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    Museum collections / Art Institute of Chicago
    Richard Bill
    John Smibert. Richard Bill, 1733. The Art Institute of Chicago. Public domain (CC0).

    Public collection via the Art Institute of Chicago

    AT-00001045

    Richard Bill

    by John Smibert

    View at the Art Institute of Chicago

    Provenance

    Commissioned by Richard Bill (1685–1757), Boston, 1733; by descent to his son-in-law, Joshua Henshaw (1703–1777), Boston, 1757; by descent to either his daughter, Sarah Henshaw (1736–1822), or his son Joshua Henshaw (1746–1823), 1777; by descent through the line of either their cousin Elizabeth Bass Henshaw (1737–1787) or cousin David Henshaw (1744–1808) to Andrew Henshaw Ward (1784–1864) and Sarah Henshaw Ward (1787–1863), Newton, MA, 1822 or 1823; by descent to their granddaughter Sarah Henshaw Carruth Washburn (1836–1919), Newton Corner, MA, 1864; by descent to her daughter Gertrude Carruth Washburn Weeks (1861–1928), Boston, 1919; by descent to her husband Warren Bailey Potter Weeks (1858–1943), Boston, 1928; sold to Vose Galleries, Boston, 1943; sold to M. Knoedler & Company, New York, 1943; sold to the Art Institute of Chicago, 1944.

    Exhibition history

    Providence, Rhode Island School of Design, Old and New England, 1945, cat. 47. Art Institute of Chicago, Two Centuries of American Art, 1750-1950, Oct. 1, 1959–Jan. 10, 1960, no cat. [downloadable checklist available].

    Publications

    Ledyard Bill, ed., History of the Bill Family (New York, 1867). Frank W. Bayley, Five Colonial Artists of New England: Joseph Badger, Joseph Blackburn, John Singleton Copley, Robert Feke, John Smibert (Boston, 1929), 5 (ill.). Art Digest, Aug. 1, 1948, 9. David L. Evans, John F. Kerslake, and Andrew Oliver, The Notebook of John Smibert (Massachusetts Historical Society, 1969). Richard H. Saunders, John Smibert: Colonial America’s First Portrait Painter (Yale University Press, 1995), 179, cat. 83 (ill, pl. 22). Judith A. Barter, et al., American Arts at The Art Institute of Chicago: From Colonial Times to World War I (Art Institute of Chicago, 1998), 58–60, no. 9. Margaretta M. Lovell, Art in a Season of Revolution: Painters, Artisans, and Patrons in Early America (University of Pennsylvania Press, 2005), 116 (ill.). John C. Eastberg et al., Layton's Legacy: A Historic American Art Collection, 1888–2013, exh. cat. (Layton Art Collection, Inc./Milwaukee Art Museum/The University of Wisconsin Press, 2013).

    Open-access museum data

    This record comes from the open-access collection data that the Art Institute of Chicago publishes for unrestricted use (Creative Commons Zero). Art Trackers shows a selection of the museum's published fields. The Art Institute of Chicago is not an Art Trackers client and has not reviewed or endorsed this page; the museum's own website is the authoritative record.

    • View this work at the Art Institute of Chicago
    • The Art Institute of Chicago: open-access terms

    Data retrieved from the Art Institute of Chicago on October 8, 2026. The museum may have updated its record since.

    Quick Overview

    Artist
    John Smibert (American, born Scotland, 1688–1751)
    Date
    1733
    Medium
    Oil on canvas
    Dimensions
    127.6 × 102.2 cm (50 1/4 × 40 1/4 in.)
    Type
    Painting
    Classification
    painting
    Place
    Boston
    Department
    Arts of the Americas
    Credit line
    Friends of American Art Collection
    Accession no.
    1944.28

    More by John Smibert in museum collections

    • Captain John Garish

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      Public collection via the Art Institute of Chicago

      AT-00000616
    • Portrait of a Woman (Judith Colman Bulfinch?)

      John Smibert

      c. 1734 · Painting

      Public collection via the Cleveland Museum of Art

      AT-00010021

    Open-access museum record · AT-00001045

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