ART TRACKERSConnecting fine art to people
Platform OverviewPlatform SecurityPricingTechnology OverviewTags & PlaquesWhat is UAINLegal & Compliance
GovernmentTribal NationsArtistsUniversity & CollegesServices
InstitutionsExploreMuseum Collections
Artists
Why Art TrackersAboutContactBlogDocumentationCareers
Request demo
Platform OverviewPlatform SecurityPricingTechnology OverviewTags & PlaquesWhat is UAINLegal & Compliance
GovernmentTribal NationsArtistsUniversity & CollegesServices
InstitutionsExploreMuseum Collections
Artists
Why Art TrackersAboutContactBlogDocumentationCareers
Request demo
Art Trackers logo
ART TRACKERS
Connecting fine art to people

Connecting fine art to people. Preserving cultural legacy through technology.

Platform

FeaturesHow It WorksSecurityIntegrations

Government

For Cities & CountiesComplianceResourcesCase Studies

Resources

DocumentationHelp CenterBlog

Company

About UsCareersNewsContact Us

© 2026 Art Trackers LLC. All rights reserved.

Privacy PolicyTerms of ServiceAccessibility
    Museum collections / The Cleveland Museum of Art
    St. George and the Dragon
    Francesco Salviati. St. George and the Dragon, c. 1530s. The Cleveland Museum of Art. Public domain (CC0).

    Public collection via the Cleveland Museum of Art

    AT-00011422

    St. George and the Dragon

    by Francesco Salviati

    View at the Cleveland Museum of Art

    About the Artwork

    According to a legend based on Greek myth, as Saint George passed through Libya, he rescued a king’s daughter who had been left as a sacrifice to placate a vicious dragon. In gratitude for being delivered from the monster’s tyranny, the king’s subjects converted to Christianity. Here George wears armor in the ancient style based on Roman sculpture. Classical armor in Renaissance art was reserved for elite male subjects as a sign of their virtue. As a military saint, George’s attire conveys his antiquity as an early Christian hero (died about AD 303), conferring on him a sense of Roman authority and gravity.

    Inscriptions

    VERSO OF SECONDARY SUPPORT, upper center, in brown ink: C. Salviati ; upper left, in graphite: Box6 - 5. ; center, in graphite: 10

    Provenance

    Thomas Coke, 1st Earl of Leicester (1697-1759), Holkam Hall, Norfolk, England; by descent within the Coke family; [their sale, Christie's, London, 2 July 1991, p. 25, lot 6]; [Artemis Fine Arts, Ltd., London (David Carritt, Ltd., London)]

    Exhibition history

    Selected Acquisitions. The Cleveland Museum of Art, Cleveland, OH (organizer) (February 9-April 11, 1993).

    Open-access museum data

    This record comes from the open-access collection data that the Cleveland Museum of Art publishes for unrestricted use (Creative Commons Zero). Art Trackers shows a selection of the museum's published fields. The Cleveland Museum of Art is not an Art Trackers client and has not reviewed or endorsed this page; the museum's own website is the authoritative record.

    • View this work at the Cleveland Museum of Art
    • The Cleveland Museum of Art: open-access terms

    Data retrieved from the Cleveland Museum of Art on October 8, 2026. The museum may have updated its record since.

    Quick Overview

    Artist
    Francesco Salviati (Italian, 1510–1563)
    Date
    c. 1530s
    Medium
    black chalk with red chalk, stumped
    Dimensions
    Sheet: 30.3 x 43.2 cm (11 15/16 x 17 in.); Secondary Support: 43.3 x 55.1 cm (17 1/16 x 21 11/16 in.)
    Type
    Drawing
    Classification
    Drawing
    Department
    Drawings
    Credit line
    John L. Severance Fund
    Accession no.
    1992.60

    More by Francesco Salviati in museum collections

    • Marcus Curtius Leaping into the Abyss

      Francesco Salviati

      1555/63 · Drawing

      Public collection via the Art Institute of Chicago

      AT-00003486
    • After the Antique: Roman Officiant at a Sacrificial Altar

      Francesco Salviati

      1531/32 · Drawing

      Public collection via the Art Institute of Chicago

      AT-00004145
    • Cavalry Skirmish (recto); Kneeling Ecorché (verso)

      Francesco Salviati

      1530/39 · Drawing

      Public collection via the Art Institute of Chicago

      AT-00004628
    • Young Warrior, Seen from Behind, Lifting a Curtain

      Francesco Salviati

      1550/55 · Drawing

      Public collection via the Art Institute of Chicago

      AT-00006018

    Open-access museum record · AT-00011422

    Powered by Art Trackers