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    Museum collections / The Cleveland Museum of Art
    Southern Portion of the Rock-cut Temple of Hathor, Abu Simbel
    Maxime Du Camp. Southern Portion of the Rock-cut Temple of Hathor, Abu Simbel, 1850. The Cleveland Museum of Art. Public domain (CC0).

    Public collection via the Cleveland Museum of Art

    AT-00012966

    Southern Portion of the Rock-cut Temple of Hathor, Abu Simbel

    by Maxime Du Camp

    View at the Cleveland Museum of Art

    About the Artwork

    Du Camp was the first photographer to depict the marvels of ancient Egypt. In 1849 a scholarly association commissioned the young writer to document Egyptian monuments and their hieroglyphics. He learned to photograph shortly before embarking for Egypt in the company of the young novelist Gustave Flaubert. In 1852 Du Camp published an album of photographs of Egypt, Nubia, Palestine, and Syria, which brought him widespread recognition. Just as Du Camp followed in the footsteps of earlier painters and scholars, later photographers like Beato often echoed his choices of subject matter.

    Inscriptions

    none

    Provenance

    (Robert Hershkowitz, Ltd.), Sussex, United Kingdom June 29, 1989: The Cleveland Museum of Art, Cleveland, OH

    Exhibition history

    The Year in Review for 1989. The Cleveland Museum of Art, Cleveland, OH (organizer) (February 6-April 15, 1990). Pyramids & Sphinxes: Views of Egypt. The Cleveland Museum of Art, Cleveland, OH (organizer) (February 6-May 24, 2016).

    Open-access museum data

    This record comes from the open-access collection data that the Cleveland Museum of Art publishes for unrestricted use (Creative Commons Zero). Art Trackers shows a selection of the museum's published fields. The Cleveland Museum of Art is not an Art Trackers client and has not reviewed or endorsed this page; the museum's own website is the authoritative record.

    • View this work at the Cleveland Museum of Art
    • The Cleveland Museum of Art: open-access terms

    Data retrieved from the Cleveland Museum of Art on October 8, 2026. The museum may have updated its record since.

    Quick Overview

    Artist
    Maxime Du Camp (French, 1822–1894)
    Date
    1850
    Medium
    salted paper print from calotype negative, Blanquart-Évrard process
    Dimensions
    Image: 16.5 x 21.5 cm (6 1/2 x 8 7/16 in.); Paper: 29.5 x 37.5 cm (11 5/8 x 14 3/4 in.); Matted: 40.6 x 50.8 cm (16 x 20 in.)
    Type
    Photograph
    Classification
    Photograph
    Department
    Photography
    Credit line
    John L. Severance Fund
    Accession no.
    1989.53

    More by Maxime Du Camp in museum collections

    • Mosquée près de Bab-el-Saïda, Le Kaire, plate 2 from the album "Egypte, Nubie, Palestine et Syrie," (1852)

      Maxime Du Camp

      1849/51, printed 1852 · Photograph

      Public collection via the Art Institute of Chicago

      AT-00000190
    • Mosquée du Khalife Haakem Biamrillah, Le Kaire, plate 4 from the album "Egypte, Nubie, Palestine et Syrie" (1852)

      Maxime Du Camp

      1849/51, printed 1852 · Photograph

      Public collection via the Art Institute of Chicago

      AT-00007434
    • Mosquée et Tombeau des Ayoubites, Le Kaire, plate 6 from the album "Egypte, Nubie, Palestine et Syrie" (1852)

      Maxime Du Camp

      1849/51, printed 1852 · Photograph

      Public collection via the Art Institute of Chicago

      AT-00007435
    • Mosquée et Tombeau du Sultan Kansou-el-Gouri, Le Kaire, plate 7 from the album "Egypte, Nubie, Palestine et Syrie" (1852)

      Maxime Du Camp

      1849/51, printed 1852 · Photograph

      Public collection via the Art Institute of Chicago

      AT-00007436

    Open-access museum record · AT-00012966

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