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    Museum collections / The Cleveland Museum of Art
    The Biglin Brothers Turning the Stake
    Thomas Eakins. The Biglin Brothers Turning the Stake, 1873. The Cleveland Museum of Art. Public domain (CC0).

    Public collection via the Cleveland Museum of Art

    AT-00011258

    The Biglin Brothers Turning the Stake

    by Thomas Eakins

    View at the Cleveland Museum of Art

    About the Artwork

    Before beginning a large-scale painting such as The Biglin Brothers Turning the Stake, Eakins began a series of specialized studies. He outlined the space of the composition with perspective drawings, such as this sketch in graphite. Eakins also used figure studies when rendering a work, as well as landscape and architectural drawings and his own photographs (examples of which are elsewhere in the exhibition). The practice of using perspective drawings to work out the space of a painting dates back to the Renaissance, revealing Eakins’s academic training.

    Exhibition history

    Idea to Image: Preparatory Studies from the Renaissance to Impressionism. The Cleveland Museum of Art (organizer) (February 19-March 23, 1980). National Schools of Style. The Cleveland Museum of Art, Cleveland, OH (organizer) (June 14-September 18, 1983). America Draws. The Cleveland Museum of Art, Cleveland, OH (organizer) (December 28, 1984-March 17, 1985). Thomas Eakins: The Rowing Pictures. National Gallery of Art (June 23-September 29, 1996); Yale University Art Gallery (organizer) (October 11, 1996-January 14, 1997); The Cleveland Museum of Art, Cleveland, OH (February 19-May 15, 1997). American Drawings from the Permanent Collection. The Cleveland Museum of Art, Cleveland, OH (organizer) (April 19-July 12, 1998). Time Stands Still: Muybridge and the Instantaneous Photography Movement. The Cleveland Museum of Art, Cleveland, OH (February 15-May 16, 2004). Manly Pursuits: The Sporting Images of Thomas Eakins. Los Angeles County Museum of Art, Los Angeles, CA (organizer) (July 25-October 23, 2010).

    Open-access museum data

    This record comes from the open-access collection data that the Cleveland Museum of Art publishes for unrestricted use (Creative Commons Zero). Art Trackers shows a selection of the museum's published fields. The Cleveland Museum of Art is not an Art Trackers client and has not reviewed or endorsed this page; the museum's own website is the authoritative record.

    • View this work at the Cleveland Museum of Art
    • The Cleveland Museum of Art: open-access terms

    Data retrieved from the Cleveland Museum of Art on October 8, 2026. The museum may have updated its record since.

    Quick Overview

    Artist
    Thomas Eakins (American, 1844–1916)
    Date
    1873
    Medium
    graphite and brush and brown wash
    Dimensions
    Sheet: 35.5 x 43.1 cm (14 x 16 15/16 in.)
    Type
    Drawing
    Classification
    Drawing
    Department
    Drawings
    Credit line
    Mr. and Mrs. William H. Marlatt Fund
    Accession no.
    1942.1066

    More by Thomas Eakins in museum collections

    • The Biglin Brothers Turning the Stake

      Thomas Eakins

      1873 · Painting

      Public collection via the Cleveland Museum of Art

      AT-00000233
    • Study for "William Rush Carving His Allegorical Figure of the Schuylkill River"

      Thomas Eakins

      1876–77 · Painting

      Public collection via the Art Institute of Chicago

      AT-00000889
    • Portrait of Mary Adeline Williams

      Thomas Eakins

      1899 · Painting

      Public collection via the Art Institute of Chicago

      AT-00000908
    • Riter Fitzgerald

      Thomas Eakins

      1895 · Painting

      Public collection via the Art Institute of Chicago

      AT-00001217

    Open-access museum record · AT-00011258

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