
Public collection via the Cleveland Museum of Art
AT-00012649Battlefield of New Hope Church, Georgia, No. 2
About the Artwork
From the medium’s beginnings in the 1830s through the 1880s, most photographs were intimately scaled objects meant for the hand, the album, and the home. As the medium began being used to document landscapes and monuments in the 1850s, larger scale processes arose such as the glass-plate negative. The mammoth print truly seemed gargantuan in the 1860s. For much of the 20th century, the 8-x-10-inch gelatin silver print was the norm for photojournalism; these prints were destined for reproduction in books and magazines around the same scale.
Exhibition history
Photographs: Recent Acquisitions. The Cleveland Museum of Art, Cleveland, OH (organizer) (March 17-May 14, 1989). Legacy of Light: Master Photographs from the Cleveland Museum of Art. The Cleveland Museum of Art, Cleveland, OH (organizer) (November 24, 1996-February 2, 1997). BIG: Photographs from the Collection. The Cleveland Museum of Art, Cleveland, OH (organizer) (June 12-October 9, 2016).
Data retrieved from the Cleveland Museum of Art on October 8, 2026. The museum may have updated its record since.
Quick Overview
- Artist
- George N. Barnard (American, 1819–1902)
- Date
- 1865–1866
- Medium
- albumen print from wet collodion negative
- Dimensions
- Image: 25.4 x 35.6 cm (10 x 14 in.); Matted: 50.8 x 61 cm (20 x 24 in.)
- Type
- Photograph
- Classification
- Photograph
- Department
- Photography
- Credit line
- John L. Severance Fund
- Accession no.
- 1988.159
More by George N. Barnard in museum collections
Open-access museum record · AT-00012649
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