ART TRACKERSConnecting fine art to people
Platform OverviewPlatform SecurityPricingTechnology OverviewTags & PlaquesWhat is UAINLegal & Compliance
GovernmentTribal NationsArtistsUniversity & CollegesServices
InstitutionsExploreMuseum Collections
Artists
Why Art TrackersAboutContactBlogDocumentationCareers
Request demo
Platform OverviewPlatform SecurityPricingTechnology OverviewTags & PlaquesWhat is UAINLegal & Compliance
GovernmentTribal NationsArtistsUniversity & CollegesServices
InstitutionsExploreMuseum Collections
Artists
Why Art TrackersAboutContactBlogDocumentationCareers
Request demo
Art Trackers logo
ART TRACKERS
Connecting fine art to people

Connecting fine art to people. Preserving cultural legacy through technology.

Platform

FeaturesHow It WorksSecurityIntegrations

Government

For Cities & CountiesComplianceResourcesCase Studies

Resources

DocumentationHelp CenterBlog

Company

About UsCareersNewsContact Us

© 2026 Art Trackers LLC. All rights reserved.

Privacy PolicyTerms of ServiceAccessibility
    Museum collections / The Cleveland Museum of Art
    The Meeting of Christ with Martha and Mary after the Death of Lazarus
    Rembrandt van Rijn. The Meeting of Christ with Martha and Mary after the Death of Lazarus, c. 1662–65. The Cleveland Museum of Art. Public domain (CC0).

    Public collection via the Cleveland Museum of Art

    AT-00011146

    The Meeting of Christ with Martha and Mary after the Death of Lazarus

    by Rembrandt van Rijn

    Also known as: The Meeting of Christ with Martha and Mary at the Grave of Lazarus

    View at the Cleveland Museum of Art

    About the Artwork

    Scholars now consider this drawing a rare, late work by Rembrandt. Here, Christ meets with Martha and Mary after the death of their brother, Lazarus (John 11:30–36). The composed dignity of Christ's face and his calm compassion contrast with the prostrate figure of Mary and the agitated drawing of the kneeling Martha, whose outstretched hands are repeated three times, suggesting a frenzied expressivity. Above Martha, white gouache obliterates the figure of a standing man as well as a first version of Martha's head. The combination of rough power and sublime tenderness that characterizes Rembrandt's late drawing style is here demonstrated in the dramatic rendering of the sisters' grief and the sensitive portrayal of the bearded old man who dries his eyes with a kerchief at the right.

    Provenance

    Edward Vernon Utterson Private Collection, England Rosenberg and Stiebel, New York Edward Vernon Utterson, London (Lugt 909, lower center, in black ink). Private Collection, England (according to departmental cataloging sheet and Benesch 1973, vol. 5, p. 293, cat. no. 1068a). [Rosenberg and Stiebel, Inc., New York]

    Exhibition history

    Year in Review - 1962. The Cleveland Museum of Art, Cleveland, OH (organizer) (October 24-November 25, 1962). Drawings. The Cleveland Museum of Art, Cleveland, OH (organizer) (January 11-September 10, 1963). Drawings: France, Italy, Netherlands. The Cleveland Museum of Art, Cleveland, OH (organizer) (January 1-March 24, 1965). Prints and Drawings from the Cleveland Museum of Art Collection. The Cleveland Museum of Art, Cleveland, OH (organizer) (May 6-September 9, 1965). Drawings from the Museum Collection. The Cleveland Museum of Art, Cleveland, OH (organizer) (June 9, 1967-January 1, 1968). Drawings. The Cleveland Museum of Art, Cleveland, OH (organizer) (June 11-October 21, 1968). Dutch Art and Life in the Seventeenth Century. The Cleveland Museum of Art, Cleveland, OH (July 10-September 2, 1973). Italian Drawings with von Hirsh Acquisitions. The Cleveland Museum of Art (organizer) (September 15-December 4, 1978). Seventeenth Century Netherlandish Graphics. The Cleveland Museum of Art, Cleveland, OH (organizer) (April 27-August 1, 1982). Northern European Drawings from the Cleveland Museum of Art. The Cleveland Museum of Art, Cleveland, OH (organizer) (November 16, 1982-January 9, 1983). Rembrandt in America. The Cleveland Museum of Art, Cleveland, OH (February 19-May 28, 2012).

    Open-access museum data

    This record comes from the open-access collection data that the Cleveland Museum of Art publishes for unrestricted use (Creative Commons Zero). Art Trackers shows a selection of the museum's published fields. The Cleveland Museum of Art is not an Art Trackers client and has not reviewed or endorsed this page; the museum's own website is the authoritative record.

    • View this work at the Cleveland Museum of Art
    • The Cleveland Museum of Art: open-access terms

    Data retrieved from the Cleveland Museum of Art on October 8, 2026. The museum may have updated its record since.

    Quick Overview

    Artist
    Rembrandt van Rijn (Dutch, 1606–1669)
    Date
    c. 1662–65
    Medium
    reed pen and brown ink and wash, heightened with white gouache (in the heads of the kneeling figures)
    Dimensions
    Sheet: 17.5 x 20.8 cm (6 7/8 x 8 3/16 in.); Secondary Support: 17.5 x 20.8 cm (6 7/8 x 8 3/16 in.)
    Type
    Drawing
    Classification
    Drawing
    Department
    Drawings
    Credit line
    Leonard C. Hanna Jr. Fund
    Accession no.
    1962.116

    More by Rembrandt van Rijn in museum collections

    • Tobias Healing His Father's Blindness

      Rembrandt van Rijn

      c. 1640–45 · Drawing

      Public collection via the Cleveland Museum of Art

      AT-00000323
    • Old Man with a Gold Chain

      Rembrandt van Rijn

      1631 · Painting

      Public collection via the Art Institute of Chicago

      AT-00001388
    • Kostverloren Castle in Decay

      Rembrandt van Rijn

      c. 1652 · Drawing

      Public collection via the Art Institute of Chicago

      AT-00002221
    • Noah's Ark

      Rembrandt van Rijn

      c. 1660 · Drawing

      Public collection via the Art Institute of Chicago

      AT-00004323

    Open-access museum record · AT-00011146

    Powered by Art Trackers