ART TRACKERSConnecting fine art to people
Platform OverviewPlatform SecurityPricingTechnology OverviewTags & PlaquesWhat is UAINLegal & Compliance
GovernmentTribal NationsArtistsUniversity & CollegesServices
InstitutionsExploreMuseum Collections
Artists
Why Art TrackersAboutContactBlogDocumentationCareers
Request demo
Platform OverviewPlatform SecurityPricingTechnology OverviewTags & PlaquesWhat is UAINLegal & Compliance
GovernmentTribal NationsArtistsUniversity & CollegesServices
InstitutionsExploreMuseum Collections
Artists
Why Art TrackersAboutContactBlogDocumentationCareers
Request demo
Art Trackers logo
ART TRACKERS
Connecting fine art to people

Connecting fine art to people. Preserving cultural legacy through technology.

Platform

FeaturesHow It WorksSecurityIntegrations

Government

For Cities & CountiesComplianceResourcesCase Studies

Resources

DocumentationHelp CenterBlog

Company

About UsCareersNewsContact Us

© 2026 Art Trackers LLC. All rights reserved.

Privacy PolicyTerms of ServiceAccessibility
    Museum collections / Art Institute of Chicago
    Raising of Lazarus
    Salvator Rosa. Raising of Lazarus, early 1660s. The Art Institute of Chicago. Public domain (CC0).

    Public collection via the Art Institute of Chicago

    AT-00006028

    Raising of Lazarus

    by Salvator Rosa

    View at the Art Institute of Chicago

    Inscriptions

    Inscribed verso on mount, lower left, in black chalk: "1200–"; lower left, in graphite: ".3"

    Provenance

    Christian Eriksson, Paris, 1890; by descent to Malis Eriksson, Sweden. Sold by Salamander Fine Arts, London, to Richard and Mary L. Gray and the Gray Collection Trust, Chicago, Oct. 27, 2006 (promised to the Art Institute of Chicago, 2018); given to the Art Institute of Chicago, 2022.

    Exhibition history

    Naples, Museo di Capodimonte, Ritorno al Barocco: Da Caravaggio a Luigi Vanvitelli, 2009–10, cat. 3.37. Art Institute of Chicago, Gray Collection: Seven Centuries of Art, Sept. 25, 2010–Jan. 20, 2011, cat. 27 (ill.). Art Institute of Chicago, Pure Drawing: Seven Centuries of Art from the Gray Collection, Jan. 25–Oct. 12, 2020.

    Open-access museum data

    This record comes from the open-access collection data that the Art Institute of Chicago publishes for unrestricted use (Creative Commons Zero). Art Trackers shows a selection of the museum's published fields. The Art Institute of Chicago is not an Art Trackers client and has not reviewed or endorsed this page; the museum's own website is the authoritative record.

    • View this work at the Art Institute of Chicago
    • The Art Institute of Chicago: open-access terms

    Data retrieved from the Art Institute of Chicago on October 8, 2026. The museum may have updated its record since.

    Quick Overview

    Artist
    Salvator Rosa / Italian, 1615–1673
    Date
    early 1660s
    Medium
    Pen and iron-gall ink, with red chalk, brush and iron-gall ink wash and traces of black and brown chalk, on grayish ivory laid paper, laid down on cream laid paper
    Dimensions
    42.4 × 28 cm (16 3/4 × 11 1/16 in.)
    Type
    Drawing
    Classification
    drawings (visual works)
    Place
    Italy
    Department
    Prints and Drawings
    Credit line
    Gift of Richard and Mary L. Gray
    Accession no.
    2022.93

    More by Salvator Rosa in museum collections

    • Polycrates and the Fisherman

      Salvator Rosa

      1664 · Painting

      Public collection via the Art Institute of Chicago

      AT-00000982
    • Polycrates' Crucifixion

      Salvator Rosa

      1664 · Painting

      Public collection via the Art Institute of Chicago

      AT-00000983
    • Man Mounting Lion

      Salvator Rosa

      n.d. · Drawing

      Public collection via the Art Institute of Chicago

      AT-00004185
    • Three Soldiers Resting

      Salvator Rosa

      1656/57 · Drawing

      Public collection via the Art Institute of Chicago

      AT-00005737

    Open-access museum record · AT-00006028

    Powered by Art Trackers