ART TRACKERSConnecting fine art to people
Platform OverviewPlatform SecurityPricingTechnology OverviewTags & PlaquesWhat is UAINLegal & Compliance
GovernmentTribal NationsArtistsUniversity & CollegesServices
InstitutionsExploreMuseum Collections
Artists
Why Art TrackersAboutContactBlogDocumentationCareers
Request demo
Platform OverviewPlatform SecurityPricingTechnology OverviewTags & PlaquesWhat is UAINLegal & Compliance
GovernmentTribal NationsArtistsUniversity & CollegesServices
InstitutionsExploreMuseum Collections
Artists
Why Art TrackersAboutContactBlogDocumentationCareers
Request demo
Art Trackers logo
ART TRACKERS
Connecting fine art to people

Connecting fine art to people. Preserving cultural legacy through technology.

Platform

FeaturesHow It WorksSecurityIntegrations

Government

For Cities & CountiesComplianceResourcesCase Studies

Resources

DocumentationHelp CenterBlog

Company

About UsCareersNewsContact Us

© 2026 Art Trackers LLC. All rights reserved.

Privacy PolicyTerms of ServiceAccessibility
    Museum collections / The Cleveland Museum of Art
    Unknown Male Sitter
    Antoine Samuel Adam-Salomon. Unknown Male Sitter, c. 1860. The Cleveland Museum of Art. Public domain (CC0).
    AT-00012970

    Public data from the Cleveland Museum of Art. Learn more

    Unknown Male Sitter

    by Antoine Samuel Adam-Salomon

    About the Artwork

    Almost all early photographers relied on daylight as their sole lighting source. Adam-Salomon’s special lighting techniques yielded a rich tonal range and cast his sitters’ features into relief. A ground-glass ceiling in his studio offered an even, overall light that he accented with side light from glass wall areas that could be covered or filtered by curtains. Initially a sculptor, Adam-Salomon borrowed heavily from the conventions of portrait painting, aggrandizing his subjects by setting them amid luxurious objects and grand architectural features that may or may not have related to their lives. He produced such elegant, large prints in his Parisian portrait studio that he was able to charge four times more than his most able competitors.

    Inscriptions

    Printed in black ink on recto of mount: "Photographié par le sculpteur Adam-Salomon, r. de Larochefoucauld, 58, Paris"; written in pencil on verso of mount: "5 [circled]"; "1771/g"

    Exhibition history

    19th-Century French Portrait Photography from the Cleveland Museum of Art. The Cleveland Museum of Art, Cleveland, OH (organizer) (May 27-August 9, 2000). Drawn with Light: Pioneering French Photography from the Cleveland Museum of Art. The Cleveland Museum of Art, Cleveland, OH (organizer) (February 26-June 16, 2005). Cheating Death: Portrait Photography’s First Half Century. The Cleveland Museum of Art, Cleveland, OH (organizer) (October 22, 2016-February 5, 2017).

    Quick Overview

    Artist
    Antoine-Samuel Adam-Salomon (French, 1818–1881)
    Date
    c. 1860
    Medium
    albumen print from wet collodion negative
    Dimensions
    Image: 24.4 x 18.8 cm (9 5/8 x 7 3/8 in.); Matted: 61 x 50.8 cm (24 x 20 in.)
    Type
    Photograph
    Classification
    Photograph
    Department
    Photography
    Credit line
    John L. Severance Fund
    Accession no.
    1996.356

    More by Antoine Samuel Adam-Salomon in museum collections

    • Untitled (Man in Chair, Profile)

      Antoine Samuel Adam-Salomon

      1855/1869 · Photograph

      Public collection via the Art Institute of ChicagoAT-00006939
    • Untitled (Man Standing, en Face)

      Antoine Samuel Adam-Salomon

      1855/1869 · Photograph

      Public collection via the Art Institute of ChicagoAT-00007316
    • Émile Angier

      Antoine Samuel Adam-Salomon

      1876/84 · Photograph

      Public collection via the Art Institute of ChicagoAT-00007382
    • Dufaure

      Antoine Samuel Adam-Salomon

      1876/84 · Photograph

      Public collection via the Art Institute of ChicagoAT-00007383

    Open-access museum data

    This record comes from the open-access collection data that the Cleveland Museum of Art publishes for unrestricted use (Creative Commons Zero). Art Trackers shows a selection of the museum's published fields. The Cleveland Museum of Art is not an Art Trackers client and has not reviewed or endorsed this page; the museum's own website is the authoritative record.

    • View this work at the Cleveland Museum of Art
    • The Cleveland Museum of Art: open-access terms

    Data retrieved from the Cleveland Museum of Art on October 8, 2026. The museum may have updated its record since.

    Open-access museum record · AT-00012970

    Powered by Art Trackers