ART TRACKERSConnecting fine art to people
Platform OverviewPlatform SecurityPricingTechnology OverviewTags & PlaquesWhat is UAINLegal & Compliance
GovernmentTribal NationsArtistsUniversity & CollegesServices
InstitutionsExploreMuseum Collections
Artists
Why Art TrackersAboutContactBlogDocumentationCareers
Request demo
Platform OverviewPlatform SecurityPricingTechnology OverviewTags & PlaquesWhat is UAINLegal & Compliance
GovernmentTribal NationsArtistsUniversity & CollegesServices
InstitutionsExploreMuseum Collections
Artists
Why Art TrackersAboutContactBlogDocumentationCareers
Request demo
Art Trackers logo
ART TRACKERS
Connecting fine art to people

Connecting fine art to people. Preserving cultural legacy through technology.

Platform

FeaturesHow It WorksSecurityIntegrations

Government

For Cities & CountiesComplianceResourcesCase Studies

Resources

DocumentationHelp CenterBlog

Company

About UsCareersNewsContact Us

© 2026 Art Trackers LLC. All rights reserved.

Privacy PolicyTerms of ServiceAccessibility
    Museum collections / The Cleveland Museum of Art
    A Herdsman with Three Cows by an Upland Pool
    Thomas Gainsborough. A Herdsman with Three Cows by an Upland Pool, mid-1780s. The Cleveland Museum of Art. Public domain (CC0).

    Public collection via the Cleveland Museum of Art

    AT-00011046

    A Herdsman with Three Cows by an Upland Pool

    by Thomas Gainsborough

    View at the Cleveland Museum of Art

    About the Artwork

    Although he was one of the most celebrated society portraitists of his day, landscape painting was Thomas Gainsborough’s love and lifelong pleasure. Here, delicate layers of watercolor, ink, oil paint, and chalk result in a jewel-like work on paper. The composition combines the rural scene of a herdsman and three cows with an imagined, majestic mountain view, mingling the pastoral with the sublime. The sheet was among a group of 14 landscape drawings that Gainsborough selected as a gift for a close friend.

    Provenance

    ?-?: Goodenough Earle, Barton Grange, Somerset, England ?-1794: Francis Miller Newton, by descent to Josepha Sophia Newton 1848-?: Josepha Sophia Newton ?-1913: Francis Wheat Newton 1913-1914: (Agnew's, London) 1914: (M. Knoedler & Co., New York, NY) ?-?: George D. Widener [1889-1971], Philadelphia ?-?: Private collection, by descent to private collection, United States ?-1989: Private collection, United States after 1989-2005: David Lee, UK, by descent to private collection 2005: Private collection 2005-2006: (Lowell Libson, London, sold to the Cleveland Museum of Art, Cleveland, OH) 2006-: Cleveland Museum of Art, Cleveland, OH

    Exhibition history

    British Drawings from the Cleveland Museum of Art . The Cleveland Museum of Art, Cleveland, OH (organizer) (February 10-May 26, 2013).

    Open-access museum data

    This record comes from the open-access collection data that the Cleveland Museum of Art publishes for unrestricted use (Creative Commons Zero). Art Trackers shows a selection of the museum's published fields. The Cleveland Museum of Art is not an Art Trackers client and has not reviewed or endorsed this page; the museum's own website is the authoritative record.

    • View this work at the Cleveland Museum of Art
    • The Cleveland Museum of Art: open-access terms

    Data retrieved from the Cleveland Museum of Art on October 8, 2026. The museum may have updated its record since.

    Quick Overview

    Artist
    Thomas Gainsborough (British, 1727–1788)
    Date
    mid-1780s
    Medium
    watercolor, ink and oil paint heightened with white chalk ("Bristol lead white")
    Dimensions
    Sheet: 21.9 x 31.3 cm (8 5/8 x 12 5/16 in.)
    Type
    Drawing
    Classification
    Drawing
    Department
    Drawings
    Credit line
    Purchase from the J. H. Wade Fund
    Accession no.
    2006.156

    More by Thomas Gainsborough in museum collections

    • Sarah Dupont

      Thomas Gainsborough

      c. 1777–79 · Painting

      Public collection via the Art Institute of Chicago

      AT-00001453
    • Coastal View

      Thomas Gainsborough

      1786/88 · Drawing

      Public collection via the Art Institute of Chicago

      AT-00003216
    • A Woodman Seated on a Bundle of Faggots

      Thomas Gainsborough

      1787 · Drawing

      Public collection via the Art Institute of Chicago

      AT-00005478
    • Wooded Landscape with Stream

      Thomas Gainsborough

      1750–59 · Drawing

      Public collection via the Art Institute of Chicago

      AT-00005747

    Open-access museum record · AT-00011046

    Powered by Art Trackers