ART TRACKERSConnecting fine art to people
Platform OverviewPlatform SecurityPricingTechnology OverviewTags & PlaquesWhat is UAINLegal & Compliance
GovernmentTribal NationsArtistsUniversity & CollegesServices
InstitutionsExploreMuseum Collections
Artists
Why Art TrackersAboutContactBlogDocumentationCareers
Request demo
Platform OverviewPlatform SecurityPricingTechnology OverviewTags & PlaquesWhat is UAINLegal & Compliance
GovernmentTribal NationsArtistsUniversity & CollegesServices
InstitutionsExploreMuseum Collections
Artists
Why Art TrackersAboutContactBlogDocumentationCareers
Request demo
Art Trackers logo
ART TRACKERS
Connecting fine art to people

Connecting fine art to people. Preserving cultural legacy through technology.

Platform

FeaturesHow It WorksSecurityIntegrations

Government

For Cities & CountiesComplianceResourcesCase Studies

Resources

DocumentationHelp CenterBlog

Company

About UsCareersNewsContact Us

© 2026 Art Trackers LLC. All rights reserved.

Privacy PolicyTerms of ServiceAccessibility
    Museum collections / Art Institute of Chicago
    On the Road
    Jules Dupré. On the Road, 1856. The Art Institute of Chicago. Public domain (CC0).

    Public collection via the Art Institute of Chicago

    AT-00000155

    On the Road

    by Jules Dupré

    View at the Art Institute of Chicago

    Inscriptions

    Inscribed lower left: Jules Dupré 1856

    Provenance

    Henry Field (died 1890), Chicago; his widow, Mrs. Florence Lathrop Field; given to the Art Institute, 1894.

    Exhibition history

    San Francisco, California Palace of the Legion of Honor, Barbizon Revisited, September 27–November 4, 1962, cat. 49; traveled to Toledo, Toledo Museum of Art, November 20–December 27, 1962; Cleveland, Cleveland Museum of Art, January 15–February 24, 1963; Boston, Museum of Fine Arts, March 14–April 28, 1963.

