ART TRACKERSConnecting fine art to people
Platform OverviewPlatform SecurityPricingTechnology OverviewTags & PlaquesWhat is UAINLegal & Compliance
GovernmentTribal NationsArtistsUniversity & CollegesServices
InstitutionsExploreMuseum Collections
Artists
Why Art TrackersAboutContactBlogDocumentationCareers
Request demo
Platform OverviewPlatform SecurityPricingTechnology OverviewTags & PlaquesWhat is UAINLegal & Compliance
GovernmentTribal NationsArtistsUniversity & CollegesServices
InstitutionsExploreMuseum Collections
Artists
Why Art TrackersAboutContactBlogDocumentationCareers
Request demo
Art Trackers logo
ART TRACKERS
Connecting fine art to people

Connecting fine art to people. Preserving cultural legacy through technology.

Platform

FeaturesHow It WorksSecurityIntegrations

Government

For Cities & CountiesComplianceResourcesCase Studies

Resources

DocumentationHelp CenterBlog

Company

About UsCareersNewsContact Us

© 2026 Art Trackers LLC. All rights reserved.

Privacy PolicyTerms of ServiceAccessibility
    Museum collections / The Cleveland Museum of Art
    The Ruby Range, Nevada
    Thomas Moran. The Ruby Range, Nevada, 1879. The Cleveland Museum of Art. Public domain (CC0).
    AT-00011121

    Public data from the Cleveland Museum of Art. Learn more

    The Ruby Range, Nevada

    by Thomas Moran

    About the Artwork

    Thomas Moran is especially well known for his sweeping views of remote areas in the American West. A gifted watercolorist who was deeply influenced by J. M. W. Turner, Moran found a realistic equivalent for the Englishman’s art in the strange hues of the mountains of Wyoming and Nevada, the bubbling springs and vaporous geysers of Yellowstone, and the fantastic rock formations of Arizona. Although he enjoyed dramatic effects, Moran did not exaggerate the spectacular landscapes of the American West; watercolors such as Ruby Range are accurate even in their surprising palettes, achieving an almost visionary intensity.

    Inscriptions

    signed, lower left, in graphite: The Ruby Range / Nevada Aug 8th --79. TMoran. / TM ; by artist, lower right, in graphite [partially erased]: The Ruby Range Nevada / Aug 8th TM

    Provenance

    1927-1927: (The Milch Galleries, New York, NY, cat no. 21.) 1927: (Biltmore Salon, Los Angeles, CA, January 1927, cat. no. 22, sold.) 1927?-1938: Henry A. [1856-1917] and Josephine P. [1866-1938] Everett, Cleveland, OH. 1938-: Bequest of Josephine P. Everett to The Cleveland Museum of Art, Cleveland, OH, for the Dorothy Burnham Everett Memorial Collection.

    Exhibition history

    Watercolors and Drawings form the Museum Collection. The Cleveland Museum of Art, Cleveland, OH (organizer) (February 7-28, 1939). The Most Remarkable Scenery: Thomas Moran's Watercolors of the American West. Amon Carter Museum (organizer) (May 23-July 13, 1980); The Cleveland Museum of Art (August 5-October 5, 1980); Yale University Art Gallery (October 23, 1980-January 4, 1981). Visions of Landscape: East and West. The Cleveland Museum of Art, Cleveland, OH (organizer) (February 17-March 21, 1982). America Draws. The Cleveland Museum of Art, Cleveland, OH (organizer) (December 28, 1984-March 17, 1985). Visions of the American West. Art Gallery of Western Australia, Perth, Perth, Australia (December 15, 1986-February 7, 1987); Art Gallery of New South Wales, Sydney, Australia (co-organizer) (February 23-April 6, 1987). American Drawings from the Permanent Collection. The Cleveland Museum of Art, Cleveland, OH (organizer) (April 19-July 12, 1998). Nature Sublime: Landscapes from the 19th Century. The Cleveland Museum of Art, Cleveland, OH (organizer) (August 15-November 14, 2004).

    Quick Overview

    Artist
    Thomas Moran (American, born England, 1837–1926)
    Date
    1879
    Medium
    watercolor, gouache and graphite
    Dimensions
    Sheet: 19.6 x 36.2 cm (7 11/16 x 14 1/4 in.)
    Type
    Drawing
    Classification
    Drawing
    Department
    Drawings
    Credit line
    Bequest of Mrs. Henry A. Everett for the Dorothy Burnham Everett Memorial Collection
    Accession no.
    1938.67

    More by Thomas Moran in museum collections

    • Summit of the Sierras

      Thomas Moran

      1872/75 · Drawing

      Public collection via the Art Institute of ChicagoAT-00002417
    • Beverly N.J.

      Thomas Moran

      1880/89 · Drawing

      Public collection via the Art Institute of ChicagoAT-00004340
    • Fort George Island, Florida

      Thomas Moran

      1878 · Painting

      Public collection via the Cleveland Museum of ArtAT-00009494
    • Smelting Works at Denver

      Thomas Moran

      1892 · Drawing

      Public collection via the Cleveland Museum of ArtAT-00011036

    Open-access museum data

    This record comes from the open-access collection data that the Cleveland Museum of Art publishes for unrestricted use (Creative Commons Zero). Art Trackers shows a selection of the museum's published fields. The Cleveland Museum of Art is not an Art Trackers client and has not reviewed or endorsed this page; the museum's own website is the authoritative record.

    • View this work at the Cleveland Museum of Art
    • The Cleveland Museum of Art: open-access terms

    Data retrieved from the Cleveland Museum of Art on October 8, 2026. The museum may have updated its record since.

    Open-access museum record · AT-00011121

    Powered by Art Trackers