ART TRACKERSConnecting fine art to people
Platform OverviewPlatform SecurityPricingTechnology OverviewTags & PlaquesWhat is UAINLegal & Compliance
GovernmentTribal NationsArtistsUniversity & CollegesServices
InstitutionsExploreMuseum Collections
Artists
Why Art TrackersAboutContactBlogDocumentationCareers
Request demo
Platform OverviewPlatform SecurityPricingTechnology OverviewTags & PlaquesWhat is UAINLegal & Compliance
GovernmentTribal NationsArtistsUniversity & CollegesServices
InstitutionsExploreMuseum Collections
Artists
Why Art TrackersAboutContactBlogDocumentationCareers
Request demo
Art Trackers logo
ART TRACKERS
Connecting fine art to people

Connecting fine art to people. Preserving cultural legacy through technology.

Platform

FeaturesHow It WorksSecurityIntegrations

Government

For Cities & CountiesComplianceResourcesCase Studies

Resources

DocumentationHelp CenterBlog

Company

About UsCareersNewsContact Us

© 2026 Art Trackers LLC. All rights reserved.

Privacy PolicyTerms of ServiceAccessibility
    Museum collections / The Cleveland Museum of Art
    A View of Bracciano with the Church of S. Maria Assunta
    Bartholomeus Breenberg. A View of Bracciano with the Church of S. Maria Assunta, c. 1619–33. The Cleveland Museum of Art. Public domain (CC0).

    Public collection via the Cleveland Museum of Art

    AT-00011221

    A View of Bracciano with the Church of S. Maria Assunta

    by Bartholomeus Breenberg

    View at the Cleveland Museum of Art

    About the Artwork

    In the early 1600s, artists from Northern Europe began to take long trips to Italy as part of their artistic training. Bartholomeus Breenberg traveled to Italy around 1620 and probably stayed for at least 12 years. While there, he sketched ancient ruins and the countryside, features he would use in his paintings when he returned to Amsterdam in the 1630s. The area around the Lago di Bracciano, a volcanic lake northwest of Rome, was home to several medieval villages that provided charming vistas for artists. In his view, Breenberg emphasized the crumbling turret of a medieval castle in Bracciano in front of the ordered, linear outline of the Church of Santa Maria Assunta beyond. Combining gray and brown ink washes to plot gradations in tone, he created vivid contrasts of light and shade, capturing the effects of the bright Italian sunshine.

    Inscriptions

    Written in brown ink on recto of mount, lower left: "Bracciano"; Written in brown ink on recto of mount, lower right: "J. Bischop"; Written in pencil on recto of mount, lower right: "610"; Written in pencil on verso of mount: "53"

    Provenance

    with Johan Bosch van Rosenthal Mr. and Mrs. Joseph P. Keithley, Cleveland, OH March 2, 2020: the Cleveland Museum of Art, Cleveland, OH

    Exhibition history

    Impressionism to Modernism: The Keithley Collection. The Cleveland Museum of Art, Cleveland, OH (organizer) (September 11, 2022-January 8, 2023).

    Open-access museum data

    This record comes from the open-access collection data that the Cleveland Museum of Art publishes for unrestricted use (Creative Commons Zero). Art Trackers shows a selection of the museum's published fields. The Cleveland Museum of Art is not an Art Trackers client and has not reviewed or endorsed this page; the museum's own website is the authoritative record.

    • View this work at the Cleveland Museum of Art
    • The Cleveland Museum of Art: open-access terms

    Data retrieved from the Cleveland Museum of Art on October 8, 2026. The museum may have updated its record since.

    Quick Overview

    Artist
    Bartholomeus Breenberg (Dutch, 1599–1657)
    Date
    c. 1619–33
    Medium
    Brown and gray inks and washes applied with point of brush and brush, with traces of graphite underdrawing on cream antique laid paper
    Dimensions
    Image and Sheet: 8.7 x 15 cm (3 7/16 x 5 7/8 in.); Mounted: 23.6 x 30.8 cm (9 5/16 x 12 1/8 in.)
    Type
    Drawing
    Classification
    Drawing
    Department
    Drawings
    Credit line
    Nancy F. and Joseph P. Keithley Collection Gift
    Accession no.
    2020.127

    Open-access museum record · AT-00011221

    Powered by Art Trackers