ART TRACKERSConnecting fine art to people
Platform OverviewPlatform SecurityPricingTechnology OverviewTags & PlaquesWhat is UAINLegal & Compliance
GovernmentTribal NationsArtistsUniversity & CollegesServicesProcurement
InstitutionsExploreMuseum Collections
Artists
Why Art TrackersAboutContactBlogDocumentationCareers
Request demo
Platform OverviewPlatform SecurityPricingTechnology OverviewTags & PlaquesWhat is UAINLegal & Compliance
GovernmentTribal NationsArtistsUniversity & CollegesServicesProcurement
InstitutionsExploreMuseum Collections
Artists
Why Art TrackersAboutContactBlogDocumentationCareers
Request demo
Art Trackers logo
ART TRACKERS
Connecting fine art to people

Connecting fine art to people. Preserving cultural legacy through technology.

Platform

FeaturesHow It WorksSecurityIntegrations

Government

For Cities & CountiesCompliance

Resources

DocumentationHelp CenterBlog

Company

About UsCareersNewsContact Us

© 2026 Art Trackers LLC. All rights reserved.

Privacy PolicyTerms of ServiceAccessibility
    Museum collections / The Cleveland Museum of Art
    End of the Harvest by Charles Angrand
    Charles Angrand. End of the Harvest, c. 1892–1905. The Cleveland Museum of Art. Public domain (CC0).
    AT-00011075

    Public data from the Cleveland Museum of Art. Learn more

    End of the Harvest

    by Charles Angrand

    About the Artwork

    This drawing's unusual technique reflects the ideas of the French painting movement known as Pointillism or Divisionism. Its most famous practitioner, Georges Seurat (1859–1891), developed a technique of applying color in short strokes or dots. Seurat's friend Charles Angrand was influenced by this method, and both artists developed a related technique for their drawings. In the sheet shown here, Angrand used a black, manufactured charcoal stick on a paper textured with tiny ridges. The highest of these ridges hold the charcoal, but the paper shows through in the small spaces between them. This creates the effect of a soft, diffuse evening light that dissolves the curved shapes of haystacks and turns the landscape into an expansive abstraction of nature.

    Inscriptions

    watermark, lower left: BERVILLE (in reverse); watermark, upper right: Lalanne

    Exhibition history

    Master Drawings from the Cleveland Museum of Art. The Cleveland Museum of Art, Cleveland, OH (organizer) (August 27-October 17, 2000); The Morgan Library & Museum, New York, NY (May 23-August 19, 2001); Museum of Fine Arts, Houston, Houston, TX (October 14, 2001-January 6, 2002). Van Gogh's Sheaves of Wheat. The Dallas Museum of Art, Dallas, TX (organizer) (October 22, 2006-January 7, 2007). Neo-Impressionism and the Dream of Realities: Painting, Poetry, Music. The Phillips Collection, Washington, DC (organizer) (September 27, 2014-January 11, 2015). Nineteenth-Century French Drawings from the Cleveland Museum of Art. The Cleveland Museum of Art, Cleveland, OH (organizer) (January 20-June 11, 2023).

    Quick Overview

    Artist
    Charles Angrand (French, 1854–1926)
    Date
    c. 1892–1905
    Medium
    charcoal on cream laid paper
    Dimensions
    Sheet: 49.1 x 63.5 cm (19 5/16 x 25 in.)
    Type
    Drawing
    Classification
    Drawing
    Department
    Drawings
    Credit line
    Purchase from the J. H. Wade Fund
    Accession no.
    1999.49

    Provenance

    Artist’s family, by descent 1999: (Galerie Lespinasse, Rouen, sold to Mr. P. L.) 1999: Mr. P. L. 1999: (Galerie Berès, Paris, sold to the Cleveland Museum of Art, 1999) 1999 -: Cleveland Museum of Art, Cleveland, OH

    More by Charles Angrand in museum collections

    • Head of a Child (Emmanuel) by Charles Angrand

      Head of a Child (Emmanuel)

      Charles Angrand

      1898 · Drawing

      Museum collection · via the Art Institute of ChicagoAT-00005894

    Open-access museum data

    This record comes from the open-access collection data that the Cleveland Museum of Art publishes for unrestricted use (Creative Commons Zero). Art Trackers shows a selection of the museum's published fields. The Cleveland Museum of Art is not an Art Trackers client and has not reviewed or endorsed this page; the museum's own website is the authoritative record.

    Source: The Cleveland Museum of Art Open Access (CC0)

    • View this work at the Cleveland Museum of Art
    • The Cleveland Museum of Art: open-access terms

    Data retrieved from the Cleveland Museum of Art on October 8, 2026. The museum may have updated its record since.

    Open-access museum record · AT-00011075

    Powered by Art Trackers