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    Museum collections / The Cleveland Museum of Art
    Portrait of the Ladies Amabel and Mary Jemima Yorke
    Sir Joshua Reynolds. Portrait of the Ladies Amabel and Mary Jemima Yorke, c. 1761. The Cleveland Museum of Art. Public domain (CC0).
    AT-00009136

    Public data from the Cleveland Museum of Art. Learn more

    Portrait of the Ladies Amabel and Mary Jemima Yorke

    by Sir Joshua Reynolds

    Also known as: The Ladies Amabel and Mary Jemima Yorke

    About the Artwork

    Sisters Amabel (left) and Mary Jemima are shown playing on the grounds of their family’s country estate outside London. They wear loose, flowing garments invented specifically for the portrait rather than their usual outdoor dresses. Their father commissioned the painting to hang in the family’s city home in London’s St. James Square and it highlights their status as landowners. Joshua Reynolds painted this portrait after his return from Italy, where his studies inspired him to incorporate classical references. The famous ancient Roman Statue of a Girl with a Dove is echoed in Mary Jemima’s pose as she shields a dove from the family dog.

    Provenance

    c. 1761-1790: Philip Yorke, Viscount Royston, later Second Earl of Hardwicke [1720-1790], St. James Square, London, by descent to his daughter Amabel Yorke, later Hume-Campbell, 1st Countess de Grey 1790-1833: Amabel Hume-Campbell, 1st Countess de Grey [1751-1833], by descent to her great niece Anne Florence de Grey 1833-1880: Anne Florence de Grey, Baroness Lucas [died 1880], by descent to her son, Francis Thomas de Grey 1880-1905: Francis Thomas de Grey, Seventh Earl Cowper, Seventh Baron Lucas and Tenth Baron Dingwall [1834-1905], by descent to his nephew Auberon Thomas Herbert 1905-1916: Auberon Thomas Herbert, Eighth Baron Lucas and Eleventh Baron Dingwall [1876-1916], by descent to his sister Nan Ino Cooper 1916-1922: Nan Ino Cooper, Ninth Baroness Lucas and Twelfth Baroness Dingwall [1880-1958], consigned to sale at Christie's London 1922: (Christies’s, London, May 26, 1922, lot 78) (Agnew, London) (M. Knoedler & Co., New York) John L. Severance, Cleveland, OH, by bequest to the Cleveland Museum of Art 1942-: The Cleveland Museum of Art, Cleveland, OH

    Exhibition history

    Anglo-Saxon Tradition. Kenyon College, Gambier, OH (October 1-15, 1946). The Venetian Tradition. The Cleveland Museum of Art, Cleveland, OH (November 8, 1956-January 1, 1957). Style, Truth and the Portrait. The Cleveland Museum of Art, Cleveland, OH (October 1-November 19, 1963). Sir Joshua Reynolds. Royal Academy of Arts, London, United Kingdom of Great Britain and Northern Ireland (organizer) (January 16-March 31, 1986). CMA @ Oberlin (second rotation). Allen Memorial Art Museum, Oberlin, OH (April 3-June 5, 2006). British Gallery Reinstallation (June 2020). The Cleveland Museum of Art (organizer).

    Quick Overview

    Artist
    Joshua Reynolds (British, 1723–1792)
    Date
    c. 1761
    Medium
    oil on canvas
    Dimensions
    Framed: 224.5 x 201.3 x 11.4 cm (88 3/8 x 79 1/4 x 4 1/2 in.); Unframed: 196 x 170 cm (77 3/16 x 66 15/16 in.); Former: 223.5 x 198 x 9 cm (88 x 77 15/16 x 3 9/16 in.)
    Type
    Painting
    Classification
    Painting
    Department
    European Painting and Sculpture
    Credit line
    Bequest of John L. Severance
    Accession no.
    1942.645

    More by Sir Joshua Reynolds in museum collections

    • Lady Sarah Bunbury Sacrificing to the Graces

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      1763–65 · Painting

      Public collection via the Art Institute of ChicagoAT-00000570
    • Sir Thomas Rumbold, Bt.

      Sir Joshua Reynolds

      1788 · Painting

      Public collection via the Art Institute of ChicagoAT-00001321
    • Theophilia Gwatkin

      Sir Joshua Reynolds

      1776–81 · Painting

      Public collection via the Art Institute of ChicagoAT-00001748
    • Thomas (1740–1825) and Martha Neate (1741–after 1795) with His Tutor, Thomas Needham

      Sir Joshua Reynolds

      1748 · Painting

      Public collection via the Metropolitan Museum of ArtAT-00015636

    Open-access museum data

    This record comes from the open-access collection data that the Cleveland Museum of Art publishes for unrestricted use (Creative Commons Zero). Art Trackers shows a selection of the museum's published fields. The Cleveland Museum of Art is not an Art Trackers client and has not reviewed or endorsed this page; the museum's own website is the authoritative record.

    • View this work at the Cleveland Museum of Art
    • The Cleveland Museum of Art: open-access terms

    Data retrieved from the Cleveland Museum of Art on October 8, 2026. The museum may have updated its record since.

    Open-access museum record · AT-00009136

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