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St. Gerardo Sagredo, Bishop of Csanád
Provenance
Possibly commissioned by Niccolò Sagredo (d. 1685), 1633; possibly Sagredo collection until at least 1685 [for dating of inventory, see Mazza p. 89]. Thomas Egerton, 2nd Earl of Wilton, England, by 1857 [lent to 1857 Manchester exhibition]. Mrs. H. Danninger, England. Antonio Morassi, by 1957; sold to Wildenstein, July 1957, New York; sold to Art Institute, 1958.
Exhibition history
Manchester, Art Treasures Exhibition, 1857, no. 364, as Giovanni Lanfranco, A Bishop.
Publications
Art Institute of Chicago, Annual Report (Chicago, 1959), p. 10. Art Institute of Chicago Quarterly (April 1959) p. 35, ill. p. 36. The Art Institute of Chicago, Paintings in The Art Institute of Chicago: A Catalogue of the Picture Collection (Chicago, 1961) pp. 441-442, ill. p. 50. Hans Huth, "Italianische Kunstwerke im Art Institute von Chicago, USA," Miscellanea Bibliothecae Hertzianae (1961), p. 518. Anna Maria Matteucci, "Per Bernardo Strozzi," Arte Antica e Moderna 19 (1962), p. 293, ill. no. 100a. Louisa Mortari, Bernardo Strozzi (Rome, 1966), pp. 48, 98, 148, fig. 236. Rodolfo Pallucchini, "L'Art Institute di Chicago," L'Illustrazione del Medico (February 1966) pp. 11-12. Anna Maria Matteucci, I Maestri del Colore: Bernardo Strozzi (Milan, 1966), pp. 10, fig. 2, ill. X. Carlo Donzelli and Giuseppe Maria Pilo, I Pittori del Seicento Veneto (Florence, 1967), p. 384. Michael Milkovich, Bernardo Strozzi: Paintings and Drawings, Catalogue for exhibition at University Art Gallery, State University of New York at Binghamton, 8 October - 5 November 1967, ill. p. 96. John Maxon, The Art Institute of Chicago (London and New York, 1970), p. 286, ill. p. 258. Franco Sborgi, "Il ritratto a Genova nel Seicento e nel Settecento," in La Pittura a Genova e in Liguria, vol. 2, (1971), p. 316. Burton B. Fredericksen and Federico Zeri, Census of Pre-Nineteenth-Century Italian Paintings in North American Public Collections (Cambridge, Mass., 1972), pp. 193, 457, 571. John Maxon, The Art Institute of Chicago (London and New York, 1977), p. 287, ill. p. 258. Homan Potterton, Venetian Seventeenth Century Painting, catalogue for exhibition at the National Gallery, London, 5 September - 30 November 1979, p. 32. Cristiana Mazza, "La committenza artistica del futuro doge Nicoló Sagredo e l'inventario di Agostino Lama," Arte veneta 51 (1997), pp. 90.
Quick Overview
- Artist
- Bernardo Strozzi (Italian, 1581–1664)
- Date
- 1633
- Medium
- Oil on canvas
- Dimensions
- 130.3 × 100 cm (51 1/4 × 39 3/8 in.); Framed: 158.8 × 130.8 × 10.2 cm (62 1/2 × 51 1/2 × 4 in.)
- Type
- Painting
- Classification
- oil on canvas
- Style
- 17th Century
- Place
- Italy
- Department
- Painting and Sculpture of Europe
- Credit line
- Alexander A. McKay Fund
- Accession no.
- 1958.328
More by Bernardo Strozzi in museum collections
Data retrieved from the Art Institute of Chicago on October 8, 2026. The museum may have updated its record since.
Open-access museum record · AT-00000593
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