ART TRACKERSConnecting fine art to people
Platform OverviewPlatform SecurityPricingTechnology OverviewTags & PlaquesWhat is UAINLegal & Compliance
GovernmentTribal NationsArtistsUniversity & CollegesServices
InstitutionsExploreMuseum Collections
Artists
Why Art TrackersAboutContactBlogDocumentationCareers
Request demo
Platform OverviewPlatform SecurityPricingTechnology OverviewTags & PlaquesWhat is UAINLegal & Compliance
GovernmentTribal NationsArtistsUniversity & CollegesServices
InstitutionsExploreMuseum Collections
Artists
Why Art TrackersAboutContactBlogDocumentationCareers
Request demo
Art Trackers logo
ART TRACKERS
Connecting fine art to people

Connecting fine art to people. Preserving cultural legacy through technology.

Platform

FeaturesHow It WorksSecurityIntegrations

Government

For Cities & CountiesComplianceResourcesCase Studies

Resources

DocumentationHelp CenterBlog

Company

About UsCareersNewsContact Us

© 2026 Art Trackers LLC. All rights reserved.

Privacy PolicyTerms of ServiceAccessibility
    Museum collections / The Cleveland Museum of Art
    Saint Jerome and Saint Catherine of Alexandria Standing in a Landscape
    Girolamo da Treviso the Younger. Saint Jerome and Saint Catherine of Alexandria Standing in a Landscape, c. 1530. The Cleveland Museum of Art. Public domain (CC0).

    Public collection via the Cleveland Museum of Art

    AT-00011185

    Saint Jerome and Saint Catherine of Alexandria Standing in a Landscape

    by Girolamo da Treviso the Younger

    View at the Cleveland Museum of Art

    About the Artwork

    Girolamo da Treviso the Younger created this drawing as a preparatory design for a painting while working in Bologna at the Church of Santissimo Salvatore. The type of composition is known as a sacre conversazione (sacred conversation). Invented in Venice, this genre featured saints within expansive landscapes sharing a contemplative presence. Saint Jerome’s attribute, a lion, is loosely sketched with brush and ink, while the figures are carefully composed with a mix of ink, ink wash, and white highlights on colored paper, giving them a monumental, sculptural appearance.

    Inscriptions

    Collector’s mark, lower left: Lugt 2364 (Sir Joshua Reynolds); Collector’s mark, lower left: Ian Duncan (not in Lugt); bears inscription lower left, in the hand of Lord John Somers: l 182; bears an old attribution on the Richardson mount: Pelligrino da Bologna; on verso of mount in ink (in the hand of Jonathan Richardson, Sr.): Pellegrini Tibaldy eleve de Daniel de Volterre [crossed out in pencil]/ ne a Boulongne [sic] 1522 mort en 1592; below, on verso, in pencil in an unknown hand: coll. Lord Somers raisonnablement provenant / de Padre Reste / Reynolds / le dessin peut-être date autour 1550 / dans le style des dessins pour la decoration du Palais Sacchetti

    Provenance

    Padre Sebastiano Resta (1635-1714), Rome (L.2992a) (Lansdowne manuscript, (inscribed) no. 182: 'delle più belle cose di Giovanni de' Vecchi da Borgo') Giovanni Matteo Marchetti, bishop of Arezzo (1647-1704) Lord John Somers (1650-1716), Worcester (L.2981) 1717: his sale, London, 1717 Jonathan Richardson Sr. (1665-1745), London (L.2183), on his mount, with his inscription lower center: Pellegrino da Bologna (i.e., Pellegrino Tibaldi) Sir Joshua Reynolds (1723-1792), London (L.2364) 1985: sale, London, Christie's, 10 April 1985, lot 25 (as attributed to Pellegrino Tibaldi) Ian Duncan (bears his mark, not in Lugt) 2010: with Thomas Williams Fine Art Ltd., London, where acquired by Diane A. Nixon 2010-2026: Diane A. Nixon, New York 2026: Sotheby’s, New York, February 4, 2026, lot 4 March 2, 2026–: The Cleveland Museum of Art, Cleveland, OH

    Open-access museum data

    This record comes from the open-access collection data that the Cleveland Museum of Art publishes for unrestricted use (Creative Commons Zero). Art Trackers shows a selection of the museum's published fields. The Cleveland Museum of Art is not an Art Trackers client and has not reviewed or endorsed this page; the museum's own website is the authoritative record.

    • View this work at the Cleveland Museum of Art
    • The Cleveland Museum of Art: open-access terms

    Data retrieved from the Cleveland Museum of Art on October 8, 2026. The museum may have updated its record since.

    Quick Overview

    Artist
    Girolamo da Treviso the Younger (Italian, 1497–1544)
    Date
    c. 1530
    Medium
    pen and ink, gray wash, and white heightening over black chalk on prepared buff colored paper
    Dimensions
    Sheet: 24.3 x 22 cm (9 9/16 x 8 11/16 in.)
    Type
    Drawing
    Classification
    Drawing
    Department
    Drawings
    Credit line
    Severance and Greta Millikin Purchase Fund
    Accession no.
    2026.11

    Open-access museum record · AT-00011185

    Powered by Art Trackers