ART TRACKERSConnecting fine art to people
Platform OverviewPlatform SecurityPricingTechnology OverviewTags & PlaquesWhat is UAINLegal & Compliance
GovernmentTribal NationsArtistsUniversity & CollegesServices
InstitutionsExploreMuseum Collections
Artists
Why Art TrackersAboutContactBlogDocumentationCareers
Request demo
Platform OverviewPlatform SecurityPricingTechnology OverviewTags & PlaquesWhat is UAINLegal & Compliance
GovernmentTribal NationsArtistsUniversity & CollegesServices
InstitutionsExploreMuseum Collections
Artists
Why Art TrackersAboutContactBlogDocumentationCareers
Request demo
Art Trackers logo
ART TRACKERS
Connecting fine art to people

Connecting fine art to people. Preserving cultural legacy through technology.

Platform

FeaturesHow It WorksSecurityIntegrations

Government

For Cities & CountiesComplianceResourcesCase Studies

Resources

DocumentationHelp CenterBlog

Company

About UsCareersNewsContact Us

© 2026 Art Trackers LLC. All rights reserved.

Privacy PolicyTerms of ServiceAccessibility
    Museum collections / The Cleveland Museum of Art
    Classical Landscape
    Pierre-Henri de Valenciennes. Classical Landscape, 1779. The Cleveland Museum of Art. Public domain (CC0).
    AT-00011016

    Public data from the Cleveland Museum of Art. Learn more

    Classical Landscape

    by Pierre-Henri de Valenciennes

    About the Artwork

    The leading landscape painter of the late 18th century, Pierre-Henri de Valenciennes was also an important theoretician whose book Elements of Practical Perspective influenced generations of French artists who followed. In the book, the artist described two ways of envisioning nature: "seeing it as it is," and "seeing it as it could be." He preferred the latter, believing that it demanded more of the imagination than merely copying the natural world. The perfection of the setting in this drawing reflects the noble, classical subject: three maidens cutting their hair and offering it on an altar to a river god.

    Inscriptions

    signed, lower left, in brown ink: Valencienne Fecit / a Rome. 1779 / 1779

    Provenance

    by 1975-before 1979: (Heim Gallery, London) by 1979: (Shepherd Gallery, New York) after 1979-1980: (Jean-Pierre Selz, New York, sold to the Cleveland Museum of Art) 1980-: The Cleveland Museum of Art, Cleveland, OH

    Exhibition history

    Year in Review: 1980. The Cleveland Museum of Art (organizer) (June 24-July 19, 1981). French Prints and Drawings in the Age of the Bourbons, 1589-1792. The Cleveland Museum of Art, Cleveland, OH (organizer) (February 2-May 16, 1982). Treasures on Paper. The Cleveland Museum of Art, Cleveland, OH (organizer) (May 10-July 24, 1988). French Drawings from the Collection. The Cleveland Museum of Art, Cleveland, OH (organizer) (December 13, 1994-March 12, 1995). Master Drawings from the Cleveland Museum of Art. The Cleveland Museum of Art, Cleveland, OH (organizer) (August 27-October 17, 2000); The Morgan Library & Museum, New York, NY (May 23-August 19, 2001); Museum of Fine Arts, Houston, Houston, TX (October 14, 2001-January 6, 2002). Views and Visions: French Landscape Painting from Classicism to Naturalism. Mount Holyoke College Art Museum, South Hadley, MA (organizer) (September 17-December 12, 2004). Treasures on Paper from the Collection of the Cleveland Museum of Art. The Cleveland Museum of Art, Cleveland, OH (organizer) (March 9-June 8, 2014).

    Quick Overview

    Artist
    Pierre Henri de Valenciennes (French, 1750–1819)
    Date
    1779
    Medium
    black gouache and brush and gray wash, over black chalk and graphite, heightened with white gouache
    Dimensions
    Sheet: 41.3 x 48.3 cm (16 1/4 x 19 in.); Secondary Support: 43.6 x 52.1 cm (17 3/16 x 20 1/2 in.)
    Type
    Drawing
    Classification
    Drawing
    Department
    Drawings
    Credit line
    Purchase from the J. H. Wade Fund
    Accession no.
    1980.91

    More by Pierre-Henri de Valenciennes in museum collections

    • Alexander at the Tomb of Cyrus the Great

      Pierre-Henri de Valenciennes

      1796 · Painting

      Public collection via the Art Institute of ChicagoAT-00001420
    • Mount Athos Carved as a Monument to Alexander the Great

      Pierre-Henri de Valenciennes

      1796 · Painting

      Public collection via the Art Institute of ChicagoAT-00001421
    • View of Rome

      Pierre-Henri de Valenciennes

      c. 1782–84 · Painting

      Public collection via the Cleveland Museum of ArtAT-00009637
    • The Banks of the Rance, Brittany

      Pierre-Henri de Valenciennes

      possibly 1785 · Painting

      Public collection via the Metropolitan Museum of ArtAT-00016090

    Open-access museum data

    This record comes from the open-access collection data that the Cleveland Museum of Art publishes for unrestricted use (Creative Commons Zero). Art Trackers shows a selection of the museum's published fields. The Cleveland Museum of Art is not an Art Trackers client and has not reviewed or endorsed this page; the museum's own website is the authoritative record.

    • View this work at the Cleveland Museum of Art
    • The Cleveland Museum of Art: open-access terms

    Data retrieved from the Cleveland Museum of Art on October 8, 2026. The museum may have updated its record since.

    Open-access museum record · AT-00011016

    Powered by Art Trackers