ART TRACKERSConnecting fine art to people
Platform OverviewPlatform SecurityPricingTechnology OverviewTags & PlaquesWhat is UAINLegal & Compliance
GovernmentTribal NationsArtistsUniversity & CollegesServices
InstitutionsExploreMuseum Collections
Artists
Why Art TrackersAboutContactBlogDocumentationCareers
Request demo
Platform OverviewPlatform SecurityPricingTechnology OverviewTags & PlaquesWhat is UAINLegal & Compliance
GovernmentTribal NationsArtistsUniversity & CollegesServices
InstitutionsExploreMuseum Collections
Artists
Why Art TrackersAboutContactBlogDocumentationCareers
Request demo
Art Trackers logo
ART TRACKERS
Connecting fine art to people

Connecting fine art to people. Preserving cultural legacy through technology.

Platform

FeaturesHow It WorksSecurityIntegrations

Government

For Cities & CountiesComplianceResourcesCase Studies

Resources

DocumentationHelp CenterBlog

Company

About UsCareersNewsContact Us

© 2026 Art Trackers LLC. All rights reserved.

Privacy PolicyTerms of ServiceAccessibility
    Museum collections / Art Institute of Chicago
    Two Heads of Damned Souls from Dante's "Inferno" (recto and verso)
    Henry Fuseli. Two Heads of Damned Souls from Dante's "Inferno" (recto and verso), 1770–78. The Art Institute of Chicago. Public domain (CC0).

    Public collection via the Art Institute of Chicago

    AT-00001543

    Two Heads of Damned Souls from Dante's "Inferno" (recto and verso)

    by Henry Fuseli

    View at the Art Institute of Chicago

    Inscriptions

    Inscribed verso, lower left: Heinrich Fuessly / 1741-1825

    Provenance

    Sold Puttick and Simpson, London, October 23, 1914, no. 236, to William F. E. Gurley (died 1943), Chicago [part of a group of nineteen works by Fuseli acquired by Gurley as nos. 235 and 236 of this sale, described under the heading of “Original Drawings by H. Fuseli” as “Illustrations to Milton’s Poems.”]; bequeathed to the Art Institute, 1943 [they were not individually accessioned when they arrived at the Art Institute, but the heads can be identified from Gurley’s index cards preserved in the Department of Prints and Drawings]; transferred from the Department of Prints and Drawings to the Department of European Painting, 1990; accessioned, 1992.

    Exhibition history

    Art Institute of Chicago, New Light on Old Masters: French and British Paintings from 1700 to 1800, November 16, 1996–February 2, 1997, no cat. Art Institute of Chicago, Shockingly Mad: Henry Fuseli and the Art of Drawing, November 18-April 1, 2017.

    Publications

    David H. Weinglass, “’Kann uns zum Vaterland die Fremde werden?’ In der Emigration: Johann Heinrich Füssli,” Neue Zürcher Zeitung, November 23–24, 1991, p. 67. David H. Weinglass, Prints and Engraved Illustrations by and after Henry Fuseli: A Catalogue Raisonné, Aldershot, England, and Brookfield, Vt., 1994, pp. 41, 95, under nos. 50, 83. Malcolm Warner in Susan Wise and Malcolm Warner, French and British Paintings from 1600 to 1800 in The Art Institute of Chicago, Chicago, 1996, pp. 226-32, ill. Frances S. Connelly, “Profound Play: The Image Tradition of the Comic Grotesque” in Comic Grotesque, Wit and Mockery in German Art, 1870–1940, exh. cat. Neue Galerie, New York, 2005, p. 205, fig. 11.

    Open-access museum data

    This record comes from the open-access collection data that the Art Institute of Chicago publishes for unrestricted use (Creative Commons Zero). Art Trackers shows a selection of the museum's published fields. The Art Institute of Chicago is not an Art Trackers client and has not reviewed or endorsed this page; the museum's own website is the authoritative record.

    • View this work at the Art Institute of Chicago
    • The Art Institute of Chicago: open-access terms

    Data retrieved from the Art Institute of Chicago on October 8, 2026. The museum may have updated its record since.

    Quick Overview

    Artist
    Henry Fuseli (Swiss, active in England, 1741–1825)
    Date
    1770–78
    Medium
    Oil on canvas
    Dimensions
    Edges irregular, approx.: 40.6 × 29.8 cm (16 × 11 3/4 in.); Framed: 52.3 × 41.6 cm (20 9/16 × 16 3/8 in.)
    Type
    Painting
    Classification
    oil on canvas
    Style
    18th Century
    Place
    England
    Department
    Painting and Sculpture of Europe
    Credit line
    The Leonora Hall Gurley Memorial Collection
    Accession no.
    1992.1531

    More by Henry Fuseli in museum collections

    • Milton Dictating to His Daughter

      Henry Fuseli

      1794 · Painting

      Public collection via the Art Institute of Chicago

      AT-00000978
    • Sketch for "Oath on the Rütli" (recto), Female Figure (verso)

      Henry Fuseli

      1779–81 (recto); 1785–90 (verso) · Painting

      Public collection via the Art Institute of Chicago

      AT-00001107
    • Ugolino and His Sons Starving to Death in the Tower

      Henry Fuseli

      1806 · Drawing

      Public collection via the Art Institute of Chicago

      AT-00002156
    • Study for Inquisition, Illustration to Columbiad

      Henry Fuseli

      c. 1806 · Drawing

      Public collection via the Art Institute of Chicago

      AT-00002159

    Open-access museum record · AT-00001543

    Powered by Art Trackers