ART TRACKERSConnecting fine art to people
Platform OverviewPlatform SecurityPricingTechnology OverviewTags & PlaquesWhat is UAINLegal & Compliance
GovernmentTribal NationsArtistsUniversity & CollegesServices
InstitutionsExploreMuseum Collections
Artists
Why Art TrackersAboutContactBlogDocumentationCareers
Request demo
Platform OverviewPlatform SecurityPricingTechnology OverviewTags & PlaquesWhat is UAINLegal & Compliance
GovernmentTribal NationsArtistsUniversity & CollegesServices
InstitutionsExploreMuseum Collections
Artists
Why Art TrackersAboutContactBlogDocumentationCareers
Request demo
Art Trackers logo
ART TRACKERS
Connecting fine art to people

Connecting fine art to people. Preserving cultural legacy through technology.

Platform

FeaturesHow It WorksSecurityIntegrations

Government

For Cities & CountiesComplianceResourcesCase Studies

Resources

DocumentationHelp CenterBlog

Company

About UsCareersNewsContact Us

© 2026 Art Trackers LLC. All rights reserved.

Privacy PolicyTerms of ServiceAccessibility
    Museum collections / The Cleveland Museum of Art
    The Flaying of Marsyas
    Jan van der Straet, called Johannes Stradanus. The Flaying of Marsyas, c. 1570–1605. The Cleveland Museum of Art. Public domain (CC0).
    AT-00011574

    Public data from the Cleveland Museum of Art. Learn more

    The Flaying of Marsyas

    by Jan van der Straet, called Johannes Stradanus

    About the Artwork

    In this gruesome mythological scene, Apollo begins to flay, or peel the skin off, the satyr Marsyas as punishment for his arrogant challenge in a musical contest. The surrounding Olympian gods show reactions ranging from horror to fascination. The artist Johannes Stradanus helped found the Accademia delle Arti del Disegno (Academy of the Arts of Drawing) in Florence in 1563, which instituted a course of training for artists that included observing a human dissection. In making this image, Stradanus very likely understood the flaying of Marsyas as a metaphor for the importance of dissection and anatomical study to the artist.

    Inscriptions

    Inscribed LR in pen and ink “Strada. / STRADENSIS”

    Provenance

    Didier Aaron et Cie, Paris, France June 4, 2018: the Cleveland Museum of Art, Cleveland, OH

    Exhibition history

    Master/Apprentice: Imitation and Inspiration in the Renaissance. The Cleveland Museum of Art, Cleveland, OH (organizer) (October 13, 2019-February 23, 2020).

    Quick Overview

    Artist
    Jan van der Straet, called Johannes Stradanus (Netherlandish, active Italy, 1523–1605)
    Date
    c. 1570–1605
    Medium
    Pen and brown ink and brown and red washes, heightened with white paint (or gouache), on paper prepared with red washes
    Dimensions
    Sheet: 21.1 x 31.5 cm (8 5/16 x 12 3/8 in.)
    Type
    Drawing
    Classification
    Drawing
    Department
    Drawings
    Credit line
    Severance and Greta Millikin Purchase Fund
    Accession no.
    2018.26

    More by Jan van der Straet, called Johannes Stradanus in museum collections

    • Vanitas

      Jan van der Straet, called Johannes Stradanus

      mid-16th–early 17th century · Drawing

      Public collection via the Metropolitan Museum of ArtAT-00018914
    • Design for a Frontispiece with the Medici Arms

      Jan van der Straet, called Johannes Stradanus

      16th century · Drawing

      Public collection via the Metropolitan Museum of ArtAT-00018942
    • Allegory of the Triumph of the Church

      Jan van der Straet, called Johannes Stradanus

      16th century · Drawing

      Public collection via the Metropolitan Museum of ArtAT-00021237
    • Allegory of America

      Jan van der Straet, called Johannes Stradanus

      ca. 1587–89 · Drawing

      Public collection via the Metropolitan Museum of ArtAT-00021238

    Open-access museum data

    This record comes from the open-access collection data that the Cleveland Museum of Art publishes for unrestricted use (Creative Commons Zero). Art Trackers shows a selection of the museum's published fields. The Cleveland Museum of Art is not an Art Trackers client and has not reviewed or endorsed this page; the museum's own website is the authoritative record.

    • View this work at the Cleveland Museum of Art
    • The Cleveland Museum of Art: open-access terms

    Data retrieved from the Cleveland Museum of Art on October 8, 2026. The museum may have updated its record since.

    Open-access museum record · AT-00011574

    Powered by Art Trackers