Polycrates' Crucifixion

New York, Schaeffer Galleries, Gem of Baroque Painting, 1942, no. 30. New York, Durlacher Brothers, A Loan Exhibition of Paintings by Salvator Rosa 1615–1673, 1948, no. 2. Montreal, Museum of Fine Arts, Six Centuries of Landscape, 1952, no. 27 (ill.). Newark, New Jersey, The Newark Museum, Old Masters from American Collections, 1955–56, no. 7. Wellesley, Massachusetts, Wellesley College Museum, Salvator Rosa in America, 1979, no. 12, ill. London, Dulwich Picture Gallery, Salvator Rosa, 1615-1673: Bandits, Wilderness and Magic; Fort Worth, Kimbell Museum of Art, December 12, 2010-March 27, 2011 [Fort Worth only].

Lady Morgan, The Life and Times of Salvator Rosa, London, 1824, vol. 2, p. 368. Frederick A. Sweet, “Two Canvases by Salvator Rosa, “ Bulletin of the Art Institute of Chicago 36 (1942), p. 100–01 (ill.). “Report for the Year 1942,” Bulletin of the Art Institute of Chicago 37 (March 1943), pt. 3, pp. 7, 157, ill. p. 138. Sol A. Davidson, “Twin Rosa Canvases Acquired by Chicago,” The Art Digest 17 (February 15, 1943), p. 15. The Art Institute of Chicago, An Illustrated Guide to the Collections of the Art Institute of Chicago, Chicago, 1945, p. 29. The Art Institute of Chicago, An Illustrated Guide to the Collections of the Art Institute of Chicago, Chicago, 1948, p. 26. The Art Institute of Chicago, Paintings in The Art Institute of Chicago: A Catalogue of the Picture Collection (Chicago, 1961) p. 403. Luigi Salerno, Salvator Rosa, Milan, 1963, pp. 52, 112–13, pl. 20. A[lfred] M[oir], Art In Italy, 1600–1700, exh. cat., pp. 141–142, under no. 157. Richard William Wallace, “The Figure Paintings of Salvator Rosa,” Ph. D. diss., Princeton University, 1965, (Ann Arbor, University Microfilms), pp. 80, 82–89, 108–109, 157, fig. 49. Richard William Wallace, “Salvator Rosa’s ‘Death of Atilius Regulus’,” Burlington Magazine 109 (1967), p. 396. Richard William Wallace, “Salvator Rosa’s ‘Justice Appearing to the Peasants,’” Journal of the Warburg and Courtauld Institute 30 (1967), p. 432. Anna Arricelli in Mostra di incisioni di Salvator Rosa, exh. cat. Turin, Galleria Sabauda, 1969, n.p. Peter A. Tomory, Salvator Rosa: His Etchings and Engravings After His Works, exh. cat., (John and Mable Ringling Museum of Art, Sarasota, 1971), n. p., under. No. 23. Burton B. Fredericksen and Federico Zeri, Census of Pre-Nineteenth-Century Italian Paintings in North American Public Collections (Cambridge, Mass., 1972), pp. 177, 482, 571. Massimo Mussini, Salvator Rosa: Le incisioni, exh. cat., Parma, Galleria della Rochetta, 1972, n.p. Giampiero Bozzolate, Le incisioni di Salvator Rosa: Catalogo generale, Padua, 1973, p. 206, under no. 91. Richard Wallace, Salvator Rosa, 1973, exh. cat., Hayward Gallery, London 1975, p. 62, under no. 102. A[ndor] Pigler, Barockthemen : eine Auswahl von Verzeichnissen zur Ikonographie des 17. und 18. Jahrhunderts, 2nd ed., Budapest, 1974, p. 415. Mario Rotili, Salvator Rosa incisore, Naples, 1974, pp. 101–102, 224, under no. 104, fig. 104b. Luigi Salerno, L’opera completa di Salvator Rosa, Milan, 1975, pp. 101–102, no. 213 (ill.), pl. 52–53. Michael Mahoney, The Drawings of Salvator Rosa, New York and London, 1977, I, pp. 115, 559–61, fig. 65.3A. Wendy Wassyng Roworth, “Pictor Succensor”:A Study of Salvator Rosa as Satirist, Cynic and Painter, New York and London, 1978, pp. 346, 361, fig. 55a. Ubaldo Meroni, Lettere e altri documenti intorno alla storia della pittura, Giovani Benedetto Castiglione, detto il Grecchetto, Salvator Rosa, Gian Lorenzo Bernini, Fonti per la storia della pittura e della scultura antica, VIII, Monzambano, 1978, p. 89. Luigi Salerno, Landscape Painters of the Seventeenth Century in Rome, Rome 1977–78, vol. 2, p. 550. Richard Wallace, The Etching of Salvator Rosa, Princeton, 1979, pp. 281–82, under no. III, fig. IIIa John T. Spike, review of Wellesley College Museum, Salvator Rosa in America, in Burlington Magazine 121 (1979), p. 543. Alba Costamagna in Incisori napoletani del 1600, exh. cat., Rome Villa Farnesina, 1981, pp. 154–5, under no. 152. Giulia de Marchi, Mostre di quardri a S. Salvatore in Lauro (1682–1725), stime di collezioni romane, note e appunti di Giuseppe Ghezzi, Misascellanea della Società Romana di Storia Patria, Rome, 1987, pp. 392–93. Monica Preti in Il Seicento Fiorentino. Arte a Firenze da Ferdinando I a Cosimo III, exh. cat. Florence, Palazzo Strozzi, 1986, p. 158. Monica Preti in La pittura in Italia: Il Seicento, Milan, 1988, vol. 2, p. 868. Jonathan Scott, Salvator Rosa. His Life and Times, New Haven and London, 1999, pp. 153–6, 181, 185, fig. 194. Andreas Stolzebburg et al., Salvator Rosa : Genie der Zeichnung : Studien und Skizzen aus Leipzig und Haarlem, exh. cat., Museum der Bildenden Künste Leipzig, 1999, p. 184, ill. Sotheby’s, London, Italian Drawings From the Collection of Jak Katalan, (July 10, 2002), p. 112, under lot 70, fig. 2.