ART TRACKERSConnecting fine art to people
Platform OverviewPlatform SecurityPricingTechnology OverviewTags & PlaquesWhat is UAINLegal & Compliance
GovernmentTribal NationsArtistsUniversity & CollegesServices
InstitutionsExploreMuseum Collections
Artists
Why Art TrackersAboutContactBlogDocumentationCareers
Request demo
Platform OverviewPlatform SecurityPricingTechnology OverviewTags & PlaquesWhat is UAINLegal & Compliance
GovernmentTribal NationsArtistsUniversity & CollegesServices
InstitutionsExploreMuseum Collections
Artists
Why Art TrackersAboutContactBlogDocumentationCareers
Request demo
Art Trackers logo
ART TRACKERS
Connecting fine art to people

Connecting fine art to people. Preserving cultural legacy through technology.

Platform

FeaturesHow It WorksSecurityIntegrations

Government

For Cities & CountiesComplianceResourcesCase Studies

Resources

DocumentationHelp CenterBlog

Company

About UsCareersNewsContact Us

© 2026 Art Trackers LLC. All rights reserved.

Privacy PolicyTerms of ServiceAccessibility
    Museum collections / The Cleveland Museum of Art
    Vision of St. Philip Neri
    Carlo Maratti. Vision of St. Philip Neri, c. 1673–75. The Cleveland Museum of Art. Public domain (CC0).

    Public collection via the Cleveland Museum of Art

    AT-00011580

    Vision of St. Philip Neri

    by Carlo Maratti

    Also known as: The Apotheosis of Saint Filippo Neri

    View at the Cleveland Museum of Art

    Inscriptions

    lower left, in brown ink: Carlo Maratti . F. ; VERSO, center left, in black chalk[?]: [5?]6 [underlined, sideways] ; lower center, in brown ink (iron gall): C ; lower right, in brown ink: Maratta

    Exhibition history

    The Year in Review for 1982. The Cleveland Museum of Art, Cleveland, OH (organizer) (January 5-February 6, 1983). National Schools of Style. The Cleveland Museum of Art, Cleveland, OH (organizer) (June 14-September 18, 1983). I and Thou. The Cleveland Museum of Art, Cleveland, OH (organizer) (February 21-May 27, 1984). Italian Drawings from the Permanent Collection. The Cleveland Museum of Art, Cleveland, OH (organizer) (December 16, 1986-March 1, 1987). Concept, Dogma and Feeling: Italian Drawings 1550-1650. The Cleveland Museum of Art, Cleveland, OH (organizer) (August 27-October 20, 1991).

    Open-access museum data

    This record comes from the open-access collection data that the Cleveland Museum of Art publishes for unrestricted use (Creative Commons Zero). Art Trackers shows a selection of the museum's published fields. The Cleveland Museum of Art is not an Art Trackers client and has not reviewed or endorsed this page; the museum's own website is the authoritative record.

    • View this work at the Cleveland Museum of Art
    • The Cleveland Museum of Art: open-access terms

    Data retrieved from the Cleveland Museum of Art on October 8, 2026. The museum may have updated its record since.

    Quick Overview

    Artist
    Carlo Maratti (Italian, 1625–1713)
    Date
    c. 1673–75
    Medium
    red chalk
    Dimensions
    Sheet: 36 x 26.2 cm (14 3/16 x 10 5/16 in.); Image: 35 x 23.3 cm (13 3/4 x 9 3/16 in.)
    Type
    Drawing
    Classification
    Drawing
    Department
    Drawings
    Credit line
    Dudley P. Allen Fund
    Accession no.
    1982.15

    More by Carlo Maratti in museum collections

    • Head of Child

      Carlo Maratti

      n.d. · Drawing

      Public collection via the Art Institute of Chicago

      AT-00002124
    • Apotheosis of Saint Francis Xavier

      Carlo Maratti

      n.d. · Drawing

      Public collection via the Art Institute of Chicago

      AT-00002825
    • Study for the Origin of the Rose

      Carlo Maratti

      c. 1697 · Drawing

      Public collection via the Art Institute of Chicago

      AT-00003388
    • Two Sketches of Left Hand

      Carlo Maratti

      n.d. · Drawing

      Public collection via the Art Institute of Chicago

      AT-00003545

    Open-access museum record · AT-00011580

    Powered by Art Trackers