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    Museum collections / Art Institute of Chicago
    The Milliner
    Eva Gonzalès. The Milliner, c. 1877. The Art Institute of Chicago. Public domain (CC0).
    AT-00002581

    Public data from the Art Institute of Chicago. Learn more

    The Milliner

    by Eva Gonzalès

    Inscriptions

    Signed upper right: "Eva Gonzalès"

    Provenance

    Estate of the artist; sold, Hôtel Drouot, Paris, February 20, 1885, lot 74, to Henri Guerard (died 1897) (the artist's husband) [Sainsaulieu 1990]; by descent to his second wife, Jeanne Guerard-Gonzalès (died 1924) (the artist's sister) [Sainsaulieu 1990]; by descent to the artist's son, Jean-Raymond Guerard [Sainsaulieu 1990]. Sold by Paul Rosenberg, New York, to the Art Institute, 1972.

    Exhibition history

    Paris, Cercle Artistique et Littéraire, “Exposition Spéciale des Artistes Femmes,” 1882, cat. 156. Paris, Palais des Champs-Elysées, “Salon,” 1883, cat. 2852. Paris, Salons de la Vie Moderne, “Eva Gonzalès,” 1885, cat. 86. Paris, Bernheim-Jeune, “Eva Gonzalès,” 1914, cat. 24. Paris, Galerie Marcel Bernheim, “Eva Gonzalès,” 1932, cat. 30. Paris, Alfred Daber, “Eva Gonzalès” 1952, cat. 23. Monte Carlo, Principauté de Monaco, Sporting, “Eva Gonzalès,” 1952, cat. 22. Paris, Alfred Daber, “Eva Gonzalès,” 1959, cat. 31. The Art Institute of Chicago, May 1, 1987-July 24, 1989. The Art Institute of Chicago, "Impressionism, Fashion & Modernity", June 26-September 22, 2013, pp. 224-225, fig. 6 (ill.), cat. by Gloria Groom et. al.

    Publications

    H. E., “Dessins, Fusains, Pastels (Salon de 1883),” Journal des Artistes (June 1, 1883), no. 22. Paul Leroi, “Le Salon de 1883, Aquarellistes Français et Étrangers,” L’Art (July-September 1883), p. 79. Philippe Burty, Catalogue de l’Exposition des Peintures et Pastels d’Eva Gonzalès (Paris, 1885), p. 15. Edmond Bazire, Catalogue de Ventes des Tableaux, Pastels-Aquarelles par Eva Gonzalès (Paris, 1885), p. 12. L. Dimier, “Chronique des Arts,” L’Action Française (April 12, 1914), p. 4. Francois Monod, “L’Impressioninisme Féminin,” Art et Décoration (May 1914), p. 3. Paul Bayle, “Eva Gonzalès,” La Rénaissance (June 1932), p. 115. Fabien Solar, “Expositions, Rétrospective Eva Gonzalès à la Galerie Marcel Bernheim,” Les Échos d’Art (August 1932), p. 4. Jean Bouret, “Eva Gonzalès, Muse Inspirée de Manet,” Les Arts (March 3, 1950), p. 4. Claude Roger-Marx, “Un Peintre du Bonheur: Eva Gonzalès,” Le Figaro Littéraire, 204 (March 18, 1950), p. 8. Claude Roger-Marx, “Eva Gonzalès,” Arts (July 14, 1950), p. 8. Claude Roger-Marx, Eva Gonzalès (Saint-Germain-en-Laye, 1950), pp. 19-20, and 25 (ill.). “Recent Museum Acquisitions,” The Burlington Magazine, 115, (August 1973), p. 534 (ill.). Sophie, Monneret, L’Impressionnisme et son Epoque, I (Paris, 1978), p. 251. Richard Brettell and Suzanne Folds McCullagh, Degas in The Art Institute of Chicago (Chicago, 1984), p. 132 (ill.). Tamar Garb, Women Impressionists (Oxford, 1986), p. 53 (ill.). "An Intimate Vision: Women Impressionists," exh. cat. (Bilbao, 2001). Hollis Clayson, Painted love: Prostitution in French Art of the Impressionist Era, 2nd ed. (New Haven, 2003).

    Quick Overview

    Artist
    Eva Gonzalès / French, 1849-1883
    Date
    c. 1877
    Medium
    Pastel on canvas
    Dimensions
    45 × 37 cm (17 3/4 × 14 5/8 in.)
    Type
    Drawing
    Classification
    oil pastel
    Style
    Impressionism
    Place
    France
    Department
    Prints and Drawings
    Credit line
    Olivia Shaler Swan Memorial Collection
    Accession no.
    1972.362

    More by Eva Gonzalès in museum collections

    • Girl with Cherries

      Eva Gonzalès

      c. 1870 · Painting

      Public collection via the Art Institute of ChicagoAT-00000938
    • The Bouquet of Violets

      Eva Gonzalès

      ca. 1877–78 · Drawing

      Public collection via the Metropolitan Museum of ArtAT-00023676

    Open-access museum data

    This record comes from the open-access collection data that the Art Institute of Chicago publishes for unrestricted use (Creative Commons Zero). Art Trackers shows a selection of the museum's published fields. The Art Institute of Chicago is not an Art Trackers client and has not reviewed or endorsed this page; the museum's own website is the authoritative record.

    • View this work at the Art Institute of Chicago
    • The Art Institute of Chicago: open-access terms

    Data retrieved from the Art Institute of Chicago on October 8, 2026. The museum may have updated its record since.

    Open-access museum record · AT-00002581

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