ART TRACKERSConnecting fine art to people
Platform OverviewPlatform SecurityPricingTechnology OverviewTags & PlaquesWhat is UAINLegal & Compliance
GovernmentTribal NationsArtistsUniversity & CollegesServices
InstitutionsExploreMuseum Collections
Artists
Why Art TrackersAboutContactBlogDocumentationCareers
Request demo
Platform OverviewPlatform SecurityPricingTechnology OverviewTags & PlaquesWhat is UAINLegal & Compliance
GovernmentTribal NationsArtistsUniversity & CollegesServices
InstitutionsExploreMuseum Collections
Artists
Why Art TrackersAboutContactBlogDocumentationCareers
Request demo
Art Trackers logo
ART TRACKERS
Connecting fine art to people

Connecting fine art to people. Preserving cultural legacy through technology.

Platform

FeaturesHow It WorksSecurityIntegrations

Government

For Cities & CountiesComplianceResourcesCase Studies

Resources

DocumentationHelp CenterBlog

Company

About UsCareersNewsContact Us

© 2026 Art Trackers LLC. All rights reserved.

Privacy PolicyTerms of ServiceAccessibility
    Museum collections / Art Institute of Chicago
    Sir Thomas Rumbold, Bt.
    Sir Joshua Reynolds. Sir Thomas Rumbold, Bt., 1788. The Art Institute of Chicago. Public domain (CC0).
    AT-00001321

    Public data from the Art Institute of Chicago. Learn more

    Sir Thomas Rumbold, Bt.

    by Sir Joshua Reynolds

    Provenance

    Sir Thomas Rumbold, first Bt. (died 1791), Woodhall Park, Watton, Hertfordshire, 1788; by descent to his grandson Thomas Henry Rumbold (died 1882); at his death to his widow; Mrs. Thomas Henry Rumbold (died 1932); offered for sale, Sotheby’s, London, May 14, 1930, lot 93 (ill), bought in; her heirs; sold Sotheby’s, London, October 13, 1954, lot 167, ill., to Agnew [annotated sale catalogue, Ryerson Library]; sold by Agnew, London to William R. Kent, March 1955, and bought back form Kent, November 1955 [Agnew’s stock book, information kindly supplied by Gabriel Naughton]; sold by Agnew to the Art Institute, 1955.

    Exhibition history

    Art Institute of Chicago, The Art of the Edge: European Frames, 1300–1900, 1986, no. 71.

    Publications

    Algernon Graves and William Vine Cronin, A History of the Works of Sir Joshua Reynolds, P.R.A., vol. 2 (London, 1899), p. 846. Sir Walter Armstrong, Sir Joshua Reynolds, First President of the Royal Academy (London and New York, 1900), p. 227. Ellis K. Waterhouse, Reynolds (London, 1941), pp. 80, 96. Apollo 61 (February 1955), cover ill. Art Institute of Chicago, An Illustrated Guide to the Collections of The Art Institute of Chicago (Chicago, [1956]), p. 32. Art Institute of Chicago, Paintings in The Art Institute of Chicago: A Catalogue of the Picture Collection (Chicago, 1961), p. 399. John D. Morse, Old Master Paintings in North America (New York, 1979), p. 236. Malcolm Warner in Susan Wise and Malcolm Warner, French and British Paintings from 1600 to 1800 in The Art Institute of Chicago. A Catalogue of the Collection (Chicago, 1996), pp. 282–84, ill. David Mannings and Martin Postle, Sir Joshua Reynolds: A Complete Catalogue of his Paintings (New Haven and London, 2000), vol. 1, pp. 398–9, cat. no. 1551; vol. 2, p. 573, fig. 1552.

    Quick Overview

    Artist
    Sir Joshua Reynolds (English, 1723–1792)
    Date
    1788
    Medium
    Oil on canvas
    Dimensions
    126.7 × 101.3 cm (49 7/8 × 39 7/8 in.); Framed: 149 × 123.2 × 8.3 cm (58 5/8 × 48 1/2 × 3 1/4 in.)
    Type
    Painting
    Classification
    oil on canvas
    Style
    18th Century
    Place
    England
    Department
    Painting and Sculpture of Europe
    Credit line
    A. A. Munger Collection
    Accession no.
    1955.1202

    More by Sir Joshua Reynolds in museum collections

    • Lady Sarah Bunbury Sacrificing to the Graces

      Sir Joshua Reynolds

      1763–65 · Painting

      Public collection via the Art Institute of ChicagoAT-00000570
    • Theophilia Gwatkin

      Sir Joshua Reynolds

      1776–81 · Painting

      Public collection via the Art Institute of ChicagoAT-00001748
    • Portrait of the Ladies Amabel and Mary Jemima Yorke

      Sir Joshua Reynolds

      c. 1761 · Painting

      Public collection via the Cleveland Museum of ArtAT-00009136
    • Thomas (1740–1825) and Martha Neate (1741–after 1795) with His Tutor, Thomas Needham

      Sir Joshua Reynolds

      1748 · Painting

      Public collection via the Metropolitan Museum of ArtAT-00015636

    Open-access museum data

    This record comes from the open-access collection data that the Art Institute of Chicago publishes for unrestricted use (Creative Commons Zero). Art Trackers shows a selection of the museum's published fields. The Art Institute of Chicago is not an Art Trackers client and has not reviewed or endorsed this page; the museum's own website is the authoritative record.

    • View this work at the Art Institute of Chicago
    • The Art Institute of Chicago: open-access terms

    Data retrieved from the Art Institute of Chicago on October 8, 2026. The museum may have updated its record since.

    Open-access museum record · AT-00001321

    Powered by Art Trackers