ART TRACKERSConnecting fine art to people
Platform OverviewPlatform SecurityPricingTechnology OverviewTags & PlaquesWhat is UAINLegal & Compliance
GovernmentTribal NationsArtistsUniversity & CollegesServices
InstitutionsExploreMuseum Collections
Artists
Why Art TrackersAboutContactBlogDocumentationCareers
Request demo
Platform OverviewPlatform SecurityPricingTechnology OverviewTags & PlaquesWhat is UAINLegal & Compliance
GovernmentTribal NationsArtistsUniversity & CollegesServices
InstitutionsExploreMuseum Collections
Artists
Why Art TrackersAboutContactBlogDocumentationCareers
Request demo
Art Trackers logo
ART TRACKERS
Connecting fine art to people

Connecting fine art to people. Preserving cultural legacy through technology.

Platform

FeaturesHow It WorksSecurityIntegrations

Government

For Cities & CountiesComplianceResourcesCase Studies

Resources

DocumentationHelp CenterBlog

Company

About UsCareersNewsContact Us

© 2026 Art Trackers LLC. All rights reserved.

Privacy PolicyTerms of ServiceAccessibility
    Museum collections / Art Institute of Chicago
    Time Unveiling Truth
    Pompeo Girolamo Batoni. Time Unveiling Truth, 1740–45. The Art Institute of Chicago. Public domain (CC0).
    AT-00001050

    Public data from the Art Institute of Chicago. Learn more

    Time Unveiling Truth

    by Pompeo Girolamo Batoni

    Provenance

    Possibly Cardinal Silvio Valenti Gonzaga (died 1765) [Clark 1985]; then by descent, possibly Valenti Gonzaga’s nephew, Cardinal Luigi Valenti Gonzaga (died 1808); a noble Florentine family. Private collection, Rome [Clark 1985]. P. & D. Colnaghi, London, 1975. Galerie Bruno Meissner Switzerland, by 1976; sold to Art Institute, 1976.

    Exhibition history

    New York, Colnaghi, Pompeo Batoni (1708-1787), A Loan Exhibition of Paintings, 1982, cat. by Edgar Peters Bowron, cat. 7 (ill.)

    Publications

    The Art Institute of Chicago, The Art Institute of Chicago Annual Report 1976-77 (Chicago, 1977), pp. 26 (ill.), 27. La Chronique des Arts: Supplément à la “Gazette des Beaux Arts” Mars 1977, p. 51 (ill.) Anthony M. Clark, Pompeo Batoni: A Complete Catalogue of His Works with an Intoductory Text, ed. by Edgar Peters Bowron (Oxford, 1985), pp. 220-21, no. 42, pl. 43, as Allegory of Time, Justice, and the Arts. Edgar Peters Bowron and Peter Björn Kerber, Pompeo Batoni: Prince of Painters in Eighteenth-Century Rome, ex. cat., Museum of Fine Arts, Houston (New Haven: Yale University Press, 2007), pp. 166, 169. 205 n. 70, 206. Edgar Peters Bowron, Pompeo Batoni: Complete Catalogue of his Paintings, vol. 1 (New Haven and London: Yale University Press, 2016), pp. 41-42, no. 36, ill.

    Quick Overview

    Artist
    Pompeo Girolamo Batoni (Italian, 1708–1787)
    Date
    1740–45
    Medium
    Oil on canvas
    Dimensions
    43.3 × 26.5 cm (17 1/16 × 10 7/16 in.); Framed: 52.1 × 35.6 × 3.9 cm (20 1/2 × 14 × 1 1/2 in.)
    Type
    Painting
    Classification
    oil on canvas
    Style
    18th Century
    Place
    Italy
    Department
    Painting and Sculpture of Europe
    Credit line
    Harold T. Martin Trust
    Accession no.
    1976.291

    More by Pompeo Girolamo Batoni in museum collections

    • Saint Andrew

      Pompeo Girolamo Batoni

      1740–43 · Painting

      Public collection via the Art Institute of ChicagoAT-00000624
    • Don José Moñino y Redondo, Conde de Floridablanca

      Pompeo Girolamo Batoni

      c. 1776 · Painting

      Public collection via the Art Institute of ChicagoAT-00001014
    • Allegory of Peace and War

      Pompeo Girolamo Batoni

      1776 · Painting

      Public collection via the Art Institute of ChicagoAT-00001606
    • Study for Saint Bartholomew and Drapery

      Pompeo Girolamo Batoni

      c. 1740 · Drawing

      Public collection via the Art Institute of ChicagoAT-00005954

    Open-access museum data

    This record comes from the open-access collection data that the Art Institute of Chicago publishes for unrestricted use (Creative Commons Zero). Art Trackers shows a selection of the museum's published fields. The Art Institute of Chicago is not an Art Trackers client and has not reviewed or endorsed this page; the museum's own website is the authoritative record.

    • View this work at the Art Institute of Chicago
    • The Art Institute of Chicago: open-access terms

    Data retrieved from the Art Institute of Chicago on October 8, 2026. The museum may have updated its record since.

    Open-access museum record · AT-00001050

    Powered by Art Trackers