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    Museum collections / The Cleveland Museum of Art
    Tomyris with the Head of Cyrus (verso)
    Peter Paul Rubens. Tomyris with the Head of Cyrus (verso), c. 1637–38. The Cleveland Museum of Art. Public domain (CC0).
    AT-00011112

    Public data from the Cleveland Museum of Art. Learn more

    Tomyris with the Head of Cyrus (verso)

    by Peter Paul Rubens

    About the Artwork

    Peter Paul Rubens had a large studio in Antwerp and used drawing to prepare for large paintings as well as to direct the many pupils who assisted him. Striking in its immediacy, the drawing on the recto of this sheet of paper is a preparatory study for the Feast of Herod painting now at the Scottish National Gallery in Edinburgh. Herod, wearing a large cap and wrapped in a mantle, shrinks back in horror as Salome uncovers a charger that holds the head of Saint John the Baptist. Smiling, Herodias grabs the platter with her left hand and, in a chilling detail, gestures toward the charger with a fork. Rubens wrote what is usually interpreted as “Herodias somewhat higher” at the top of the sheet. The verso of the sheet depicts a sketch for another story featuring a change of fortune at the hands of a vengeful woman, Tomyris with the Head of Cyrus. Rubens made two paintings of the subject (now in Paris and Boston). A rare theme, the story tells of Queen Tomyris who, avenging the death of her son in battle, collects the head of his murderer Cyrus in a bag of human blood. Tomyris is shown seated under a canopy holding a scepter, while the servants before her handle Cyrus’s head. Rubens wrote “plus spatij” (more space) in the center of the sheet.

    Inscriptions

    by artist, center, in brown ink: plus spatij

    Provenance

    Unidentified collector (Lugt 622, verso, lower right, in black ink, probably Austrian collection c. 1800); English private collection (According to Burchard and d'Hulst, Antwerp, 1956); [Herbert N. Bier]. Purchased by the Cleveland Museum of Art in 1954.

    Exhibition history

    Master Drawings from the Cleveland Museum of Art. The Cleveland Museum of Art, Cleveland, OH (organizer) (August 27-October 17, 2000).

    Quick Overview

    Artist
    Peter Paul Rubens (Flemish, 1577–1640)
    Date
    c. 1637–38
    Medium
    pen and brown ink, with black and red chalk
    Dimensions
    Sheet: 27.2 x 47.2 cm (10 11/16 x 18 9/16 in.); Secondary Support: 27.6 x 47.3 cm (10 7/8 x 18 5/8 in.)
    Type
    Drawing
    Classification
    Drawing
    Department
    Drawings
    Credit line
    Delia E. Holden and L. E. Holden Funds
    Accession no.
    1954.2.b

    More by Peter Paul Rubens in museum collections

    • The Feast of Herod (recto); Tomyris with the Head of Cyrus (verso)

      Peter Paul Rubens

      c. 1637–38 · Drawing

      Public collection via the Cleveland Museum of ArtAT-00000310
    • The Capture of Samson

      Peter Paul Rubens

      1609–10 · Painting

      Public collection via the Art Institute of ChicagoAT-00000600
    • The Adoration of the Eucharist

      Peter Paul Rubens

      c. 1626 · Painting

      Public collection via the Art Institute of ChicagoAT-00000840
    • The Holy Family with Saints Elizabeth and John the Baptist

      Peter Paul Rubens

      c. 1615 · Painting

      Public collection via the Art Institute of ChicagoAT-00000862

    Open-access museum data

    This record comes from the open-access collection data that the Cleveland Museum of Art publishes for unrestricted use (Creative Commons Zero). Art Trackers shows a selection of the museum's published fields. The Cleveland Museum of Art is not an Art Trackers client and has not reviewed or endorsed this page; the museum's own website is the authoritative record.

    • View this work at the Cleveland Museum of Art
    • The Cleveland Museum of Art: open-access terms

    Data retrieved from the Cleveland Museum of Art on October 8, 2026. The museum may have updated its record since.

    Open-access museum record · AT-00011112

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