    Publications

    Art Institute of Chicago, Catalogue of Paintings, Sculpture and Other Objects in the Museum (Chicago: Art Institute of Chicago, 1893), p. 56, no. 25. “Drift of the Dog Days,” The Collector 4, 16 (1893), p. 247. “Art Institute of Chicago: II – Modern Paintings: The Henry Field Collection,” Art Amateur 21, 1 (1894), p. 19. “The Henry Field Memorial Collection,” Art Amateur 31, 6 (1894), p. 115. Art Institute of Chicago, Catalogue of Objects in the Museum (Chicago: Art Institute of Chicago, 1895), p. 66, no. 25. Art Institute of Chicago, Catalogue of Objects in the Museum (Chicago: Art Institute of Chicago, 1898), p. 93, no. 25. Charles Francis Browne, “The Permanent Collections in the Museum of the Art Institute of Chicago: IV – The Henry Field Memorial Collection,” Brush and Pencil 2, 1 (1898), p. 7. “Chicago, ILL.: The Art Institute of Chicago,” in American Art Annual 1898 (London: Macmillan & Co., 1899), p. 140, no. 25. Art Institute of Chicago, General Catalogue of Objects in the Museum (Chicago: Art Institute of Chicago, 1901), p. 161, no. 125. Frederick Clifton Pierce, Field Genealogy, vol. 2 (Chicago: Hammond Press, 1901), p. 712, no. 25. N. Hudson Moore, “The Barbizon School II,” The Chautauquan 36 (1903), pp. 499 (ill.), 505. Art Institute of Chicago, General Catalogue of Objects in the Museum (Chicago: Art Institute of Chicago, 1904), p. 166, no. 125. Art Institute of Chicago, General Catalogue of Sculpture, Paintings and Other Objects (Chicago: Art Institute of Chicago, 1907), p. 178, no. 125. Art Institute of Chicago, General Catalogue of Sculpture, Paintings and Other Objects (Chicago: Art Institute of Chicago, 1910), p. 170, no. 125. Art Institute of Chicago, General Catalogue of Paintings Sculpture and Other Objects in the Museum (Chicago: Art Institute of Chicago, 1913), p. 114, no. 125. Art Institute of Chicago, General Catalogue of Paintings Sculpture and Other Objects in the Museum (Chicago: Art Institute of Chicago, 1914), p. 118, no. 125. Art Institute of Chicago, Catalogue of Paintings, Drawings, Sculpture and Architecture (Chicago: Art Institute of Chicago, 1917), p. 118, no. 125. Art Institute of Chicago, Handbook of Sculpture, Architecture, Paintings and Drawings (Chicago: Art Institute of Chicago, 1920), p. 24, no. 125. Art Institute of Chicago, Handbook of Sculpture, Architecture and Paintings (Chicago: Art Institute of Chicago, 1922), p. 24, no. 125. Art Institute of Chicago, Handbook of Sculpture, Architecture, and Paintings (Chicago: Art Institute of Chicago, 1923), p. 24, no. 125. Art Institute of Chicago, A Guide to the Paintings in the Permanent Collection (Chicago: Art Institute of Chicago, 1925), p. 135, no. 125. Art Institute of Chicago, A Guide to the Paintings in the Permanent Collection (Chicago: Art Institute of Chicago, 1932), p. 152. Art Institute of Chicago, A Brief Illustrated Guide to the Collections of the Art Institute of Chicago (Chicago: Art Institute of Chicago, 1945), p. 35. Art Institute of Chicago, An Illustrated Guide to the Collections of the Art Institute of Chicago (Chicago: Art Institute of Chicago, 1948), p. 32. Art Institute of Chicago, Paintings in The Art Institute of Chicago: A Catalogue of the Picture Collection (Chicago: Art Institute of Chicago, 1961), p. 133. Frederick A. Sweet, “Great Chicago Collectors,” Apollo 84 (1966), p. 191, fig. 4. Charles Sterling and Margaretta M. Salinger, French Paintings: A Catalogue of the Collection of the Metropolitan Museum of Art, vol. 2 (New York: Metropolitan Museum of Art, 1966), p. 77, under no. 87.15.91. Marie-Madeleine Aubrun, Jules Dupré (1811–1889): catalogue raisonné de l’œuvre peint, dessiné et gravé (Paris: Léonce Laget Éditeur, 1974), pp. 123, 131, no. 256 (ill.). Marie-Madeleine Aubrun, Jules Dupré, 1811–1889, exh. cat. (Galerie du Fleuve, Paris, 1973), p. 8. Michael Milkovich, Jules Dupré (1811–1889): A Loan Exhibition (Memphis: Dixon Gallery and Gardens, 1979), p. 18. Stefan Germer, “Pictures at an Exhibition,” Chicago History: The Magazine of the Chicago Historical Society 16, 1 (Spring 1987), p. 17 (ill.), 21.

    Open-access museum data

    This record comes from the open-access collection data that the Art Institute of Chicago publishes for unrestricted use (Creative Commons Zero). Art Trackers shows a selection of the museum's published fields. The Art Institute of Chicago is not an Art Trackers client and has not reviewed or endorsed this page; the museum's own website is the authoritative record.

    • View this work at the Art Institute of Chicago
    • The Art Institute of Chicago: open-access terms

    Data retrieved from the Art Institute of Chicago on October 7, 2026. The museum may have updated its record since.

    Quick Overview

    Artist
    Jules Dupré (French, 1811–1889)
    Date
    1856
    Medium
    Oil on canvas
    Dimensions
    39.4 × 50.8 cm (15 1/2 × 20 in.); Framed: 69.3 × 79.4 cm (27 1/4 × 31 1/4 in.)
    Type
    Painting
    Classification
    painting
    Style
    nineteenth century
    Place
    France
    Department
    Painting and Sculpture of Europe
    Credit line
    Henry Field Memorial Collection
    Accession no.
    1894.1057

    More by Jules Dupré in museum collections

    • Barks Fleeing Before the Storm

      Jules Dupré

      1870–75 · Painting

      Public collection via the Art Institute of Chicago

      AT-00000154
    • The Cottage by the Roadside, Stormy Sky

      Jules Dupré

      c. 1860 · Painting

      Public collection via the Art Institute of Chicago

      AT-00000156
    • Two Boats in a Storm

      Jules Dupré

      1870–75 · Painting

      Public collection via the Art Institute of Chicago

      AT-00001325
    • The Estuary Farm

      Jules Dupré

      1831–34 · Painting

      Public collection via the Art Institute of Chicago

      AT-00001590

    Open-access museum record · AT-00000155

    Powered by Art Trackers