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    Museum collections / Art Institute of Chicago
    Sketch for "Oath on the Rütli" (recto), Female Figure (verso)
    Henry Fuseli. Sketch for "Oath on the Rütli" (recto), Female Figure (verso), 1779–81 (recto); 1785–90 (verso). The Art Institute of Chicago. Public domain (CC0).

    Public collection via the Art Institute of Chicago

    AT-00001107

    Sketch for "Oath on the Rütli" (recto), Female Figure (verso)

    by Henry Fuseli

    View at the Art Institute of Chicago

    Provenance

    Possibly William F. E. Gurley (died 1943), Chicago [The picture was discovered, unstretched, among the holdings of the Department of Prints and Drawings in 1976. It is possible that it came to the Art Institute in 1922 or 1943 as part of the Gurley Bequest, a large collection of drawings many of which remained unaccessioned until the 1980s and 1990s]; transferred from the Department of Prints and Drawings to the Department of European Painting and accessioned as an anonymous gift, 1980

    Exhibition history

    Bernisches Historisches Museum, Zeichen der Freiheit: Das Bild der Republik in der Kunst des 16. bis 20. Jahrhunderts, June 1-September 15, 1991, no. 4. Art Institute of Chicago, Shockingly Mad: Henry Fuseli and the Art of Drawing, November 18-April 1, 2017.

    Publications

    Frederick N. Bohrer, "Public Virtue and Private Terror: A Two-Sided Oil Sketch by Henry Fuseli," Zeitschrift für Kunstgeschichte 53 (1990), pp. 89–106 (ills.). Malcolm Warner in Susan Wise and Malcolm Warner, French and British Paintings from 1600 to 1800 in The Art Institute of Chicago (Chicago, 1996), pp. 220–26 (ill.). Fred Licht, Simona Tosini Pizzetti, and David H. Weinglass, Füssli pittore di Shakespeare: Pittura e teatro, exh. cat., Fondazione Magnani Rocca, Parma, 1997, no. 7 (not exhibited).

    Open-access museum data

    This record comes from the open-access collection data that the Art Institute of Chicago publishes for unrestricted use (Creative Commons Zero). Art Trackers shows a selection of the museum's published fields. The Art Institute of Chicago is not an Art Trackers client and has not reviewed or endorsed this page; the museum's own website is the authoritative record.

    • View this work at the Art Institute of Chicago
    • The Art Institute of Chicago: open-access terms

    Data retrieved from the Art Institute of Chicago on October 8, 2026. The museum may have updated its record since.

    Quick Overview

    Artist
    Henry Fuseli (Swiss, active in England, 1741–1825)
    Date
    1779–81 (recto); 1785–90 (verso)
    Medium
    Oil on canvas
    Dimensions
    76 × 67.5 cm (29 15/16 × 26 9/16 in.); Framed: 79.4 × 69.3 cm (31 1/4 × 27 1/4 in.)
    Type
    Painting
    Classification
    oil on canvas
    Style
    18th Century
    Place
    United Kingdom
    Department
    Painting and Sculpture of Europe
    Credit line
    Anonymous gift
    Accession no.
    1980.170

    More by Henry Fuseli in museum collections

    • Milton Dictating to His Daughter

      Henry Fuseli

      1794 · Painting

      Public collection via the Art Institute of Chicago

      AT-00000978
    • Two Heads of Damned Souls from Dante's "Inferno" (recto and verso)

      Henry Fuseli

      1770–78 · Painting

      Public collection via the Art Institute of Chicago

      AT-00001543
    • Ugolino and His Sons Starving to Death in the Tower

      Henry Fuseli

      1806 · Drawing

      Public collection via the Art Institute of Chicago

      AT-00002156
    • Study for Inquisition, Illustration to Columbiad

      Henry Fuseli

      c. 1806 · Drawing

      Public collection via the Art Institute of Chicago

      AT-00002159

    Open-access museum record · AT-00001107

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