ART TRACKERSConnecting fine art to people
Platform OverviewPlatform SecurityPricingTechnology OverviewTags & PlaquesWhat is UAINLegal & Compliance
GovernmentTribal NationsArtistsUniversity & CollegesServices
InstitutionsExploreMuseum Collections
Artists
Why Art TrackersAboutContactBlogDocumentationCareers
Request demo
Platform OverviewPlatform SecurityPricingTechnology OverviewTags & PlaquesWhat is UAINLegal & Compliance
GovernmentTribal NationsArtistsUniversity & CollegesServices
InstitutionsExploreMuseum Collections
Artists
Why Art TrackersAboutContactBlogDocumentationCareers
Request demo
Art Trackers logo
ART TRACKERS
Connecting fine art to people

Connecting fine art to people. Preserving cultural legacy through technology.

Platform

FeaturesHow It WorksSecurityIntegrations

Government

For Cities & CountiesComplianceResourcesCase Studies

Resources

DocumentationHelp CenterBlog

Company

About UsCareersNewsContact Us

© 2026 Art Trackers LLC. All rights reserved.

Privacy PolicyTerms of ServiceAccessibility
    Museum collections / The Cleveland Museum of Art
    A Rishi Stirring Up a Storm
    John La Farge. A Rishi Stirring Up a Storm, 1897. The Cleveland Museum of Art. Public domain (CC0).

    Public collection via the Cleveland Museum of Art

    AT-00010983

    A Rishi Stirring Up a Storm

    by John La Farge

    Also known as: Rishi Calling up a Storm

    View at the Cleveland Museum of Art

    About the Artwork

    In the late 19th century, John La Farge was one of the first American artists to take a serious interest in Japanese art. This watercolor was produced after La Farge visited Japan in 1886, where he studied Daoism and painting with the writer Okakura Kakuzō (1862–1913). Here, he employed Western modeling and depth, building the water’s mass through transparent washes of light and dark blue, but also simulated the asymmetrical composition, lyrical tone, and bright blue color palette of contemporary Japanese woodblock prints. Hinting at the relationship between humans and the natural world, the ocean’s tempestuous curls echo the swirls of dense gouache in the imaginary figure’s robes, merging the figure of the “rishi” with the surging waters behind him. According to the artist's writings, “rishi” designates a powerful being who has reached immortality by following Daoist teachings. However, it is possible that La Farge misunderstood the term rishi: Resshi—the Japanese pronunciation of Liezi (列子), is a legendary Daoist philosopher who could ride the wind.

    Provenance

    1898-?: (Doll and Richards Gallery (est. 1866), Boston, MA.) ?-1939: The Wheelwright family, Boston, MA. Mary C. Wheelwright [1878-1958], Boston, MA, sold to The Cleveland Museum of Art, 1939. 1939-: The Cleveland Museum of Art, Cleveland, OH.

    Exhibition history

    Exhibition of American Painting from 1860 Until Today. The Cleveland Museum of Art, Cleveland, OH (organizer) (June 23-October 4, 1937). The Silver Jubilee Exhibition. The Cleveland Museum of Art, Cleveland, OH (organizer) (June 23-September 28, 1941). The Sea. The Cleveland Museum of Art, Cleveland, OH (organizer) (September 23-October 25, 1950). John La Farge. Smithsonian American Art Museum, Washington, DC (organizer) (July 10-October 12, 1987); Carnegie Museum of Art (November 7, 1987-January 3, 1988); Museum of Fine Arts, Boston, Boston, MA (February 24-April 24, 1988). John La Farge: Watercolors and Drawings. Munson Museum of Art, Utica, NY (February 9, 1990-April 21, 1991); Terra Museum of American Art (June 15-August 11, 1991). Master Drawings from the Cleveland Museum of Art. The Cleveland Museum of Art, Cleveland, OH (organizer) (August 27-October 17, 2000); The Morgan Library & Museum, New York, NY (May 23-August 19, 2001); Museum of Fine Arts, Houston, Houston, TX (October 14, 2001-January 6, 2002).

    Open-access museum data

    This record comes from the open-access collection data that the Cleveland Museum of Art publishes for unrestricted use (Creative Commons Zero). Art Trackers shows a selection of the museum's published fields. The Cleveland Museum of Art is not an Art Trackers client and has not reviewed or endorsed this page; the museum's own website is the authoritative record.

    • View this work at the Cleveland Museum of Art
    • The Cleveland Museum of Art: open-access terms

    Data retrieved from the Cleveland Museum of Art on October 8, 2026. The museum may have updated its record since.

    Quick Overview

    Artist
    John La Farge (American, 1835–1910)
    Date
    1897
    Medium
    watercolor and gouache over graphite
    Dimensions
    Sheet: 27.3 x 38.9 cm (10 3/4 x 15 5/16 in.); Image: 25 x 33.7 cm (9 13/16 x 13 1/4 in.); Secondary Support: 28 x 40.8 cm (11 x 16 1/16 in.)
    Type
    Drawing
    Classification
    Drawing
    Department
    Drawings
    Credit line
    Purchase from the J. H. Wade Fund
    Accession no.
    1939.267

    More by John La Farge in museum collections

    • Snow Field, Morning, Roxbury

      John La Farge

      1864 · Painting

      Public collection via the Art Institute of Chicago

      AT-00001133
    • Study for a Stained Glass Window

      John La Farge

      c. 1875 · Drawing

      Public collection via the Art Institute of Chicago

      AT-00003189
    • A Country Scene

      John La Farge

      July 1848 · Drawing

      Public collection via the Art Institute of Chicago

      AT-00005994
    • Siva Dance: Triptych of Seated Single Figures

      John La Farge

      1890/91 · Drawing

      Public collection via the Art Institute of Chicago

      AT-00006147

    Open-access museum record · AT-00010983

    Powered by Art Trackers