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Christ at Emmaus Presenting the Bread
Inscriptions
Inscribed recto, lower edge, in pen and brown ink: "P.G. n. 33" (?)
Provenance
Sagredo-Borghese Collection. Pietro Scarpa, Venice. Hazlitt, Gooden and Fox, London. Sold, Christie’s, New York, Jan. 28, 1999, lot 9, to Dorothy Braude Edinburg, Brookline, MA.; given to the Art Institute of Chicago, 2013.
Exhibition history
Art Institute of Chicago, "Drawings in Dialogue: Old Master Through Modern, The Harry B. and Bessie K. Braude Memorial Collection," June 3–July 30, 2006, p. 36, cat. 11 (ill.). Art Institute of Chicago, "The Thrill of the Chase: Drawings for the Harry B. and Bessie K. Braude Memorial Collection," Mar. 15-June 15, 2014.
Publications
Pietro Scarpa, “A Venetian Seventeenth Century Collection of Old Master Drawings,” in Drawings Defined (Abaris, 1987), p. 399, fig. 18. Mary Newcome, “Oil Sketches and Drawings by Strozzi,” Antichità Viva 32:6 (1993), pp. 18, 22. Suzanne Folds McCullagh (ed.), Drawings in Dialogue: Old Master Through Modern, The Harry B. and Bessie K. Braude Memorial Collection, exh. cat. (Chicago: The Art Institute of Chicago, 2006), p. 36, cat. 11 (ill.).
Quick Overview
- Artist
- Bernardo Strozzi (Il Prete Genovese or Il Cappuccino) / Italian, 1581-1664
- Date
- 1630/40
- Medium
- Black chalk, heightened with white chalk, on gray laid paper with blue fibers
- Dimensions
- 30.2 × 24.2 cm (11 15/16 × 9 9/16 in.)
- Type
- Drawing
- Classification
- chalk
- Place
- Italy
- Department
- Prints and Drawings
- Credit line
- Gift of Dorothy Braude Edinburg to the Harry B. and Bessie K. Braude Memorial Collection
- Accession no.
- 2013.1032
More by Bernardo Strozzi in museum collections
Data retrieved from the Art Institute of Chicago on October 8, 2026. The museum may have updated its record since.
Open-access museum record · AT-00005786
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