestricted use (Creative Commons Zero). Art Trackers shows a selection of the museum's published fields. The Cleveland Museum of Art is not an Art Trackers client and has not reviewed or endorsed this page; the museum's own website is the authoritative record.

    • View this work at the Cleveland Museum of Art
    • The Cleveland Museum of Art: open-access terms

    Data retrieved from the Cleveland Museum of Art on October 8, 2026. The museum may have updated its record since.

    Quick Overview

    Artist
    Chen Hongshou (Chinese, 1598/99–1652)
    Date
    1598–1652
    Medium
    album leaf; ink and color on silk
    Dimensions
    Overall: 30.2 x 26.7 cm (11 7/8 x 10 1/2 in.)
    Type
    Painting
    Classification
    Painting
    Department
    Chinese Art
    Credit line
    John L. Severance Fund
    Accession no.
    1979.27.1.4

    More by Chen Hongshou in museum collections

    • Paintings after Ancient Masters

      Chen Hongshou

      1598–1652 · Painting

      Public collection via the Cleveland Museum of Art

      AT-00009399
    • Lady Xuanwen Giving Instruction on the Rites of Zhou

      Chen Hongshou

      1638 · Painting

      Public collection via the Cleveland Museum of Art

      AT-00009443
    • Paintings after Ancient Masters: Volume 1

      Chen Hongshou

      1598–1652 · Painting

      Public collection via the Cleveland Museum of Art

      AT-00009522
    • Paintings after Ancient Masters: Volume 2

      Chen Hongshou

      1598–1652 · Painting

      Public collection via the Cleveland Museum of Art

      AT-00009523

    Open-access museum record · AT-00009978

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