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    Museum collections / Art Institute of Chicago
    St. Gerardo Sagredo, Bishop of Csanád
    Bernardo Strozzi. St. Gerardo Sagredo, Bishop of Csanád, 1633. The Art Institute of Chicago. Public domain (CC0).
    AT-00000593

    Public data from the Art Institute of Chicago. Learn more

    St. Gerardo Sagredo, Bishop of Csanád

    by Bernardo Strozzi

    Provenance

    Possibly commissioned by Niccolò Sagredo (d. 1685), 1633; possibly Sagredo collection until at least 1685 [for dating of inventory, see Mazza p. 89]. Thomas Egerton, 2nd Earl of Wilton, England, by 1857 [lent to 1857 Manchester exhibition]. Mrs. H. Danninger, England. Antonio Morassi, by 1957; sold to Wildenstein, July 1957, New York; sold to Art Institute, 1958.

    Exhibition history

    Manchester, Art Treasures Exhibition, 1857, no. 364, as Giovanni Lanfranco, A Bishop.

    Publications

    Art Institute of Chicago, Annual Report (Chicago, 1959), p. 10. Art Institute of Chicago Quarterly (April 1959) p. 35, ill. p. 36. The Art Institute of Chicago, Paintings in The Art Institute of Chicago: A Catalogue of the Picture Collection (Chicago, 1961) pp. 441-442, ill. p. 50. Hans Huth, "Italianische Kunstwerke im Art Institute von Chicago, USA," Miscellanea Bibliothecae Hertzianae (1961), p. 518. Anna Maria Matteucci, "Per Bernardo Strozzi," Arte Antica e Moderna 19 (1962), p. 293, ill. no. 100a. Louisa Mortari, Bernardo Strozzi (Rome, 1966), pp. 48, 98, 148, fig. 236. Rodolfo Pallucchini, "L'Art Institute di Chicago," L'Illustrazione del Medico (February 1966) pp. 11-12. Anna Maria Matteucci, I Maestri del Colore: Bernardo Strozzi (Milan, 1966), pp. 10, fig. 2, ill. X. Carlo Donzelli and Giuseppe Maria Pilo, I Pittori del Seicento Veneto (Florence, 1967), p. 384. Michael Milkovich, Bernardo Strozzi: Paintings and Drawings, Catalogue for exhibition at University Art Gallery, State University of New York at Binghamton, 8 October - 5 November 1967, ill. p. 96. John Maxon, The Art Institute of Chicago (London and New York, 1970), p. 286, ill. p. 258. Franco Sborgi, "Il ritratto a Genova nel Seicento e nel Settecento," in La Pittura a Genova e in Liguria, vol. 2, (1971), p. 316. Burton B. Fredericksen and Federico Zeri, Census of Pre-Nineteenth-Century Italian Paintings in North American Public Collections (Cambridge, Mass., 1972), pp. 193, 457, 571. John Maxon, The Art Institute of Chicago (London and New York, 1977), p. 287, ill. p. 258. Homan Potterton, Venetian Seventeenth Century Painting, catalogue for exhibition at the National Gallery, London, 5 September - 30 November 1979, p. 32. Cristiana Mazza, "La committenza artistica del futuro doge Nicoló Sagredo e l'inventario di Agostino Lama," Arte veneta 51 (1997), pp. 90.

    Quick Overview

    Artist
    Bernardo Strozzi (Italian, 1581–1664)
    Date
    1633
    Medium
    Oil on canvas
    Dimensions
    130.3 × 100 cm (51 1/4 × 39 3/8 in.); Framed: 158.8 × 130.8 × 10.2 cm (62 1/2 × 51 1/2 × 4 in.)
    Type
    Painting
    Classification
    oil on canvas
    Style
    17th Century
    Place
    Italy
    Department
    Painting and Sculpture of Europe
    Credit line
    Alexander A. McKay Fund
    Accession no.
    1958.328

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    • Allegorical Figure

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    • The Healing of Tobit

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    Open-access museum data

    This record comes from the open-access collection data that the Art Institute of Chicago publishes for unrestricted use (Creative Commons Zero). Art Trackers shows a selection of the museum's published fields. The Art Institute of Chicago is not an Art Trackers client and has not reviewed or endorsed this page; the museum's own website is the authoritative record.

    • View this work at the Art Institute of Chicago
    • The Art Institute of Chicago: open-access terms

    Data retrieved from the Art Institute of Chicago on October 8, 2026. The museum may have updated its record since.

    Open-access museum record · AT-00000593

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