The Laundress

Paris, Galeries Durand-Ruel, Exposition A. Renoir, May 1892, cat. 8, as Laveuse. Art Institute of Chicago, Exhibition of the Worcester Collection, July 24–Sept. 23, 1923, no cat. Toledo Museum of Art, Paintings by French Impressionists and Post-Impressionists, Nov. 7–Dec. 12, 1937, cat. 30 (ill.). New York, Wildenstein, Renoir: A Loan Exhibition for the Benefit of the American Association of Museums in Commemoration of the Fiftieth Anniversary of Renoir’s Death, Mar. 27–May 3, 1969, cat. 37 (ill.). Art Institute of Chicago, Paintings by Renoir, Feb. 3–Apr. 1, 1973, cat. 31 (ill.). Atlanta, High Museum of Art, May 25, 1984–May 30, 1985, no cat. Tokyo, Bridgestone Museum of Art, Renoir: From Outsider to Old Master, 1870–1892, Feb. 10–Apr. 15, 2001, cat. 13 (ill.); Nagoya City Art Museum, Apr. 21–June 24, 2001. Columbus (Ohio) Museum of Art, Renoir’s Women, Sept. 23, 2005–Jan. 8, 2006, cat. 2. Fort Worth, Tex., Kimbell Art Museum, The Impressionists: Master Paintings from the Art Institute of Chicago, June 29–Nov. 2, 2008, cat. 25 (ill.). Cleveland Museum of Art, Degas and the Laundress: Women, Work, and Impressionism, Oct. 8, 2023-Jan. 14, 2024, cat. 51.

Galeries Durand-Ruel, Exposition A. Renoir, exh. cat. (Imp. de l’Art, E. Ménard et Cie, 1892), p. 37, cat. 8. “Renoir Painting Sold for $7,000,” New York Times, Jan. 6, 1923, p. 13. New American Art Galleries, Paintings and Pastels by the Barbizon Masters, Their Contemporaries the French Impressionists, and Modern French Painters Forming the Private Collection of Mr. Meyer Goodfriend New York–Paris, sale cat. (New American Art Galleries, Jan. 4–5, 1923), lot 109. Toledo Museum of Art, Paintings by French Impressionists and Post-Impressionists, exh. cat. (Toledo Museum of Art, 1937), n.pag., cat. 30 (ill.). Daniel Catton Rich, Catalogue of the Charles H. and Mary F. S. Worcester Collection of Paintings, Sculpture and Drawings (Lakeside, 1938), pp. 77–78; pl. 46/cat. 80. Edith Weigle, “Gift of Art,” Chicago Daily Tribune, May 25, 1947, p. C6 (ill.). “Donor to Get Honor Degree at Art Institute,” Chicago Daily Tribune, June 13, 1947, p. 21. Art Institute of Chicago, “Complete List of Works,” Bulletin of the Art Institute of Chicago 41, 5 [pt. 3] (Sept.–Oct. 1947), p. 63. Art Institute of Chicago, “The Magnificent Worcester Gift,” Bulletin of the Art Institute of Chicago, 42, 2, pt. 3 (Feb. 1948), p. 4 (ill.). Frederick A. Sweet, “The Charles H. and Mary F. S. Worcester Collection,” Art Institute of Chicago Quarterly 50, 3 (Sept. 15, 1956), p. 44. Art Institute of Chicago, Paintings in the Art Institute of Chicago: A Catalogue of the Picture Collection (Art Institute of Chicago, 1961; reissue, 1968), p. 396. Frederick A. Sweet, “Great Chicago Collectors,” Apollo 84, 55 (Sept. 1966), p. 203. François Daulte, Renoir: A Loan Exhibition for the Benefit of the American Association of Museums in Commemoration of the Fiftieth Anniversary of Renoir’s Death, exh. cat. (Wildenstein, 1969), cat. 37 (ill.). François Daulte, Auguste Renoir: Catalogue raisonné de l’oeuvre peint, vol. 1, Figures, 1860–1890 (Durand-Ruel, 1971), pp. 254–55, cat. 348 (ill.); 416. Elda Fezzi, L’opera completa di Renoir, nel periodo impressionista, 1869–1883, Classici dell’arte 59 (Rizzoli, 1972), p. 108, cat. 434 (ill.). Art Institute of Chicago, Paintings by Renoir, exh. cat. (Art Institute of Chicago, 1973), pp. 26; 86; 90–91, cat. 31 (ill.). Sophie Monneret, Renoir, Profils de l’art (Chêne, 1989), p. 153, cat. 8 (ill.). Art Institute of Chicago, Treasures of 19th- and 20th-Century Painting: The Art Institute of Chicago, with an introduction by James N. Wood (Art Institute of Chicago/Abbeville, 1993), p. 79 (ill.). Gerhard Gruitrooy, Renoir: A Master of Impressionism (Todtri Productions, 1994), p. 109 (ill.). Douglas W. Druick, Renoir, Artists in Focus (Art Institute of Chicago/Abrams, 1997), pp. 30; 37–38; 87, pl. 6; 108 (detail). Katsunori Fukaya, “The Laundress,” in Bridgestone Museum of Art and Nagoya City Art Museum, Renoir: From Outsider to Old Master, 1870–1892, exh. cat. (Bridgestone Museum of Art/Nagoya City Art Museum/Chunichi Shimbun, 2001), pp. 82–83, cat. 13 (ill.). Paul Hayes Tucker, “Renoir in the 1870s and ’80s: Modernity, Tradition, and Individuality,” in Bridgestone Museum of Art and Nagoya City Art Museum, Renoir: From Outsider to Old Master, 1870–1892, trans. Yumiko Yamazaki and Yuko Tatsuno, exh. cat. (Bridgestone Museum of Art/Nagoya City Art Museum/Chunichi Shimbun, 2001), pp. 37–38, 223. Ann Dumas and John Collins, Renoir’s Women, exh. cat. (Columbus Museum of Art/Merrell, 2005), pp. 11, fig. 2; 118. Guy-Patrice Dauberville and Michel Dauberville, with the collaboration of Camille Frémontier-Murphy, Renoir: Catalogue raisonné des tableaux, pastels, dessins et aquarelles, 1858–1881, vol. 1 (Bernheim-Jeune, 2007), p. 409, cat. 382 (ill.). Gloria Groom and Douglas Druick, with the assistance of Dorota Chudzicka and Jill Shaw, The Impressionists: Master Paintings from the Art Institute of Chicago, exh. cat. (Art Institute of Chicago/Kimbell Art Museum, 2008), pp. 17; 68–69, cat. 25 (ill.). Simultaneously published as Gloria Groom and Douglas Druick, with the assistance of Dorota Chudzicka and Jill Shaw, The Age of Impressionism at the Art Institute of Chicago (Art Institute of Chicago/Yale Unversity Press, 2008), pp. 17; 68-69, cat. 25 (ill.). Anne Distel, Renoir, Les Phares (Citadelles et Mazenod, 2009), pp. 158–59, ill. 142; 310. “Cat. 6: The Laundress, 1877/79,” in Renoir Paintings and Drawings at the Art Institute of Chicago, ed. Gloria Groom and Jill Shaw (Art Institute of Chicago, 2014), https://publications.artic.edu/renoir/reader/paintingsanddrawings/section/138973. Britany Salsbury, Degas and the Laundress: Women, Work, and Impressionism, exh. cat. (New Haven and London: Yale University Press, 2023), 37, 165, 169 (ill.), 204-05 cat. 51.