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    Museum collections / The Cleveland Museum of Art
    Sleeping Christ Child by Filippo Parodi
    Filippo Parodi. Sleeping Christ Child, c. 1675. The Cleveland Museum of Art. Public domain (CC0).
    AT-00010654

    Public data from the Cleveland Museum of Art. Learn more

    Sleeping Christ Child

    by Filippo Parodi

    About the Artwork

    Christ—no longer an infant, but a young child—sprawls on a bed of straw, his head thrown back in slumber and his right arm dangling. The simple radiance framing his head indicates his divinity. Representations of the sleeping Christ child were enduringly popular, not only because of the subject’s inherent charm, but sleep, as a metaphor for death, encouraged pious Christians to meditate on Christ’s humanity and his eventual suffering and death. Filippo Parodi’s Sleeping Christ Child beguiles with lifelike detail. Parodi used varying degrees of polish to differentiate surface textures: Christ’s body is burnished to a soft gleam, while his hair and the straw are more roughly carved, absorbing rather than reflecting the light. Parodi exploited the sensuous and tactile possibilities of the marble to enhance the emotional impact of his piece, a tactic learned from the master of Italian Baroque sculpture, Gianlorenzo Bernini.

    Quick Overview

    Artist
    Filippo Parodi (Italian, 1630–1702)
    Date
    c. 1675
    Medium
    marble
    Dimensions
    63 x 102 x 42 cm (24 13/16 x 40 3/16 x 16 9/16 in.)
    Type
    Sculpture
    Classification
    Sculpture
    Department
    European Painting and Sculpture
    Credit line
    Leonard C. Hanna Jr. Fund
    Accession no.
    2018.257

    Provenance

    c. 1675: Likely commissioned by Giovanni Luca Durazzo [1628–1679] around 1675, for the Palazzo Balbi Durazzo (now Palazzo Reale), Genoa. by 1769: By descent to his grandson, Marcello Durazzo [1710–1791], Palazzo Balbi Durazzo, Genoa. by 1837: Marquis Gerolamo Serra [1761–1837], Genoa. 1844: Purchased by Vicomte Hippolyte Vilain XIIII, December 25, 1844, for 800 “Lira di Francia”. December 1844: Charles Hippolyte Vilain XIIII [1796–1873]. Private collection, Belgium, and by descent 2017: Artcurial, Paris. Mobilier et objets d'art. May 16, 2017. Lot 158. 2017–2018: Danny Katz, Ltd., London, UK, sold to the Cleveland Museum of Art. 2018–present: The Cleveland Museum of Art, Cleveland, OH

    More by Filippo Parodi in museum collections

    • Pietà by Filippo Parodi

      Pietà

      Filippo Parodi

      c. 1686 · Sculpture

      Museum collection · via the Art Institute of ChicagoAT-00001987

    Open-access museum data

    This record comes from the open-access collection data that the Cleveland Museum of Art publishes for unrestricted use (Creative Commons Zero). Art Trackers shows a selection of the museum's published fields. The Cleveland Museum of Art is not an Art Trackers client and has not reviewed or endorsed this page; the museum's own website is the authoritative record.

    Source: The Cleveland Museum of Art Open Access (CC0)

    • View this work at the Cleveland Museum of Art
    • The Cleveland Museum of Art: open-access terms

    Data retrieved from the Cleveland Museum of Art on October 8, 2026. The museum may have updated its record since.

    Open-access museum record · AT-00010654

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