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    Museum collections / The Cleveland Museum of Art
    The Risen Christ Adored by Saints and Angels
    Giorgio Vasari. The Risen Christ Adored by Saints and Angels, 1566–68. The Cleveland Museum of Art. Public domain (CC0).

    Public collection via the Cleveland Museum of Art

    AT-00011021

    The Risen Christ Adored by Saints and Angels

    by Giorgio Vasari

    View at the Cleveland Museum of Art

    About the Artwork

    Florentine artist and author Giorgio Vasari venerated Michelangelo as the premier example of artistic genius and emulated the master in much of his work. He made this modello (a finished drawing for presentation to a patron) in preparation for a church altarpiece in Florence. It shows a finely muscled Christ appearing within a host of angels above a group of saints. Vasari’s Christ imitates the pose and body type of Michelangelo’s Christ in the Last Judgment fresco; he altered the pose, while suggesting his knowledge of the earlier composition.

    Inscriptions

    by artist, lower center, in black chalk: [victime] pas[chali]; verso of secondary support, upper right, in brown ink: [illegible] 274; center left, in brown ink: [5?] [illegible]

    Provenance

    ?-?: Ludovico Moscardo, Verona (1611-1681) Teresa Moscardo (1747-?), Verona, by descent -1957: Count Mario Miniscalchi-Erizzo (1881-1957), Verona, by descent ca. 1957: with Francis Matthiesen (1897-1963), London ca. 1957: with Mario Uzielli (1888-1973), Liestal, sold to Janos Scholz 1949-1961: Janos Scholz (1903-1993), New York 1961: Savoy Art & Auction Galleries, New York, Anonymous Sale, 25 February, 1961 ca. 1961-1990: Norbert L. H. Roesler, New York 1990: His sale, Christie's New York, 31 May 1990, lot 3 (ill) 1991: With Colnaghi, London, 1991 1991-: The Cleveland Museum of Art, Cleveland, OH

    Exhibition history

    Notable Acquisitions. The Cleveland Museum of Art, Cleveland, OH (organizer) (June 7-September 15, 1991). Concept, Dogma and Feeling: Italian Drawings 1550-1650. The Cleveland Museum of Art, Cleveland, OH (organizer) (August 27-October 20, 1991). Master Drawings from the Cleveland Museum of Art. The Cleveland Museum of Art, Cleveland, OH (organizer) (August 27-October 17, 2000); The Morgan Library & Museum, New York, NY (May 23-August 19, 2001); Museum of Fine Arts, Houston, Houston, TX (October 14, 2001-January 6, 2002). Master/Apprentice: Imitation and Inspiration in the Renaissance. The Cleveland Museum of Art, Cleveland, OH (organizer) (October 13, 2019-February 23, 2020).

    Open-access museum data

    This record comes from the open-access collection data that the Cleveland Museum of Art publishes for unrestricted use (Creative Commons Zero). Art Trackers shows a selection of the museum's published fields. The Cleveland Museum of Art is not an Art Trackers client and has not reviewed or endorsed this page; the museum's own website is the authoritative record.

    • View this work at the Cleveland Museum of Art
    • The Cleveland Museum of Art: open-access terms

    Data retrieved from the Cleveland Museum of Art on October 8, 2026. The museum may have updated its record since.

    Quick Overview

    Artist
    Giorgio Vasari (Italian, 1511–1574)
    Date
    1566–68
    Medium
    Black chalk, pen and brown ink, and extensive white heightening (wash and point of brush), with incising on paper prepared with a brown wash.
    Dimensions
    Sheet: 41.9 x 26.5 cm (16 1/2 x 10 7/16 in.)
    Type
    Drawing
    Classification
    Drawing
    Department
    Drawings
    Credit line
    John L. Severance Fund
    Accession no.
    1991.43

    More by Giorgio Vasari in museum collections

    • The Temptation of Saint Jerome

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    • Study for Allegory of Two Quartieri of Florence

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      1563/65 · Drawing

      Public collection via the Art Institute of Chicago

      AT-00003476
    • Cavalry Skirmish (recto); Architectural Sketch (verso)

      Giorgio Vasari

      1558/59 · Drawing

      Public collection via the Art Institute of Chicago

      AT-00004214
    • Study for a Ceiling Decoration, with Rebecca and Eliezer at the Well (recto); Study for a Ceiling Decoration (verso)

      Giorgio Vasari

      1569/73 · Drawing

      Public collection via the Art Institute of Chicago

      AT-00004594

    Open-access museum record · AT-00011021

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