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    Museum collections / The Cleveland Museum of Art
    The Toilet, from The Rape of the Lock by Alexander Pope
    Aubrey Vincent Beardsley. The Toilet, from The Rape of the Lock by Alexander Pope, c. 1895–96. The Cleveland Museum of Art. Public domain (CC0).

    Public collection via the Cleveland Museum of Art

    AT-00010996

    The Toilet, from The Rape of the Lock by Alexander Pope

    by Aubrey Vincent Beardsley

    Also known as: The Toilet

    View at the Cleveland Museum of Art

    About the Artwork

    In this drawing, Aubrey Beardsley illustrates an early scene in Alexander Pope’s satirical masterpiece The Rape of the Lock (1712) in which the heroine, Belinda, primps in her boudoir. Reflecting the poem’s emphasis on contrived rather than natural beauty, the drawing is densely layered with artifice. A view of an idyllic garden with a cupola-topped pavilion is glimpsed not through a window as it would first seem, but on a folding screen. The bejeweled bottles littering the table serve as emblems of Belinda’s vanity.

    Provenance

    ?-1953: (R. A. Walker, Bedford, England, sold to the Cleveland Museum of Art, Cleveland, OH) 1953-: Cleveland Museum of Art, Cleveland, OH

    Exhibition history

    Drawings by Aubrey Beardsley. Victoria and Albert Museum, London, United Kingdom of Great Britain and Northern Ireland (organizer) (May 19-September 19, 1966); The Gallery of Modern Art, New York, NY (February 13-April 13, 1967). Aubrey Beardsley. Los Angeles County Museum of Art, Los Angeles, CA (organizer) (December 11, 1967-March 4, 1968). From Block Books to Baskin: Artists as Illustrators. The Cleveland Museum of Art, Cleveland, OH (organizer) (May 13-August 17, 1986). Directions in Drawing II: The Human Figure. The Cleveland Museum of Art, Cleveland, OH (organizer) (November 5, 1991-January 12, 1992). British Drawings from the Cleveland Museum of Art . The Cleveland Museum of Art, Cleveland, OH (organizer) (February 10-May 26, 2013). Fairy Tales and Fables: Illustration and Storytelling in Art. The Cleveland Museum of Art, Cleveland, OH (organizer) (May 4-September 8, 2024).

    Open-access museum data

    This record comes from the open-access collection data that the Cleveland Museum of Art publishes for unrestricted use (Creative Commons Zero). Art Trackers shows a selection of the museum's published fields. The Cleveland Museum of Art is not an Art Trackers client and has not reviewed or endorsed this page; the museum's own website is the authoritative record.

    • View this work at the Cleveland Museum of Art
    • The Cleveland Museum of Art: open-access terms

    Data retrieved from the Cleveland Museum of Art on October 8, 2026. The museum may have updated its record since.

    Quick Overview

    Artist
    Aubrey Beardsley (British, 1872–1898)
    Date
    c. 1895–96
    Medium
    pen and black ink with traces of graphite underdrawing
    Dimensions
    Sheet: 25.6 x 17.4 cm (10 1/16 x 6 7/8 in.)
    Type
    Drawing
    Classification
    Drawing
    Department
    Drawings
    Credit line
    Dudley P. Allen Fund
    Accession no.
    1953.136

    More by Aubrey Vincent Beardsley in museum collections

    • Portrait of Whistler in Spanish 17th Century Costume

      Aubrey Vincent Beardsley

      1892/1898 · Drawing

      Public collection via the Art Institute of Chicago

      AT-00002232
    • Virgilius the Sorcerer

      Aubrey Vincent Beardsley

      c. 1893 · Drawing

      Public collection via the Art Institute of Chicago

      AT-00002315
    • Study for How a Devil in Woman's Likeness Would Have Tempted Sir Bors

      Aubrey Vincent Beardsley

      1893 · Drawing

      Public collection via the Art Institute of Chicago

      AT-00002676
    • The Litany of Mary Magdalen

      Aubrey Vincent Beardsley

      1891 · Drawing

      Public collection via the Art Institute of Chicago

      AT-00002686

    Open-access museum record · AT-00010996

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