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    Museum collections / Art Institute of Chicago
    The Church of Overschie
    Johan Barthold Jongkind. The Church of Overschie, 1866. The Art Institute of Chicago. Public domain (CC0).

    Public collection via the Art Institute of Chicago

    AT-00001522

    The Church of Overschie

    by Johan Barthold Jongkind

    View at the Art Institute of Chicago

    Inscriptions

    Inscribed lower right: Jongkind 1866

    Provenance

    E[rnest] May, by 1890; his sale, Galerie Georges Petit, Paris, June 4, 1890, lot 36, for 2,700 francs [price according to an annotated copy of the sale catalogue in the Philadelphia Museum of Art Library]. Probably Durand-Ruel, New York, by 1890 [according to an invoice from Durand-Ruel to Ryerson, Ryerson Papers, Art Institute Archives]; probably sold to Martin A. Ryerson (died 1932), Chicago, October 27, 1890 [according to the invoice cited above]; bequeathed to the Art Institute, 1933.

    Exhibition history

    Minneapolis Institute of Arts, An Exhibition of Modern French Paintings, November 1921, no cat. Columbus, Ohio, Columbus Gallery of Fine Arts, A Tour of Famous Cities, October 3–November 18, 1952, no. 25.

    Publications

    Art Institute of Chicago, Paintings in the Art Institute of Chicago: A Catalogue of the Picture Collection (Chicago: Art Institute of Chicago, 1961), p. 249. Faber Birren, History of Color in Painting: With New Principles of Color Expression (New York: Reinhold, 1965), p. 266, fig. 10-25. Victorine Hefting, Jongkind: sa vie, son oeuvre, son époque (Paris: Arts et métiers graphiques, 1975), p. 174 (ill.), no. 375. Richard Shiff, Cézanne and the End of Impressionism: A Study of the Theory, Technique, and Critical Evaluation of Modern Art (Chicago: University of Chicago Press, 1984), pp. 34, 96, 98, figs. 8, 15. Richard Shiff, “The End of Impressionism,” in Charles S. Moffett, The New Painting: Impressionism 1874–1886, exh. cat. (Washington D.C: National Gallery of Art, 1986), pp. 76–77, fig. 10. Adolphe Stein et. al, Jongkind: catalogue critique de l’oeuvre, vol. 1 (Paris: Brame & Lorenceau, 2003), p. 183 (ill.), no. 400.

    Open-access museum data

    This record comes from the open-access collection data that the Art Institute of Chicago publishes for unrestricted use (Creative Commons Zero). Art Trackers shows a selection of the museum's published fields. The Art Institute of Chicago is not an Art Trackers client and has not reviewed or endorsed this page; the museum's own website is the authoritative record.

    • View this work at the Art Institute of Chicago
    • The Art Institute of Chicago: open-access terms

    Data retrieved from the Art Institute of Chicago on October 8, 2026. The museum may have updated its record since.

    Quick Overview

    Artist
    Johan Barthold Jongkind (Dutch, 1819-1891)
    Date
    1866
    Medium
    Oil on canvas
    Dimensions
    30.5 × 50.8 cm (12 × 20 in.); Framed: 52.8 × 52.1 × 8.9 cm (20 3/4 × 20 1/2 × 3 1/2 in.)
    Type
    Painting
    Classification
    oil on canvas
    Style
    Impressionism
    Place
    Holland
    Department
    Painting and Sculpture of Europe
    Credit line
    Mr. and Mrs. Martin A. Ryerson Collection
    Accession no.
    1933.1129

    More by Johan Barthold Jongkind in museum collections

    • A Roadside Tavern

      Johan Barthold Jongkind

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      AT-00000779
    • Entrance to the Port of Honfleur

      Johan Barthold Jongkind

      1863–64 · Painting

      Public collection via the Art Institute of Chicago

      AT-00000899
    • Fishing Boat

      Johan Barthold Jongkind

      1878 · Drawing

      Public collection via the Art Institute of Chicago

      AT-00002435
    • Landscape with Man on a Donkey (recto) Two Women in a Cafe (verso)

      Johan Barthold Jongkind

      c. 1849 · Drawing

      Public collection via the Art Institute of Chicago

      AT-00004600

    Open-access museum record · AT-00001522

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