Public collection via the Cleveland Museum of Art
AT-00012960The Edge of the Wood - Evening (Letitia Felix)
About the Artwork
Clarence H. White experimented with an array of artistic media that blurred the lines between photography, drawing, and printmaking. Here are two examples of that experimentation: a platinum print on the left and a photogravure on the right. White was likely drawn to both processes for their broad tonal range and interaction of image and paper. To create platinum prints, a light-sensitive liquid emulsion is applied to and absorbed by the paper. The image forms within the paper’s fibers, resulting in a matte appearance. Because photogravures are printed like an etching, the image is formed with ink impressed onto the paper’s surface.
Inscriptions
Written in pencil on recto: "Clarence H. White [signed] '00"; in pencil on verso: " 'The Edge of the Wood-Evening'- / Clarence H. White"; in pen on verso: "Letitia Felix"
Provenance
Julia McCune Flory
Exhibition history
The Year in Review for 1989. The Cleveland Museum of Art, Cleveland, OH (organizer) (February 6-April 15, 1990). Photographs in Ink. The Cleveland Museum of Art, Cleveland, OH (organizer) (November 20, 2022-April 2, 2023).
Data retrieved from the Cleveland Museum of Art on October 8, 2026. The museum may have updated its record since.
Quick Overview
- Artist
- Clarence H. White (American, 1871–1925)
- Date
- 1900
- Medium
- photogravure
- Dimensions
- Image: 14.6 x 10 cm (5 3/4 x 3 15/16 in.); Paper: 22.7 x 17.8 cm (8 15/16 x 7 in.); Matted: 35.6 x 30.5 cm (14 x 12 in.); Framed: 30.5 x 35.6 cm (12 x 14 in.)
- Type
- Photograph
- Classification
- Photograph
- Department
- Photography
- Credit line
- Gift of John Flory, Elizabeth Flory Kelly, and Phoebe Flory
- Accession no.
- 1989.405
More by Clarence H. White in museum collections
Open-access museum record · AT-00012960
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