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    Museum collections / The Cleveland Museum of Art
    The River God Tiber (Study for a fresco, Miracle of the Snow, or the Foundation of Santa Maria Maggiore, Rome in the Canigiani chapel of S. Felicita, Florence)
    Bernardino Poccetti. The River God Tiber (Study for a fresco, Miracle of the Snow, or the Foundation of Santa Maria Maggiore, Rome in the Canigiani chapel of S. Felicita, Florence), 1589. The Cleveland Museum of Art. Public domain (CC0).

    Public collection via the Cleveland Museum of Art

    AT-00011612

    The River God Tiber (Study for a fresco, Miracle of the Snow, or the Foundation of Santa Maria Maggiore, Rome in the Canigiani chapel of S. Felicita, Florence)

    by Bernardino Poccetti

    Also known as: A River God; Study for a fresco, Miracle of the Snow, or the Foundation of Santa Maria Maggiore, Rome in the Canigiani chapel of S. Felicita, Florence

    View at the Cleveland Museum of Art

    About the Artwork

    Since ancient times, artists have depicted river gods as reclining bearded men, often holding or leaning on a large urn pouring water. This example, a preparatory sketch for a painting, personifies the Tiber River, which plays a role in Rome’s legendary origins. Romulus, the founder of Rome, and his twin brother, Remus, were abandoned as infants at the river, where they were rescued by a she-wolf. Poccetti lightly sketched the animal’s head behind the river god along with the face of Romulus or Remus.

    Provenance

    Herbert List [1903-1975], Munich, Germany (Wolfgang Ratjen [1943-1997], Vaduz, Liechtenstein) (Frederick J. Cummings [1933-1990], New York, NY) 1990: (W. M. Brady and Co., New York, NY) 1990-2012: Private collection, New York, NY June 4, 2012: The Cleveland Museum of Art, Cleveland, OH

    Exhibition history

    Gods and Heroes: Ancient Legends in Renaissance Art. The Cleveland Museum of Art, Cleveland, OH (organizer) (August 26-December 31, 2017).

    Open-access museum data

    This record comes from the open-access collection data that the Cleveland Museum of Art publishes for unrestricted use (Creative Commons Zero). Art Trackers shows a selection of the museum's published fields. The Cleveland Museum of Art is not an Art Trackers client and has not reviewed or endorsed this page; the museum's own website is the authoritative record.

    • View this work at the Cleveland Museum of Art
    • The Cleveland Museum of Art: open-access terms

    Data retrieved from the Cleveland Museum of Art on October 8, 2026. The museum may have updated its record since.

    Quick Overview

    Artist
    Bernardino Poccetti (Italian, 1548–1612)
    Date
    1589
    Medium
    black chalk on antique laid paper
    Dimensions
    Sheet: 23.6 x 30.9 cm (9 5/16 x 12 3/16 in.)
    Type
    Drawing
    Classification
    Drawing
    Department
    Drawings
    Credit line
    Severance and Greta Millikin Purchase Fund
    Accession no.
    2012.36

    More by Bernardino Poccetti in museum collections

    • Man on Bended Knee, Pulling on Rope

      Bernardino Poccetti

      c. 1604 · Drawing

      Public collection via the Art Institute of Chicago

      AT-00003567
    • Woman's Head

      Bernardino Poccetti

      n.d. · Drawing

      Public collection via the Art Institute of Chicago

      AT-00004385
    • Two Studies of Carthusians (recto); Three Sketches of Heads of Carthusians (verso)

      Bernardino Poccetti

      1591/92 · Drawing

      Public collection via the Art Institute of Chicago

      AT-00004573
    • Seated Male Figure with the Head of an Onlooker (recto); Standing Male Figure in a Monk's Habit (verso)

      Bernardino Poccetti

      1548–1612 · Drawing

      Public collection via the Metropolitan Museum of Art

      AT-00020100

    Open-access museum record · AT-00011612

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