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    Museum collections / The Cleveland Museum of Art
    The Triumph of Neptune
    Charles-Joseph Natoire. The Triumph of Neptune, 1766 or later. The Cleveland Museum of Art. Public domain (CC0).

    Public collection via the Cleveland Museum of Art

    AT-00011572

    The Triumph of Neptune

    by Charles-Joseph Natoire

    View at the Cleveland Museum of Art

    About the Artwork

    Natoire produced this drawing based on a fresco by Guillaume Courtois, known as Il Borgognone (1628–1679), that decorates a vaulted ceiling in the Palazzo Dorio-Pamphili in Valmontone. Carrying his trident, Neptune skims the ocean waves in a chariot attended by the gods Nereus and Oceanus, his son, Triton, and a dolphin. Able to raise tempests and calm the sea, Neptune gestures toward darkened clouds where two blowing faces personify the winds. Natoire’s fluid brushstrokes and vibrant use of color exemplify the characteristic sensuality of his watercolors.

    Inscriptions

    lower right, in pen and brown ink: C. Natoire verso, on mount, in pen and brown ink: No 5

    Provenance

    Estate of the artist; his sale, M. Chariot and P.A. Paillet, Paris, December 14ff., 1778 (Lugt, "Ventes," no. 2928), part of lot 95: "Des Fleuves, des Naïades, & pour pendant le Triomphe de Neptune; ces deux Dessins aquarelles sont de forme cintrée du haut"; sold for 104 livres to De Berre [possibly Marquis de Calvière]; his sale, M. Chariot and C.P. Joullain, Paris, May 5ff., 1779 (Lugt, "Ventes" no. 2996), part of lot 84: "Deux Fleuves & quatre Nayades" [possibly sale, Morel and Lebrun, Paris March 19ff., 1786] (Lugt, "Ventes," no. 4025), part of lot 365: "Duex dessins coloriés; l'un représentat le Triomphe des Fleuves & Nayades; l'autre offer le Triomphe de Neptune: ces deux beaux dessins méritent une distinction particulière parmi les ouvrages de ce maître]; Sir Francis Ferrand Foljambe (1750-1814), Osberton Hall, Scofton near Worksop, Nottinghamshire; thence by descent

    Exhibition history

    Elegance and Intrigue: French Society in 18th-century Prints and Drawings. The Cleveland Museum of Art, Cleveland, OH (organizer) (July 16-November 6, 2016).

    Open-access museum data

    This record comes from the open-access collection data that the Cleveland Museum of Art publishes for unrestricted use (Creative Commons Zero). Art Trackers shows a selection of the museum's published fields. The Cleveland Museum of Art is not an Art Trackers client and has not reviewed or endorsed this page; the museum's own website is the authoritative record.

    • View this work at the Cleveland Museum of Art
    • The Cleveland Museum of Art: open-access terms

    Data retrieved from the Cleveland Museum of Art on October 8, 2026. The museum may have updated its record since.

    Quick Overview

    Artist
    Charles Joseph Natoire (French, 1700–1777)
    Date
    1766 or later
    Medium
    Watercolor and black chalk on two sheets of cream laid paper
    Dimensions
    Image: 23.8 x 34.1 cm (9 3/8 x 13 7/16 in.); Mounted: 34 x 44 cm (13 3/8 x 17 5/16 in.)
    Type
    Drawing
    Classification
    Drawing
    Department
    Drawings
    Credit line
    Severance and Greta Millikin Trust
    Accession no.
    2013.48

    More by Charles-Joseph Natoire in museum collections

    • Head of a Sea God

      Charles-Joseph Natoire

      1730/40 · Drawing

      Public collection via the Art Institute of Chicago

      AT-00003229
    • Rape of Europa

      Charles-Joseph Natoire

      1731 · Drawing

      Public collection via the Cleveland Museum of Art

      AT-00011921
    • The Rebuke of Adam and Eve

      Charles-Joseph Natoire

      1740 · Painting

      Public collection via the Metropolitan Museum of Art

      AT-00015458
    • The Departure of Sancho Panza for the Island of Barataria

      Charles-Joseph Natoire

      18th century · Drawing

      Public collection via the Metropolitan Museum of Art

      AT-00019532

    Open-access museum record · AT-00011572

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