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    Museum collections / Art Institute of Chicago
    The Cottage by the Roadside, Stormy Sky
    Jules Dupré. The Cottage by the Roadside, Stormy Sky, c. 1860. The Art Institute of Chicago. Public domain (CC0).

    Public collection via the Art Institute of Chicago

    AT-00000156

    The Cottage by the Roadside, Stormy Sky

    by Jules Dupré

    View at the Art Institute of Chicago

    Inscriptions

    Signed: Jules Dupeé

    Provenance

    Henry Field (died 1890), Chicago; his widow Mrs. Florence Lathrop Field; given to the Art Institute, 1894.

    Exhibition history

    Memphis, Tennessee, Dixon Gallery and Gardens, Jules Dupré: 1811–1889, September 9–October 21, 1979, cat. 8. Tokyo, The Seibu Museum, Millet, Corot and the School of Barbizon, March 15–April 14, 1980, cat. T. 43; travelled to Kobe, Japan, The Museum of Modern Art, Hyogo, April 19–May 18, 1980; Sapporo, The Hokkaido Museum of Modern Art, May 24–June 15, 1980; The Hiroshima Prefectural Museum, June 2–July 13, 1980; Kitakyushu Municipal Museum, July 19–August 10, 1980.

    Publications

    “Drift of the Dog Days,” The Collector 4, 16 (1893), p. 247. Art Institute of Chicago, Catalogue of Paintings, Sculpture, and Other Objects in the Museum (Chicago: Art Institute of Chicago, 1894), p. 56, no. 26. “The Henry Field Memorial Collection,” Art Amateur 31, 6 (1894), p. 115. “Art Institute of Chicago: II – Modern Paintings: The Henry Field Collection,” Art Amateur 32, 1 (1894), p. 19. Art Institute of Chicago, Annual Report of the Trustees for the Year Ending June 4, 1895 (Chicago: Art Institute of Chicago, 1895), p. 37, no. 26. Art Institute of Chicago, Catalogue of Objects in the Museum (Chicago: Art Institute of Chicago, 1895), p. 66, no. 26. Art Institute of Chicago, Catalogue of Objects in the Museum (Chicago: Art Institute of Chicago, 1896), p. 73, no. 26. Art Institute of Chicago, Catalogue of Objects in the Museum (Chicago: Art Institute of Chicago, 1898), p. 93, no. 26. “Chicago, ILL.: The Art Institute of Chicago,” in American Art Annual 1898 (London: Macmillan & Co., 1899), p. 140, no. 26. Art Institute of Chicago, General Catalogue of Objects in the Museum (Chicago: Art Institute of Chicago, 1901), p. 161, no. 126. Frederick Clifton Pierce, Field Genealogy, vol. 2 (Chicago: Hammond Press, 1901), p. 712, no. 26. N. Hudson Moore, “The Barbizon School II,” The Chautauquan 36 (1903), p. 505. Art Institute of Chicago, General Catalogue of Objects in the Museum (Chicago: Art Institute of Chicago, 1904), p. 166, no. 126. Art Institute of Chicago, General Catalogue of Sculpture, Paintings and Other Objects (Chicago: Art Institute of Chicago, 1907), p. 178, no. 126. Art Institute of Chicago, General Catalogue of Sculpture, Paintings and Other Objects (Chicago: Art Institute of Chicago, 1910), p. 170, no. 126. Art Institute of Chicago, General Catalogue of Paintings, Sculpture and Other Objects in the Museum (Chicago: Art Institute of Chicago, 1913), p. 114, no. 126. Art Institute of Chicago, General Catalogue of Paintings, Sculpture and Other Objects in the Museum (Chicago: Art Institute of Chicago, 1914), p. 118, no. 126. Art Institute of Chicago, Catalogue of Paintings, Drawings, Sculpture and Architecture (Chicago, Art Institute of Chicago, 1917), p. 118, no. 126. Art Institute of Chicago, Handbook of Sculpture, Architecture, Paintings, and Drawings (Chicago: Art Institute of Chicago, 1920), p. 24, no. 126. 
Art Institute of Chicago, Handbook of Sculpture, Architecture and Paintings (Chicago: Art Institute of Chicago, 1922), p. 24, no. 126. Art Institute of Chicago, Handbook of Sculpture, Architecture, and Paintings (Chicago: Art Institute of Chicago, 1923), p. 24, no. 126. Art Institute of Chicago, A Guide to the Paintings in the Permanent Collection (Chicago: Art Institute of Chicago, 1925), p. 135, no. 126. Art Institute of Chicago, A Guide to the Paintings in the Permanent Collection (Chicago: Art Institute of Chicago, 1932), p. 151. Art Institute of Chicago, Paintings in the Art Institute of Chicago: A Catalogue of the Picture Collection (Chicago: Art Institute of Chicago, 1961), p. 133. Marie-Madeleine Aubrun, Jules Dupré, 1811–1889: catalogue raisonné de l’Oeuvre peint, dessiné et gravé (Paris: Léonce Laget, 1974), pp. 138, 159 (ill.), no. 281.

    Open-access museum data

    This record comes from the open-access collection data that the Art Institute of Chicago publishes for unrestricted use (Creative Commons Zero). Art Trackers shows a selection of the museum's published fields. The Art Institute of Chicago is not an Art Trackers client and has not reviewed or endorsed this page; the museum's own website is the authoritative record.

    • View this work at the Art Institute of Chicago
    • The Art Institute of Chicago: open-access terms

    Data retrieved from the Art Institute of Chicago on October 7, 2026. The museum may have updated its record since.

    Quick Overview

    Artist
    Jules Dupré (French, 1811–1889)
    Date
    c. 1860
    Medium
    Oil on canvas
    Dimensions
    27.6 × 35.7 cm (10 7/8 × 14 1/8 in.); Framed: 41.3 × 49.1 × 6 cm (16 1/4 × 19 3/8 × 2 3/8 in.)
    Type
    Painting
    Classification
    painting
    Style
    nineteenth century
    Place
    France
    Department
    Painting and Sculpture of Europe
    Credit line
    Henry Field Memorial Collection
    Accession no.
    1894.1058

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    Open-access museum record · AT-00000156

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