ART TRACKERSConnecting fine art to people
Platform OverviewPlatform SecurityPricingTechnology OverviewTags & PlaquesWhat is UAINLegal & Compliance
GovernmentTribal NationsArtistsUniversity & CollegesServices
InstitutionsExploreMuseum Collections
Artists
Why Art TrackersAboutContactBlogDocumentationCareers
Request demo
Platform OverviewPlatform SecurityPricingTechnology OverviewTags & PlaquesWhat is UAINLegal & Compliance
GovernmentTribal NationsArtistsUniversity & CollegesServices
InstitutionsExploreMuseum Collections
Artists
Why Art TrackersAboutContactBlogDocumentationCareers
Request demo
Art Trackers logo
ART TRACKERS
Connecting fine art to people

Connecting fine art to people. Preserving cultural legacy through technology.

Platform

FeaturesHow It WorksSecurityIntegrations

Government

For Cities & CountiesComplianceResourcesCase Studies

Resources

DocumentationHelp CenterBlog

Company

About UsCareersNewsContact Us

© 2026 Art Trackers LLC. All rights reserved.

Privacy PolicyTerms of ServiceAccessibility
    Museum collections / The Cleveland Museum of Art
    Medal of Anne of Austria (obverse)
    Jean Warin. Medal of Anne of Austria (obverse), 1660. The Cleveland Museum of Art. Public domain (CC0).

    Public collection via the Cleveland Museum of Art

    AT-00010760

    Medal of Anne of Austria (obverse)

    by Jean Warin

    View at the Cleveland Museum of Art

    About the Artwork

    Jean Warin was the foremost medalist in 17th-century France. As the chief designer of coins, his relationship with King Louis XIII was exceptionally close; he convinced the king that commemorative medals were the most important artistic medium for propaganda. Warin revolutionized the production of medals by introducing the raised edge, allowing greater ease in striking medals. This change fueled the shift from casting medals to the more recently invented process of striking, or pressing medals from a die. This work is one of many he composed of Queen Anne of Austria (1601–1666). Although she was born in Spain as the Infanta, or princess, of Spain and Portugal, her title "of Austria" refers to her Hapsburg heritage as well as her title of Archduchess of Austria. The reverse depicts a blooming lily, a symbol of France, and is inscribed "its glories in its divine nourishment," referring to her son, the adolescent King Louis XIV.

    Inscriptions

    inscribed: ANNA.D.G FR.ET.NAV.REG.

    Open-access museum data

    This record comes from the open-access collection data that the Cleveland Museum of Art publishes for unrestricted use (Creative Commons Zero). Art Trackers shows a selection of the museum's published fields. The Cleveland Museum of Art is not an Art Trackers client and has not reviewed or endorsed this page; the museum's own website is the authoritative record.

    • View this work at the Cleveland Museum of Art
    • The Cleveland Museum of Art: open-access terms

    Data retrieved from the Cleveland Museum of Art on October 8, 2026. The museum may have updated its record since.

    Quick Overview

    Artist
    Jean Warin (French, 1604–1672)
    Date
    1660
    Medium
    bronze
    Dimensions
    Diameter: 6 cm (2 3/8 in.)
    Type
    Sculpture
    Classification
    Sculpture
    Department
    European Painting and Sculpture
    Credit line
    John L. Severance Fund
    Accession no.
    1987.195.a

    More by Jean Warin in museum collections

    • Medal of Anne of Austria (obverse) and (reverse)

      Jean Warin

      1660 · Sculpture

      Public collection via the Cleveland Museum of Art

      AT-00010682
    • Medal of Anne of Austria (reverse)

      Jean Warin

      1660 · Sculpture

      Public collection via the Cleveland Museum of Art

      AT-00010761

    Open-access museum record · AT-00010760

    Powered by Art Trackers