Mount Athos Carved as a Monument to Alexander the Great

Art Institute of Chicago, The Art of the Edge: European Frames, 1300–1900, October 17–December 14, 1986, cat. 56.

F. P. Seguier, A Critical and Commercial Dictionary of the Works of Painters (London: Longmans, Green and Co., 1870), p. 211. Ralph N. James, Painters and Their Works (London: L. U. Gill, 1897), vol. 3, p. 154. Werner Oechslin, “Dinocrates and the Myth of the Megalomaniacal Institution of Architecture,” Daidalos 4 (1982), pp. 12–13 (ill.), pp. 22, 26 n. 7. “French Paintings Recently Acquired by The Art Institute of Chicago,” Burlington Magazine 126, 976 (1984), p. 463, fig. 86. Margaret Smith in Alan Wintermute, ed., Claude to Corot: The Development of Landscape Painting in France, exh. cat. (New York: Colnaghi, 1990), pp. 250, under cat. 52, 256 (ill.), 258, under cat. 55. Martin Warnke, Political Landscape: The Art History of Nature (London: Reaktion Books, 1994), pp. 90, 102 (ill.). Susan Wise and Malcolm Warner, French and British Paintings from 1600 to 1800 in The Art Institute of Chicago: A Catalogue of the Collection (Art Institute of Chicago/Princeton University Press, 1996), pp. 146–52 (ill.). Graham Speake, Mount Athos: Renewal in Paradise (New Haven, Conn; London: Yale University Press, 2002) pp. 14–5 (ill.).