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Allegory of Peace and War
Inscriptions
Signed and dated: POMPEO DE BATONI PINXIT ROMAE 1776
Provenance
In the artist’s studio from 1776 until at least January of 1781 [for early mentions of the picture including those in letters of Father John Thorpe to Lord Arundel, see Bowron 2016, pp. 518-20]. Probably Comtesse Clotilde Eugénie d’Oultremont (née van den Steen de Jehay, 1850–1932); by descent to her daughter Elisabeth von Furstenberg (née d’Oultremont, died 1953), Brussels; by descent to her son Maximilien, Cardinal von Furstenberg (died 1988), Brussels, Lisbon, and Vatican City; by descent to his nephew Comte Wenemar de Furstenberg, Belgium [see copy of Cardinal von Fürstenberg’s note of June 5, 1977, listing paintings bequeathed to Comte Wenemar de Furstenberg, and the count’s letter to Jean-François Heim, dated March 27, 1998, in object file]; sold through Jean-François Heim, Paris, to the Art Institute, 1998.
Exhibition history
Houston, Museum of Fine Arts, Pompeo Batoni: Prince of Painters in Eighteenth-century Rome, October 21, 2007-January 27, 2008, cat. 71; National Gallery, London, February 20-May 18, 2008 [Houston only].
Publications
Onofrio Boni, Elogio di Pompeo Girolamo Batoni (Rome: Stamperia Pagliarini, 1787), pp. 55, 68. T. Trenta, “Notizie di pittori, scultori e architetti lucchesi,” in Memorie e documenti per servire all’istoria del Ducato di Lucca, VIII, 1822, p. 173. Gaudenzio Claretta, I Reali di Savoia Munifici Fautori delle Arti: Contributo alla Storia Artistica del Piemonte del Secolo XVIII. (Turin: Stamperia Reale della Ditta G. B. Paravia E C., 1893), pp. 229–30. Ernst Emmerling, Pompeo Batoni: sein Leben und Werk (Darmstadt: Gesellschaft Hessischer Bücherfreunde, 1932), p. 129, no. 176. Isa Belli Barsali, “Pompeo Gerolamo Batoni (1708–1787),” La Provincia di Lucca, vol. 4 (January-March 1964), pp. 75–76, 80 nn. 22 and 23. Ein Potsdamer Maler in Rom: Briefe des Batoni-Schülers Johann Gottlieb Puhlmann aus den Jahren 1774 bis 1787, ed. Götz Eckardt (Berlin: Henschelverlag, 1979), pp. 121, 145, 274-75. Anthony M. Clark, Pompeo Batoni: A Complete Catalogue of His Work with an Introductory Text, ed. Edgar Peters Bowron (Oxford: Phaidon, 1985), p. 369. Art in Rome in the Eighteenth Century, ex. cat., eds. Edgar Peters Bowron and Joseph J. Rishel (Philadelphia: Philadelphia Museum of Art, 2000), p. 320. Edgar Peters Bowron, “Pompeo Batoni’s ‘Allegory of Peace and War’ and Other Subject Pictures,” in Studi di Storia dell’Arte in Onore di Denis Mahon, eds. Maria Grazia Bernardini, Silvia Danesi Squarzina, and Claudio Strinati (Milan: Electa, 2000), pp. 359–60, fig. 4. John Gedo, “Pompeo Batoni’s Allegory of Peace and War,” Burlington Magazine 144 (2002), pp. 601-606, fig. 10. Larry J. Feinberg, “A Brief History of the Old Masters in the Art Institute of Chicago, Museum Studies 32, 2 (2006), p. 21, fig. 16. Edgar Peters Bowron and Peter Björn Kerber, Pompeo Batoni: Prince of Painters in Eighteenth-Century Rome, ex. cat., Museum of Fine Arts, Houston (New Haven: Yale University Press, 2007), pp. 90, 138-40, 166, 170, 176, 180, 202, 206 n. 91, no. 71, fig. 122. Liliana Barroero, “l’antico, gli antichi. Batoni e l’ambiente erudite romano” in Pompeo Batoni, 1708–1787: l’Europa delle Corti e il Grand Tour, ex. cat., Palazzo Ducale, Lucca, eds. Liliana Barroero and Fernando Mazzocca (Milan: Silvana Editoriale, 2008), p. 60, fig. 2. Edgar Peters Bowron, Pompeo Batoni: Complete Catalogue of his Paintings, vol. 2 (New Haven and London: Yale University Press, 2016), pp. 518-20, ill., no. 407.
Quick Overview
- Artist
- Pompeo Girolamo Batoni (Italian, 1708–1787)
- Date
- 1776
- Medium
- Oil on canvas
- Dimensions
- 136 × 99 cm (53 1/2 × 39 in.); Framed: 158.2 × 121.7 × 10.5 cm (62 1/4 × 47 7/8 × 4 1/8 in.)
- Type
- Painting
- Classification
- oil on canvas
- Style
- 18th Century
- Place
- Italy
- Department
- Painting and Sculpture of Europe
- Credit line
- Gift of the Old Masters Society
- Accession no.
- 1998.152
More by Pompeo Girolamo Batoni in museum collections
Data retrieved from the Art Institute of Chicago on October 8, 2026. The museum may have updated its record since.
Open-access museum record · AT-00001606
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