ART TRACKERSConnecting fine art to people
Platform OverviewPlatform SecurityPricingTechnology OverviewTags & PlaquesWhat is UAINLegal & Compliance
GovernmentTribal NationsArtistsUniversity & CollegesServicesProcurement
InstitutionsExploreMuseum Collections
Artists
Why Art TrackersAboutContactBlogDocumentationCareers
Request demo
Platform OverviewPlatform SecurityPricingTechnology OverviewTags & PlaquesWhat is UAINLegal & Compliance
GovernmentTribal NationsArtistsUniversity & CollegesServicesProcurement
InstitutionsExploreMuseum Collections
Artists
Why Art TrackersAboutContactBlogDocumentationCareers
Request demo
Art Trackers logo
ART TRACKERS
Connecting fine art to people

Connecting fine art to people. Preserving cultural legacy through technology.

Platform

FeaturesHow It WorksSecurityIntegrations

Government

For Cities & CountiesComplianceResourcesCase Studies

Resources

DocumentationHelp CenterBlog

Company

About UsCareersNewsContact Us

© 2026 Art Trackers LLC. All rights reserved.

Privacy PolicyTerms of ServiceAccessibility
    Museum collections / Art Institute of Chicago
    Girl with Cherries
    Eva Gonzalès. Girl with Cherries, c. 1870. The Art Institute of Chicago. Public domain (CC0).
    AT-00000938

    Public data from the Art Institute of Chicago. Learn more

    Girl with Cherries

    by Eva Gonzalès

    Inscriptions

    Inscribed lower right: Eva Gonzalès

    Provenance

    William M. Chase, New York; his sale, New York, Anderson Galleries, 1896, lot 1095, as Fruit Girl; sold to Durand-Ruel, New York [this and the following information acc. to Sainsaulieu 1990]; sold to Miss M. Mott, Randor, Pa., February 15, 1904; given to Mrs. Haven Emerson [acc. to information provided by Walker Galleries]. Maynard Walker Galleries, New York [see label on reverse and Maynard Walker Galleries 1946]; sold to the Art Institute, 1940 [see sale receipt dated March 12, 1940, copy in curatorial file].

    Exhibition history

    San Francisco, California Palace of the Legion of Honor, Vanity Fair: The Exhibition of Styles in Woman’s Headdress and Adornment Through the Ages, June 16–July 16, 1942, cat. 39, as Young Woman with Cherries. Dayton, OH, Dayton Art Institute, 19th Century French Paintings from the Art Institute of Chicago, June 1–22, 1948, no cat; Saginaw Museum, Exhibition of Nineteenth Century French Painting, 1948, cat. 13; Springfield, MO, Springfield Art Museum, no cat.; Memphis, TN, Brooks Memorial Art Gallery, Mar. 1–22, 1949; Utica, New York, Munson-Williams-Proctor Institute, Apr. 3–24, 1949, no cat. (organized by the American Federation of the Arts, New York). San Antonio, Texas, Marion Koogler McNay Art Institute, The French Tradition, Feb. 5–Mar. 12, 1961. Tokyo, The Seibu Museum of Art, The Impressionist Tradition: Masterpieces from The Art Institute of Chicago, Oct. 18–Dec. 17, 1985, cat. 28 (ill.), as Girl with Cherries, c. 1870; Fukoka Art Museum, Jan.5–Feb. 2, 1986; Kyoto Municipal Museum of Art, Mar. 4–Apr. 13, 1986. Musée de Dieppe, Visiting Masterpiece: Eva Gonzalès, Girl with Cherries, Sep. 3, 2003–Sep. 26, 2004, no cat. Fort Worth, Tex., Kimbell Museum of Art, The Impressionists: Master Paintings from the Art Institute of Chicago, June 29–Nov. 2, 2008, cat. 6 (ill.).

    Publications

    W. S. Sparrow, Woman Painters of the World (London: Hodder and Stoughton, 1905), 231 as The Fruit Girl. F. A. Sweet, “Girl With Cherries by Eva Gonzales,” The Art Institute Bulletin 34, no. 5 (1940): cover ill., 73-75 (ill.), as Girl with Cherries. The Maynard Walker Gallery, 1946, np (ill.) as Girl with Red Cherries. Claude Roger-Marx, “Eva Gonzalez,” Arts (July 14, 1950): 8. Paintings in the Art Institute of Chicago: A Catalogue of the Picture Collection (Chicago : Art Institute of Chicago, 1961), 200. Marie-Caroline Sainsaulieu, Eva Gonzalès 1849-1883: étude critique et catalouge raisonné (Paris, 1990), no. 59. Carol Jane Grant, “Eva Gonzelès (1849-1883): An Examination of the Artist’s Style and Subject Matter” (PhD diss., The Ohio State University, 1994), vol. 1, 123, 125; vol. 2, xvi no. 87, plate 87. Gloria Groom and Douglas Druick, The Age of Impressionism at the Art Institute of Chicago (New Haven and London: Yale University Press, 2008), 34–35 no. 6. Gloria Groom and Douglas Druick, The Age of French Impressionism: Masterpieces from the Art Institute of Chicago (New Haven and London: Yale University Press, 2010), 34–35 no. 5.

    Quick Overview

    Artist
    Eva Gonzalès (French, 1849–1883)
    Date
    c. 1870
    Medium
    Oil on canvas
    Dimensions
    56.2 × 47.4 cm (22 1/16 × 18 5/8 in.); Framed: 83.9 × 75 × 12.1 cm (33 × 29 1/2 × 4 3/4 in.)
    Type
    Painting
    Classification
    painting
    Style
    nineteenth century
    Place
    France
    Department
    Painting and Sculpture of Europe
    Credit line
    Mr. and Mrs. Lewis Larned Coburn Memorial Collection
    Accession no.
    1940.32

    More by Eva Gonzalès in museum collections

    • The Milliner

      Eva Gonzalès

      c. 1877 · Drawing

      Public collection via the Art Institute of ChicagoAT-00002581
    • The Bouquet of Violets

      Eva Gonzalès

      ca. 1877–78 · Drawing

      Public collection via the Metropolitan Museum of ArtAT-00023676

    Open-access museum data

    This record comes from the open-access collection data that the Art Institute of Chicago publishes for unrestricted use (Creative Commons Zero). Art Trackers shows a selection of the museum's published fields. The Art Institute of Chicago is not an Art Trackers client and has not reviewed or endorsed this page; the museum's own website is the authoritative record.

    • View this work at the Art Institute of Chicago
    • The Art Institute of Chicago: open-access terms

    Data retrieved from the Art Institute of Chicago on October 8, 2026. The museum may have updated its record since.

    Open-access museum record · AT-00000938

    Powered by Art Trackers