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Study for "The Assumption of the Virgin" for San Augustín, Seville
Also known as: The Assumption of the Virgin
About the Artwork
This painting is a sketch for a large altarpiece. The rough, flickering surface, the unusually sharp contrast of hot and cool hues, and the compression of space all characterize the artist’s intense spirituality and unique technique. While often held apart from the sweetness and grace of Murillo (also represented in the collection), his contemporary in Seville, the two artists worked closely together on commissions and often presented their work side by side, speaking to the stylistic diversity and religious complexity preferred by patrons in Seville during the late 1600s.
Exhibition history
The Year in Review for 1987. The Cleveland Museum of Art, Cleveland, OH (organizer) (February 24-April 17, 1988).
Quick Overview
- Artist
- Juan de Valdés Leal (Spanish, 1622–1690)
- Date
- c. 1670–72
- Medium
- oil on wood
- Dimensions
- Framed: 52.3 x 39 cm (20 9/16 x 15 3/8 in.); Unframed: 40.3 x 26.6 cm (15 7/8 x 10 1/2 in.)
- Type
- Painting
- Classification
- Painting
- Department
- European Painting and Sculpture
- Credit line
- Leonard C. Hanna Jr. Fund
- Accession no.
- 1987.7
Provenance
George Brown (Christies, London sale, 12-14-1917, lot 129, as A. Cano) Viscount Lascelles, Sixth Earl of Harewood, Harewood House, Leeds (1917, 1980) (Agnews, London) George Brown (Christies, London sale , 12-14-1917, lot 129, as A. Cano); Viscount Lascelles, Sixth Earl of Harewood, Harewood House, Leeds (1917, 1980); (Agnews, London), sold to the Cleveland Museum of Art, 1987.
More by Juan de Valdés Leal in museum collections
Data retrieved from the Cleveland Museum of Art on October 8, 2026. The museum may have updated its record since.
Open-access museum record · AT-00010075
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